Lawrence Ferlinghetti – författare

'A brave man and a brave poet.' Bob Dylan'Utterly extraordinary.' Guardian'A torrent of textual splendor.' Los Angeles TimesFrom growing up as an orphan in 1920s New York, to serving in the Navy at the D-Day landings in Normandy, to a vagabond life drinking in Parisian cafes, to befriending America's greatest counter-cultural writers, Little Boy has seen it all. This is the story of one man's extraordinary life - a story steeped in the exhilarating energy of the Beats. It is a novel serving as the literary last will and testament of the iconic publisher and poet Lawrence Ferlinghetti: a meditation on his one hundred years on the planet, rich in wisdom, emotion and memories.

At last, just in time for his 99th birthday, a powerful overview of one of America's most beloved poets: New Directions is proud to present a swift, terrific chronological selection of Ferlinghetti's poems, spanning more than six decades of work and presenting one of modern poetry's greatest achievements.

"Printer's ink is the greater explosive."—Lawrence FerlinghettiLawrence Ferlinghetti founded the City Lights publishing house sixty years ago in 1955, launching the press with his now legendary Pocket Poets Series. First in the series was Pictures of the Gone World—and within a year, he had brought out two more volumes, translations by Kenneth Rexroth and then, poems by Kenneth Patchen. But it was the success and scandal of Number Four, Howl & Other Poems by Allen Ginsberg (1956), that put City Lights on the map, positioning the Pocket Poets Series at the forefront of the literary counterculture.A landmark sixtieth retrospective celebrating 60 years of publishing and cultural history, this edition provides an invaluable distillation of the energetic, iconoclastic and still fresh body of work represented in the ongoing series. Ferlinghetti has selected a handful of poems from each of the sixty volumes, including the work of Ginsberg, Kerouac, Corso, Pasolini, Voznesensky, Prévert, Mayakovsky, Cortázar, O'Hara, Ponsot, Levertov, di Prima, Duncan, Lamantia, Lowry, and more, all of the Pocket Poets Series' innovative, influential, and often ground-breaking American and international poets.

The title of this book is taken from Henry Miller's "Into the Night Life" and expresses the way Lawrence Ferlinghetti felt about these poems when he wrote them during a short period in the 1950's—as if they were, taken together, a kind of Coney Island of the mind, a kind of circus of the soul.

From the famed publisher and poet, author of the million-copy-selling collection A Coney Island of the Mind, his literary last will and testament -- part autobiography, part summing up, part Beat-inflected torrent of language and feeling, and all magical.In this unapologetically unclassifiable work Lawrence Ferlinghetti lets loose an exhilarating rush of language to craft what might be termed a closing statement about his highly significant and productive 99 years on this planet. The "Little Boy" of the title is Ferlinghetti himself as a child, shuffled from his overburdened mother to his French aunt to foster childhood with a rich Bronxville family. Service in World War Two (including the D-Day landing), graduate work, and a scholar gypsy''s vagabond life in Paris followed. These biographical reminiscences are interweaved with Allen Ginsberg-esque high energy bursts of raw emotion, rumination, reflection, reminiscence and prognostication on what we may face as a species on Planet Earth in the future. Little Boy is a magical font of literary lore with allusions galore, a final repository of hard-earned and durable wisdom, a compositional high wire act without a net (or all that much punctuation) and just a gas and an inspiration to read.

From the famed publisher and poet, author of the million-copy-selling collection A Coney Island of the Mind, his literary last will and testament -- part autobiography, part summing up, part Beat-inflected torrent of language and feeling, and all magical."A volcanic explosion of personal memories, political rants, social commentary, environmental jeremiads and cultural analysis all tangled together in one breathless sentence that would make James Joyce proud. . ."—Ron Charles, The Washington Post In this unapologetically unclassifiable work Lawrence Ferlinghetti lets loose an exhilarating rush of language to craft what might be termed a closing statement about his highly significant and productive 99 years on this planet. The "Little Boy" of the title is Ferlinghetti himself as a child, shuffled from his overburdened mother to his French aunt to foster childhood with a rich Bronxville family. Service in World War Two (including the D-Day landing), graduate work, and a scholar gypsy's vagabond life in Paris followed. These biographical reminiscences are interweaved with Allen Ginsberg-esque high energy bursts of raw emotion, rumination, reflection, reminiscence and prognostication on what we may face as a species on Planet Earth in the future. Little Boy is a magical font of literary lore with allusions galore, a final repository of hard-earned and durable wisdom, a compositional high wire act without a net (or all that much punctuation) and just a gas and an inspiration to read.

'A brave man and a brave poet.' Bob Dylan'This isn't a book: it's a reckoning ... Utterly extraordinary.' GuardianLittle Boy was quite lost. He had no idea who he was or where he had come from . Grown Boy came into his own voice and let loose his word-horde pent-up within him.From growing up as an orphan in 1920s New York, to serving in the Navy at the D-Day landings in Normandy, to a vagabond life drinking in Parisian cafes, to befriending America's greatest counter-cultural writers, Little Boy has seen it all. This is the story of one man's extraordinary life, and the madness of the century that witnessed it - a story steeped in the exhilarating energy of the Beats, a magical torrent of language that gleams with Walt Whitman's visionary spirit. Above all, this is the literary last will and testament of the iconic publisher and poet Lawrence Ferlinghetti: not only a meditation on his 99 years on the planet, rich in wisdom, emotion, and memories, but an inspiring reflection on what our future might hold.

"To all those who have for several years sought to discredit the new American literature, Lawrence Ferlinghetti has just dealt a most powerful blow," wrote French critic Pierre Lepape in 1961 when Her was published in France as La Quatrième Personne du Singulier. Calling it "a masterpiece of the young American novel," Lepape declared it was "the confirmation of a great American writer who, in the hall of American literary glories, takes the place left vacant by the death of Hemingway." Lepape went on to speak of the "incredible verbal virtuosity" by which the reader is led through this "laby-rêve," and it is this image of the "labyrinth-dream" which relates Her to the anti-novels of the young French school of Robbe-Grillet and Butor.Being thus very far from the kind of novels produced by Ferlinghetti's immediate contemporaries (whether Beat or academic) this book has met with little but bafflement among American critics. With well over 50,000 now in print Her nevertheless continues to make its own way.

These poems on European themes by the author of Her (his Paris novel) and the enduring A Coney Island of the Mind were mostly written during the last seven years and, in the poet’s words, are “transformations and transitions looking westward to America and beyond.” Flowing from France to Italy to the Netherlands, on to Germany, back to France, and finally toward America, they follow Ferlinghetti’s own recent journeying. The poems progress geographically and chronologically with a cohesive development of ideas and themes. In part he plays off T. S. Eliot’s “summarizing the past by theft and allusion” but captures the present as well in fleeting incidents of daily experience, and, in his powerful concluding poem “History of the World: A TV Docu-drama,” envisions a possible nuclear future. It is a view of our time and of where we are in it, seen by an eagle eye, told in Ferlinghetti’s inimitable everyman’s voice.

Lawrence Ferlinghetti, "one of our ageless radicals and true bards" (Booklist), has gathered here four decades of poetry in his inimitable everyman’s voice, including more than fifty pages of new work. The tone has deepened over the years, and he may now be seen as a true maestro in his field. Behind the irresistible air of immediacy and spontaneity lies much erudition and an antic imagination intent on subverting "the dominant paradigm." From his earliest books, including his landmark Coney Island of the Mind, Ferlinghetti has written poetry "in ways that those who see poetry as the province of the few and educated had never imagined. That strength has turned out to be lasting" (Joel Oppenheimer, N. Y. Times Books Review).

A sequence of one hundred and one poems with recurrent themes, it includes various sections on love, art, music, history, and literature, as well as confrontations with major figures in the avant-garde before the arrival of the Beat generation. This edition now includes eighteen new poems from Ferlinghetti's "Pictures of the Gone World" which he publishes under his City Lights imprint. A self-styled "stand-up tragedian," Ferlinghetti has been called "the foremost chronicler of our times." If A Coney Island of the Mind was a generations vibrant eye-opener, A Far Rockaway of the Heart is a wake-up call for a new age.

In 1953 Lawrence Ferlinghetti founded the first paperback bookstore in the United States. In over five decades City Lights, the bookstore and publisher, has become a Mecca for millions. Ferlinghetti’s A Coney Island of the Mind (ND, 1958) is a number one best-selling volume of poetry by any living American poet.

New Directions is proud to announce a riveting and galvanizing new book by Lawrence Ferlinghetti. At ninety-three, he shows more power than most any other poet at work today. Ferlinghetti describes his new book, Time of Useful Consciousness, as “a fragmented recording of the American stream-of-consciousness, always westward streaming; a people’s poetic history in the tradition of William Carlos Williams’ Paterson, Charles Olson’s Maximus, Allen Ginsberg’s Fall of America, and Ed Sanders’ America: a History in Verse. ‘Time of Useful Consciousness, is an aeronautical term denoting the time between when one loses oxygen and when one passes out, the brief time in which some life-saving action is possible.”Ferlinghetti’s first book since Poetry as Insurgent Art, the fierce and immediate Time of Useful Consciousness presents poetry written “in ways that those who see poetry as the province of the few and educated had never imagined” (The New York Times Book Review).

Lawrence Ferlinghetti’s Blasts contains blasts, blessings, and curses in the vortex of today, taking its cues from the original little magazine, Blast, published by Wyndham Lewis with Ezra Pound in 1914–15 that helped create the modernist movement in literature and the visual arts. In these fearless new poems, Ferlinghetti, America’s everyman bard, speaks for the poor, the forgotten, the beaten, and the bombed.

Published to celebrate forty years of City Lights publishing, which began with the letterpress printing of this book in 1955. It was Lawrence Ferlinghetti's first book, and it has been reprinted twenty-one times, having never been out of print. The original edition contained the first twenty-seven poems to which the author has now added eighteen new verses. Lawrence Ferlinghetti, poet and founder of City Lights Books, author of A Coney Island of the Mind and Pictures of the Gone World, among numerous other books, has been drawing from life since his student days in Paris where he frequented the Academie Julien and where he did his first oil painting.

A blow-by-blow unearthing of the places where the Beat writers first came to full bloom: the flat where Ginsberg wrote "Howl;" Gary Snyder's zen cottage in Berkeley; the ghostly railroad yards where Kerouac and -Cassady toiled; the pads where Jack & Neal & Carolyn lived; Ferlinghetti's favorite haunts. This meticulous guide also brings to light never-before-heard stories about Corso, Bob Kaufman, DiPrima, Kyger, Lamantia and other West Coast Beats. A entertaining read as well as a practical walking (and driving) tour that covers the entire Bay Area. With an introduction by Lawrence Ferlinghetti. Bill Morgan is a painter and archival consultant working in New York City. He is the author of The Beat Generation in New York: A Walking Tour of Jack Kerouac's City.

Lawrence Ferlinghetti—legendary poet and best-selling author—collects here his travel journals. Traversing the latter half of the twentieth century to the present, Writing Across the Landscape positions Ferlinghetti as a major voice whose personal writings are now added to the fabric of twentieth-century literary history. The volume gives glimpses of figures like William Burroughs in London, Ezra Pound in Italy and Fidel Castro at the dawn of the Revolution. Readers will journey to Mexico, Morocco, Paris and Rome, as well as to post-Stalinist Russia on a harrowing journey on the Trans-Siberian Express. Embedded with new poems and Ferlinghetti’s pyrotechnic prose, Writing Across the Landscape evokes the people, places and political movements that have shaped our time.

Lawrence Ferlinghetti—legendary poet and best-selling author—collects here his travel journals. Traversing the latter half of the twentieth century to the present, Writing Across the Landscape positions Ferlinghetti as a major voice whose personal writings are now added to the fabric of twentieth-century literary history. The volume gives glimpses of figures like William Burroughs in London, Ezra Pound in Italy and Fidel Castro at the dawn of the Revolution. Readers will journey to Mexico, Morocco, Paris and Rome, as well as to post-Stalinist Russia on a harrowing journey on the Trans-Siberian Express. Embedded with new poems and Ferlinghetti’s pyrotechnic prose, Writing Across the Landscape evokes the people, places and political movements that have shaped our time.

Here are all of Ferlinghetti's poems set in the city he has lived in for over half a century. He brings alive, with wit and lyricism, scenes of city life: a Giants baseball game, the Green Street Marching Mortuary Band, bohemian North Beach, Golden Gate Park, yachts on the Bay, and more. Also included are historic photographs, scattered prose pieces, and the text of his mischievous inaugural address with his vision of the city's history as a poetic center and suggestions for keeping it that way. Lawrence Ferlinghetti is a bookman, painter and author of poetry, fiction, essays and plays. His most recent books are How to Paint Sunlight (poetry) and Love in the Days of Rage (fiction).

»So habe ich mein ganzes Leben lang geschrieben«, sagt der legendäre Beatnik-Dichter Lawrence Ferlinghetti über Little Boy, den aufregenden Roman über sein Leben, das nun bald 100 Jahre umspannt. Er erinnert sich darin an die Trennung von seiner Mutter, an seine Kindheit bei einer Tante in Frankreich und an sein Aufwachsen bei einer wohlhabenden, aber kaltherzigen Pflegefamilie in Bronxville. Zugleich fängt er in einem turbulenten Strom aus Gedanken und Assoziationen das magische Lebensgefühl seiner Generation ein. Im Kalifornien der fünfziger Jahre gründete Ferlinghetti, nachdem er in Paris studiert und den Zweiten Weltkrieg als Marinesoldat im Pazifik und den D-Day in der Normandie miterlebt hatte, den Buchladen und Verlag City Lights, wo Ginsbergs Howl erschien und Kerouac und Burroughs ein und aus gingen. So wild, wie der Beat in Musik und Literatur tobte, so temperamentvoll und leidenschaftlich lässt Ferlinghetti den Anbruch der Hippiebewegung wieder lebendig werden, empört sich, mischt sich ein, klagt an − und beschwört die Kunst als politischen Protest.

Lawrence Ferlinghetti, Jahrgang 1919, Kind einer sephardischen Mutter, am D-Day Skipper des U-Boot-Jägers USS SC-1308, 1945 am Seekrieg gegen Japan beteiligt, um die Welt vom Faschismus zu befreien, kannte als Seemann alle Meere der Welt und machte sich, Beatnik der ersten Stunde, zwischen 1960 und 2010 auf, auch die Kontinente zu bereisen. Er starb 2021 im Alter von (fast) 102 Jahren.

Poesi är en omstörtande verksamhet, svarade den amerikanske författaren Lawrence Ferlinghetti på frågan om vad poesi i grunden är. Ferlinghetti, grundare av bokhandeln och förlaget City Lights i San Francisco och vid 96 års ålder fortfarande fullt verksam, började skriva poetikaforismer redan vid slutet av 1950-talet och har sedan dess ständigt lagt nya anteckningar till det växande verket. Här presenteras ett urval: Genom eldslågorna i översättning av Jonas Ellerström. Svavel är en handgjord, småskalig och alltid sextonsidig skriftserie innehållande koncentrerad och högklassig litteratur. Böckerna i serien är häftade och i A6-format. Utgivna titlar i Svavel: 1. PETER LUCAS ERIXON Fotismer (2012) 2. MORTEN SONDERGAARD Akut sol (2013) 3. KENNETH KOCH Om estetik (2013) 4. JONAS ELLERSTRÖM Antecknat i Albion (2013) 5. DAN GUSTAVSSON Naturlyrik (2013) 6. CHRISTER BOBERG Haiku (2013) 7. LOUISE JUHL DALSGAARD Att spela squash i ett rum utan väggar (2015) 8. JONAS RASMUSSEN Det hemska vi har gjort (2015) 9. MARIA KÜCHEN Varg (2015) 10. LAWRENCE FERLINGHETTI Genom eldslågorna (2015) 11. PETRA MÖLSTAD Omloppstid (2015) 12. SIDDHARTHA SEBASTIAN LARSSON Jag har 33 aforismer och du är en av dem (2016) 13. VÄRLDENS KORTASTE ANTOLOGI (2016) 14. JONAS ELLERSTRÖM Antipoderna (2016) 15. RAINER MARIA RILKE Urljud (2016) 16. JONAS RASMUSSEN Därur orden (2016) 17. LEIF HOLMSTRAND Avstå från tragedierna (2017) 18. VÄRLDENS KORTASTE ESSÄSAMLING (2017) 19. EVA RIBICH Kvar (2018) 20. CIA RINNE Vad angår meningar är jag förtvivlad (2020) 21. RUNE CHRISTIANSEN Transamorem Transmortem (2021) 22. FREDRIK AHLFORS Väderobservationer (2021) 23. CHARLOTTA LJUNG A B C D E (2021) 24. LUISA FAMOS På väg (2022) 25. LINA HAGELBÄCK Låt oss aldrig tala ut (2022) 26. WILLIAMS CARLOS WILLIAMS Som denna blomma framhärdar jag (2023) 27. KENNET KLEMETS eller som när jag blundar (2023)

The Secret Meaning of Things has all the elements of his earlier poetry: lyrical intensity, wit, social concern, satirical bite, and above all a classical claritas. But it goes much further: there is a deepening of vision and a darker understanding of "our clay condition." The six long poems in The Secret Meaning of Things show a progressive continuity and clarity of perception that apprehends both the hard reality and luminous irreality in everyday phenomena. In "Assassination Raga"––on the death of Robert Kennedy––the glass through which the poet sees darkly is the television screen; the poem was first read on the night of RFK’s funeral at a mass memorial in San Francisco. "Bickford’s Buddha" is a meditation on "Observation Fever" in Harvard Square, while "All Too Clearly" finds a "touch of old surrealism/at a stoplight in La Jolla." "Through the Looking Glass" begins with an actual flight aboard a commercial airliner and moves through a psychedelic vision to a final flash of the Dance of Shiva, which in turn opens out into the worldview of "After the Cries of Birds." "Moscow in the Wilderness, Segovia in the Snow" comes out of Ferlinghetti’s travels to Moscow and across the steppes in the winter of 1967.

The long poems of Starting From San Francisco present a new, quieter, more profound aspect of the poet. His original lyricism and caustic humor have been confronted, as it were, with the real presence of evil and death. "Starting from Paumanok... I strike up for a New World" wrote Walt Whitman in 1860. Starting from San Francisco, a hundred years later, Ferlinghetti roved back across the country (this "cradle we rocked out of") then turned south of the border to visionary conclusions in that lost horizon symbolized by Machu Picchu, the Inca city the Spaniards never found. These poems of voyage are autobiographical in that they grew out of Ferlinghetti’s travels in South America and Europe, but there are also poems on other themes, including several long "broadsides," which the author identifies as "satirical tirades––poetry admittedly corrupted by the political, itself irradiated by the Thing it attacks." Commenting on this paperbook edition, to which two important poems, "Berlin" and "The Situation in The West" have been added, Ferlinghetti wrote: "These poems represent to me a kind of halfway house in the ascent of a mountain I hardly knew existed until I stopped and looked back at the flatlands below. Like a Zen fool lost in the woods who laughs and lies face down on the earth to find his way."

Wild Dreams of a New Beginning brings together two acclaimed poetry volumes by Lawrence Ferlinghetti, one of our "ageless radicals and true bards" (Booklist).Who Are We Now? (1976), the first half of Wild Dreams, takes a long poetic look at the cultural fallout of a more radical time. This probing of the changes in the American psyche through the 1970s is carried forward in the second part, Landscapes of Living & Dying (1979)—a work originally hailed by Library Journal as "Ferlinghetti's strongest work since his 1957 A Coney Island of the Mind. . . . [He] pursues his disheveled muse with the innocent passion of a young beatnik, hiding his authentic erudition behind a comfortable guise of spontaneous composition."

Close to 100 figurative drawings in black and white, and in color, mostly nudes in love or strife, some "disastered by life," some with incisive or caustic words integrated in the images. This is a retrospective of Ferlinghetti's graphic work and play, ranging from his early drawings made in Paris ateliers, to yesterday's sessions sketching models in his San Francisco studio. Lawrence Ferlinghetti, poet and founder of City Lights Books, author of A Coney Island of the Mind and Pictures of the Gone World, among numerous other books, has been drawing from life since his student days in Paris where he frequented the Academie Julien and where he did his first oil painting.