Leonard Levin – författare

Of all the teams in the annals of baseball, only a select few can lay claim to historic significance. One of those teams is the 1947 Brooklyn Dodgers, the first racially integrated Major League team of the twentieth century. The addition of Jackie Robinson to its roster changed not only baseball but also the nation. Yet Robinson was just one member of that memorable club, which included Carl Furillo, Gil Hodges, Pee Wee Reese, Pete Reiser, Duke Snider, Eddie Stanky, Arky Vaughan, and Dixie Walker. Also present was a quartet of baseball's most unforgettable characters: co-owners Branch Rickey and Walter O'Malley, suspended manager Leo Durocher, and radio announcer Red Barber.This book is the first to offer biographies of everyone on that incomparable team as well as accounts of the moments and events that marked the Dodgers' 1947 season: Commissioner Happy Chandler suspending Durocher, Rickey luring his old friend Burt Shotton out of retirement to replace Durocher, and brilliant outfielder Reiser being sidelined after running into a fence. In spite of all this, the Dodgers went on to win the National League pennant over the heavily favored St. Louis Cardinals. And of course, there is the biggest story of the season, where history and biography coalesce: Jackie Robinson, who overcame widespread hostility to become Rookie of the Year—and to help the Dodgers set single-game attendance records in cities around the National League.

The 1954 Cleveland Indians were one of the most remarkable baseball teams of all time. Their record for most wins (111) fell only when the baseball schedule expanded, and their winning percentage, an astounding .721, is still unsurpassed in the American League. Though the season ended with a heartbreaking loss to the New York Giants in the World Series, the 1954 team remains a favorite among Cleveland fans and beyond.Pitching to the Pennant commemorates the '54 Indians with a biographical sketch of the entire team, from the "Big Three" pitching staff (Mike Garcia and future Hall of Famers Bob Lemon and Early Wynn), through notable players such as Bobby Avila, Bob Feller, Larry Doby, and Al Rosen, to manager Al Lopez, his coaches, and the Indians' broadcast team. There are also stories about Cleveland Stadium and the 1954 All-Star Game (which the team hosted), as well as a season timeline and a firsthand account of Game One of the World Series at the Polo Grounds. Pitching to the Pennant features the superb writing and research of members of the Society for American Baseball Research (SABR), making this book a must for all Indians fans and baseball aficionados.

Known most widely for his role in the civil rights and peace movements of the 1960s, Abraham Joshua Heschel made major scholarly contributions to the fields of biblical studies, rabbinics, medieval Jewish philosophy, Hasidism, and mysticism. Yet, his most ambitious scholarly achievement, his three-volume study of Rabbinic Judaism, is only now appearing in English. Heschel's great insight is that the world of rabbinic thought can be divided into two types or schools, those of Rabbi Akiva and Rabbi Ishmael, and that the historic disputes between the two are based on fundamental differences over the nature of revelation and religion. Furthermore, this disagreement constitutes a basic and necessary ongoing polarity within Judaism between immanence and transcendence, mysticism and rationalism, neo-Platonism and Aristotelianism. Heschel then goes on to show how these two fundamental theologies of revelation may be used to interpret a great number of topics central to Judaism.

The vast majority of intellectual, religious, and national developments in modern Judaism revolve around the central idea of "Jewish culture." This book is the first synoptic view of these developments that organizes and relates them from this vantage point. The first Jewish modernization movements perceived culture as the defining trait of the outside alien social environment to which Jewry had to adapt. To be "cultured" was to be modern-European, as opposed to medieval-ghetto-Jewish. In short order, however, the Jewish religious legacy was redefined retrospectively as a historical "culture," with fateful consequences for the conception of Judaism as a humanly- and not only divinely-mandated regime. The conception of Judaism-as-culture took two main forms: an integrative, vernacular Jewish culture that developed in tandem with the integration of Jews into the various nations of western-central Europe and America, and a national Hebrew culture which, though open to the inputs of modern European society, sought to develop a revitalized Jewish national identity that ultimately found expression in the revival of the Jewish homeland and the State of Israel.

The vast majority of intellectual, religious, and national developments in modern Judaism revolve around the central idea of 'Jewish culture'. This book is the first synoptic view of these developments that organises and relates them from this vantage point. The first Jewish modernisation movements perceived culture as the defining trait of the outside alien social environment to which Jewry had to adapt. To be 'cultured' was to be modern-European, as opposed to medieval-ghetto-Jewish. In short order, however, the Jewish religious legacy was redefined retrospectively as a historical 'culture', with fateful consequences for the conception of Judaism as a human and not only a divinely mandated regime. The conception of Judaism - as culture - took two main forms: an integrative, vernacular Jewish culture that developed in tandem with the integration of Jews into the various nations of western-central Europe and America, and a national Hebrew culture which, though open to the inputs of modern European society, sought to develop a revitalised Jewish national identity that ultimately found expression in the revival of the Jewish homeland and the State of Israel.This is a large, complex story in which the author describes the contributions of Mendelssohn, Wessely, Krochmal, Zunz, the mainstream Zionist thinkers (especially Ahad Ha-Am, Bialik, and A D Gordon), Kook, Kaplan, and Dubnow to the formulation of the various versions of the modern Jewish cultural ideal.