Lee Wilson – författare

Explorations of design, use, and reuse of information technology in diverse historical and cultural contexts.

This book explores alternative cultural encounters with and around information technologies. These encounters are alternative because they counter dominant, Western-oriented notions of media consumption; they include media practices as forms of cultural resistance and subversion, “DIY cultures,” and other nonmainstream models of technology production. The contributors—leading thinkers in science and technology studies, anthropology, and software design—pay special attention to the specific inflections that different cultures and communities give to the value of knowledge. The richly detailed accounts presented here challenge the dominant view of knowledge as a neutral good—information available for representation and encoding but separated from all social relations.

The chapters examine specific cases in which the forms of knowledge and cross-cultural encounters are shaping technology use and development. They consider design, use, and reuse of technological tools, including databases, GPS devices, books, and computers, in locations that range from Australia and New Guinea to Germany and the United States.

ContributorsPoline Bala, Alan Blackwell, Wade Chambers, Michael Christie, Hildegard Diemberger, Stephen Hugh-Jones, James Leach, Jerome Lewis, Dawn Nafus, Gregers Petersen, Marilyn Strathern, David Turnbull, Helen Verran, Laura Watts, Lee Wilson

Short, plump, pigeon-toed, and never good enough for mom, Lee Wilson dared to dream she could grow up to be a star. In this uplifting memoir, Wilson describes how she grand jetéd from the stifling suburbia of the 1950s, a world of rigid gender roles, to the only domain where women and men were equally paid and equally respected—in grand, historic dance theaters and under the bright lights of the Broadway stage.

At the age of sixteen, Wilson made her classical ballet debut in Monte Carlo. Eight months later, she thrilled to the sound of her first bravos—and she never looked back. After touring Europe and dancing with the Metropolitan Opera Ballet in New York, she set her sights on Broadway, where she danced in many Broadway shows, including Hello Dolly! and the record-breaking performance of A Chorus Line.

Rebel on Pointe immerses the reader in a remarkable and visionary world. It lifts the veil of myth surrounding legendary dance icons like George Balanchine to reveal the real men and women who have made American dance and dancers an international phenomenon.

Wilson expertly depicts how her profession—at times considered so rigid and exacting—was a leading force in the liberation of women from the prison of post-war society. The hard-won gains and the maddening setbacks of the gender revolution are seen here through the eyes of a young dancer searching for freedom one “pas” at a time.

In this book, influential development practitioners reflect on their careers by writing letters of advice to their younger selves. Sharing their successes and failures, the challenges and barriers they have encountered, and the changes and continuities within their work, these deeply personal accounts provide an invaluable window into the world of development practice.

The authors come from nearly 20 countries. They have held a rich mix of jobs across a range of sectors and organisational types, bringing a long-term perspective to the sector’s contemporary challenges. The distinguished list includes a Nobel Peace Prize winner, senior figures in government and international organisations, those working at the frontline of humanitarian aid and civil society organisations, and those who might not even have thought of themselves as "development professionals", such as technologists and social entrepreneurs. Despite the differences, common themes emerge: the pursuit of meaningful change, the navigation of barriers, and the ongoing sense of hope.

This book will inspire those about to embark on their professional careers and remind new entrants and current development practitioners alike how much there remains to be done.

In this book, influential development practitioners reflect on their careers by writing letters of advice to their younger selves. Sharing their successes and failures, the challenges and barriers they have encountered, and the changes and continuities within their work, these deeply personal accounts provide an invaluable window into the world of development practice.

The authors come from nearly 20 countries. They have held a rich mix of jobs across a range of sectors and organisational types, bringing a long-term perspective to the sector’s contemporary challenges. The distinguished list includes a Nobel Peace Prize winner, senior figures in government and international organisations, those working at the frontline of humanitarian aid and civil society organisations, and those who might not even have thought of themselves as "development professionals", such as technologists and social entrepreneurs. Despite the differences, common themes emerge: the pursuit of meaningful change, the navigation of barriers, and the ongoing sense of hope.

This book will inspire those about to embark on their professional careers and remind new entrants and current development practitioners alike how much there remains to be done.

Southeast Asia has undergone innumerable far-reaching changes and dramatic transformations over the last half-century. This book explores the concept of power in relation to these transformations, and examines its various social, cultural, religious, economic and political forms.

The book works from the ground up, portraying Southeast Asians’ own perspectives, conceptualizations and experiences of power through empirically rich case studies. Exploring concepts of power in diverse settings, from the stratagems of Indonesian politicians and the aspirations of marginal Lao bureaucrats, to mass ‘Prayer Power’ rallies in the Philippines, self-cultivation practices of Thai Buddhists and relations with the dead in Singapore, the book lays out a new framework for the analysis of power in Southeast Asia in which orientations towards or away from certain models, practices and configurations of power take centre stage in analysis. In doing so the book demonstrates how power cannot be pinned down to a single definition, but is woven into Southeast Asian lives in complex, subtle, and often surprising ways.

Integrating theoretical debates with empirical evidence drawn from the contributing authors’ own research, this book is of particular interest to scholars and students of Anthropology and Asian Studies.

Southeast Asia has undergone innumerable far-reaching changes and dramatic transformations over the last half-century. This book explores the concept of power in relation to these transformations, and examines its various social, cultural, religious, economic and political forms.

The book works from the ground up, portraying Southeast Asians’ own perspectives, conceptualizations and experiences of power through empirically rich case studies. Exploring concepts of power in diverse settings, from the stratagems of Indonesian politicians and the aspirations of marginal Lao bureaucrats, to mass ‘Prayer Power’ rallies in the Philippines, self-cultivation practices of Thai Buddhists and relations with the dead in Singapore, the book lays out a new framework for the analysis of power in Southeast Asia in which orientations towards or away from certain models, practices and configurations of power take centre stage in analysis. In doing so the book demonstrates how power cannot be pinned down to a single definition, but is woven into Southeast Asian lives in complex, subtle, and often surprising ways.

Integrating theoretical debates with empirical evidence drawn from the contributing authors’ own research, this book is of particular interest to scholars and students of Anthropology and Asian Studies.

From an experienced entertainment lawyer, “a terrific handbook that outlines all the information a fledgling musician or songwriter needs to know” (Booklist).   Early in their careers, most musicians find it hard to believe that their band might ever make enough money to fight over. But sooner than you think, success may arrive, and without clear terms that spell out how the band is organized and who controls what rights, your best friends and fellow musicians may become your worst enemies.   Anyone who seeks to enter the complex world of the music business ought to know what to do in order to avoid derailing a high-speed ride to the top of the charts. This guide from a longtime intellectual property lawyer can help you get there—without breaking up the band.