Lee Brooks – författare

Many fall for Cuba''s music, its dance, the enduring strength and charm of its people. Award-winning actor Lee Brooks fell for one of its women. But how to pluck this forbidden fruit away from the so-called island frozen in time, where even romance can be illegal? Out-foxing the Castro regime''s state military apparatus, only to be forced into a shady web of human smugglers and a months-long limbo at sea, Brooks and his Cuban princess show that not only does love conquer all, but that when it comes to Cuba, fact is often much wilder than any kind of fiction. Stealing Castro''s Daughter is a tour de force of adventure romance set against the lush tapestry of Caribbean''s crown jewel, at one of the most important junctures of the island''s rich history. Surrounded by poverty, struggle and sacrifice, this is the real Cuba, and two people''s real determination to overcome the odds and escape into love''s lasting embrace. With its gritty hairpin turns, heartfelt honesty and sensual prose, Brooks captures the aching beauty of Cuba, and a desire that defies all obstacles. Read and be awed.Ben Corbett: Author of This is Cuba

Mad Dogs and Englishness connects English popular music with questions about English national identities, featuring essays that range across Bowie and Burial, PJ Harvey, Bishi and Tricky. The later years of the 20th century saw a resurgence of interest in cultural and political meanings of Englishness in ways that continue to resonate now. Pop music is simultaneously on the outside and inside of the ensuing debates. It can be used as a mode of commentary about how meanings of Englishness circulate socially. But it also produces those meanings, often underwriting claims about English national cultural distinctiveness and superiority. This book’s expert contributors use trans-national and trans-disciplinary perspectives to provide historical and contemporary commentaries about pop’s complex relationships with Englishness. Each chapter is based on original research, and the essays comprise the best single volume available on pop and the English imaginary.

Mad Dogs and Englishness connects English popular music with questions about English national identities, featuring essays that range across Bowie and Burial, PJ Harvey, Bishi and Tricky. The later years of the 20th century saw a resurgence of interest in cultural and political meanings of Englishness in ways that continue to resonate now. Pop music is simultaneously on the outside and inside of the ensuing debates. It can be used as a mode of commentary about how meanings of Englishness circulate socially. But it also produces those meanings, often underwriting claims about English national cultural distinctiveness and superiority. This book's expert contributors use trans-national and trans-disciplinary perspectives to provide historical and contemporary commentaries about pop's complex relationships with Englishness. Each chapter is based on original research, and the essays comprise the best single volume available on pop and the English imaginary.

Mad Dogs and Englishness connects English popular music with questions about English national identities, featuring essays that range across Bowie and Burial, PJ Harvey, Bishi and Tricky. The later years of the 20th century saw a resurgence of interest in cultural and political meanings of Englishness in ways that continue to resonate now. Pop music is simultaneously on the outside and inside of the ensuing debates. It can be used as a mode of commentary about how meanings of Englishness circulate socially. But it also produces those meanings, often underwriting claims about English national cultural distinctiveness and superiority. This book's expert contributors use trans-national and trans-disciplinary perspectives to provide historical and contemporary commentaries about pop's complex relationships with Englishness. Each chapter is based on original research, and the essays comprise the best single volume available on pop and the English imaginary.

Mad Dogs and Englishness connects English popular music with questions about English national identities, featuring essays that range across Bowie and Burial, PJ Harvey, Bishi and Tricky. The later years of the 20th century saw a resurgence of interest in cultural and political meanings of Englishness in ways that continue to resonate now. Pop music is simultaneously on the outside and inside of the ensuing debates. It can be used as a mode of commentary about how meanings of Englishness circulate socially. But it also produces those meanings, often underwriting claims about English national cultural distinctiveness and superiority. This book’s expert contributors use trans-national and trans-disciplinary perspectives to provide historical and contemporary commentaries about pop’s complex relationships with Englishness. Each chapter is based on original research, and the essays comprise the best single volume available on pop and the English imaginary.