Leo Samama – författare
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2 produkter
2 produkter
Inbunden, Engelska, 2023
806 kr
Skickas inom 5-8 vardagar
The music of the Dutch composer Alphons Diepenbrock (1862-1921) is one of the glories of European late-Romantic culture, although is hardly known outside his native Netherlands. This translation makes Leo Samama's masterly study of Diepenbrock available to non-Dutch readers for the first time.The music of Alphons Diepenbrock (1862-1921) is one of the glories of European late-Romantic culture. But it is hardly known outside his native Netherlands - a situation this book hopes to change. Diepenbrock's life and his music are deeply intertwined: self-taught as a composer, he was a classics tutor by profession, a Catholic with a fondness for religious mysticism and one of the leading Dutch intellectuals of his day, with Mahler, Schoenberg and Richard Strauss among his circle of friends. In his 'Overture' to this book Robin Holloway describes Diepenbrock's music - most of which involves the voice - as a 'wondrous fusion of Palestrina and Wagner (with Debussy thrown in, and a dash of Mahler)' and praises its 'visionary serenity'. It is that balance between classical clarity and Romantic passion that gives Diepenbrock's compositions their unique character - and their emotional power. Leo Samama's richly illustrated study of Diepenbrock sets him and his music in the context of their times, this translation opening up an important chapter of European history to non-Dutch-speaking readers for the first time.
Häftad, Engelska, 2015
380 kr
Skickas inom 10-15 vardagar
For virtually all of our lives, we are surrounded by music. From lullabies to radio to the praises sung in houses of worship, we encounter music at home and in the street, during work and in our leisure time, and not infrequently at birth and death. But what is music, and what does it mean to humans? How do we process it, and how do we create it?Musician Leo Samama discusses these and many other questions while shaping a vibrant picture of music's importance in human lives both past and present. What is remarkable is that music is recognised almost universally as a type of language that we can use to wordlessly communicate. We can hardly shut ourselves off from music, and considering its primal role in our lives, it comes as no surprise that few would ever want to. Able to transverse borders and appeal to the most disparate of individuals, music is both a tool and a gift, and as Samama shows, a unifying thread running throughout the cultural history of mankind.