Leon Rubin – författare

Leon Rubin and I Nyoman Sedana, both international theatre professionals as well as scholars, collaborate to give an understanding of performance culture in Bali from inside and out.The book describes four specific forms of contemporary performance that are unique to Bali:Wayang shadow-puppet theatreSanghyang ritual trance performanceGambuh classical dance-dramathe virtuoso art of Topeng masked theatre.These culturally unique and beautiful theatrical events are contextualised within religious, intellectual and social backgrounds to give unparalleled insight into the mind and world of the Balinese performer.

Leon Rubin and I Nyoman Sedana, both international theatre professionals as well as scholars, collaborate to give an understanding of performance culture in Bali from inside and out.The book describes four specific forms of contemporary performance that are unique to Bali:Wayang shadow-puppet theatreSanghyang ritual trance performanceGambuh classical dance-dramathe virtuoso art of Topeng masked theatre.These culturally unique and beautiful theatrical events are contextualised within religious, intellectual and social backgrounds to give unparalleled insight into the mind and world of the Balinese performer.

This book is an introduction to the exquisite world of Balinese performance and an in-depth study of specific forms and the contextual landscape surrounding them.The book explores all aspects of Balinese performance and describes four specific forms of contemporary performance that are unique to Bali: Wayang shadow-puppet theatre, Sanghyang ritual trance performance, Gambuh classical dance-drama and the virtuoso art of Topeng masked theatre, followed by a final chapter examining recent innovations in contemporary performance. The focus is on examining and describing the techniques used in training performers and how these techniques can be applied to Western training in drama and dance. The book also explores the relationships between improvisation and structured dramatic forms, as well as between contemporary performance approaches and traditional heritage. It offers a guide to current practice, with detailed analyses of recent theatrical performances examining all aspects of production, performance and audience reception.The culturally unique theatrical events of Bali are contextualised within religious, intellectual and social backgrounds to provide unparalleled insight into the mind and world of the Balinese performer. This new edition adds dynamic commentary on and analysis of innovations in contemporary Balinese performance since the original publication in 2007, alongside stunning new colour photographs.

This book is an introduction to the exquisite world of Balinese performance and an in-depth study of specific forms and the contextual landscape surrounding them.The book explores all aspects of Balinese performance and describes four specific forms of contemporary performance that are unique to Bali: Wayang shadow-puppet theatre, Sanghyang ritual trance performance, Gambuh classical dance-drama and the virtuoso art of Topeng masked theatre, followed by a final chapter examining recent innovations in contemporary performance. The focus is on examining and describing the techniques used in training performers and how these techniques can be applied to Western training in drama and dance. The book also explores the relationships between improvisation and structured dramatic forms, as well as between contemporary performance approaches and traditional heritage. It offers a guide to current practice, with detailed analyses of recent theatrical performances examining all aspects of production, performance and audience reception.The culturally unique theatrical events of Bali are contextualised within religious, intellectual and social backgrounds to provide unparalleled insight into the mind and world of the Balinese performer. This new edition adds dynamic commentary on and analysis of innovations in contemporary Balinese performance since the original publication in 2007, alongside stunning new colour photographs.

Rehearsing Shakespeare offers a dynamic guide to practice in rehearsals and workshops for actors, directors and trainers in a UK and global context. The book analyses the roots and development of modern-day approaches to Shakespeare and applies theory of verse analysis to practical work, ranging from the drama student to the highest professional level in major global theatres. At the heart of the book are a series of carefully tested acting exercises, worked with professional actors and drama students across the world, both in English and in translation. Featuring several case studies from the author’s own work and the work of others, it explores how acting and directing relate to design and other forms of artistic collaboration during Shakespeare production. An excellent resource for students and teachers of acting and directing courses, drama and English literature students at all levels, new professional actors and professional actors undertaking the exciting task of acting and directing Shakespeare at an international level, Rehearsing Shakespeare offers practical approaches to cutting and editing through to the core challenges of any Shakespearian play.