Lee Durkee – författare

Meet Mississippi teenager Noel Weatherspoon: ghost-seeing insomniac, endearing dopehead, wanna-be erotic photographer, and possible Baptist faith healer. Noel, who prefers The Exorcist to Ecclesiastes, must navigate a world of Bible-thumpers, born-again Christians, and a stepfather who bears an uncanny resemblance to Billy Graham. Darkly comic and lyrically moving, Rides of the Midway introduces a formidable talent in contemporary fiction.

The Last Taxi Driver is a darkly comic novel about a day in the life of an exhausted, middle-aged cabbie about to lose his job to Uber, his girlfriend to lethargy, and his ability to stand upright to chronic back spasms. Lou - a lapsed novelist and UFO enthusiast who has returned to his home state of Mississippi after decades away - drives for a ramshackle taxi company that operates on the outskirts of a college town among the trailer parks and housing projects. With Lou's way of life fast vanishing, an ex-dispatcher resurfaces in town on the lam, triggering a bedlam shift which will test Lou's sanity and perhaps cost him his life.Against this backdrop, Lou has to keep driving, and driving - even if that means aiding and abetting the host of criminal misfits haunting the back seat of his Town Car.Written by a former cabbie, The Last Taxi Driver careens through the highways and backroads of North Mississippi as Lou becomes increasingly somnambulant and his fares increasingly eccentric. Equal parts Bukowski and Portis, Durkee's novel is an homage to a dying American industry.

*Winner of the 2024 Mississippi Institute of Arts & Letters Award for Life Writing* “A wickedly entertaining” (The New York Times) detective story that chronicles one Mississippi man’s relentless search for an authentic portrait of William Shakespeare.Following his divorce, down-and-out writer and Mississippi exile Lee Durkee holed himself up in a Vermont fishing shack and fell prey to a decades-long obsession with Shakespearian portraiture. It began with a simple premise: despite the prevalence of popular portraits, no one really knows what Shakespeare looked like. That the Bard of Avon has gotten progressively handsomer in modern depictions seems only to reinforce this point. “Intensely readable…with bust-out laughing moments” (Garden & Gun), Stalking Shakespeare is Durkee’s fascinating memoir about a hobby gone awry, the 400-year-old myriad portraits attached to the famous playwright, and Durkee’s own unrelenting search for a lost picture of the Bard painted from real life. As Durkee becomes better at beguiling curators into testing their paintings with X-ray and infrared technologies, we get a front-row seat to the captivating mysteries—and unsolved murders—surrounding the various portraits rumored to depict Shakespeare. Whisking us backward in time through layers of paint and into the pages of obscure books on the Elizabethans, Durkee travels from Vermont to Tokyo to Mississippi to DC and ultimately to London to confront the stuffy curators forever protecting the Bard’s image. For his part, Durkee is the adversary they didn’t know they had—a self-described dilettante with nothing to lose, the “Dan Brown of Elizabethan portraiture.” A bizarre and surprisingly moving blend of biography, art history, and madness, Stalking Shakespeare is a “gripping, poignant, and enjoyable” (The Washington Post) journey that will forever change the way you look at one of history’s greatest cultural and literary icons.

*Winner of the 2024 Mississippi Institute of Arts & Letters Award for Life Writing* “A wickedly entertaining” (The New York Times) detective story that chronicles one Mississippi man’s relentless search for an authentic portrait of William Shakespeare.Following his divorce, down-and-out writer and Mississippi exile Lee Durkee holed himself up in a Vermont fishing shack and fell prey to a decades-long obsession with Shakespearian portraiture. It began with a simple premise: despite the prevalence of popular portraits, no one really knows what Shakespeare looked like. That the Bard of Avon has gotten progressively handsomer in modern depictions seems only to reinforce this point. “Intensely readable…with bust-out laughing moments” (Garden & Gun), Stalking Shakespeare is Durkee’s fascinating memoir about a hobby gone awry, the 400-year-old myriad portraits attached to the famous playwright, and Durkee’s own unrelenting search for a lost picture of the Bard painted from real life. As Durkee becomes better at beguiling curators into testing their paintings with X-ray and infrared technologies, we get a front-row seat to the captivating mysteries—and unsolved murders—surrounding the various portraits rumored to depict Shakespeare. Whisking us backward in time through layers of paint and into the pages of obscure books on the Elizabethans, Durkee travels from Vermont to Tokyo to Mississippi to DC and ultimately to London to confront the stuffy curators forever protecting the Bard’s image. For his part, Durkee is the adversary they didn’t know they had—a self-described dilettante with nothing to lose, the “Dan Brown of Elizabethan portraiture.” A bizarre and surprisingly moving blend of biography, art history, and madness, Stalking Shakespeare is a “gripping, poignant, and enjoyable” (The Washington Post) journey that will forever change the way you look at one of history’s greatest cultural and literary icons.