Leonard Pitts, Jr. – författare

Could you find the courage to do what’s right in a world on fire?Pulitzer-winning journalist and bestselling novelist (Freeman) Leonard Pitts, Jr.’s new historical page-turner is a great American tale of race and war, following three characters from the Jim Crow South as they face the enormous changes World War II triggers in the United States.An affluent white marine survives Pearl Harbor at the cost of a black messman’s life only to be sent, wracked with guilt, to the Pacific and taken prisoner by the Japanese . . . a young black woman, widowed by the same events at Pearl, finds unexpected opportunity and a dangerous friendship in a segregated Alabama shipyard feeding the war . . . a black man, who as a child saw his parents brutally lynched, is conscripted to fight Nazis for a country he despises and discovers a new kind of patriotism in the all-black 761st Tank Battalion.Set against a backdrop of violent racial conflict on both the front lines and the home front, The Last Thing You Surrender explores the powerful moral struggles of individuals from a divided nation. What does it take to change someone’s mind about race? What does it take for a country and a people to move forward, transformed?

Set in mid-60s Harlem and Alabama, two families grapple with the promise and brutality of the civil rights era in the American South, reckoning with family secrets, unresolved trauma, and the heavy question of what justice demands.The free-standing successor and next novel by the author of the critically acclaimed The Last Thing You Surrender, Leonard Pitts, Jr.’s 54 Miles launches forward twenty years to the fateful weeks of March 1965—from the infamous “Bloody Sunday” march at the Edmund Pettus Bridge in Selma on the 7th to the triumphant entry into Montgomery on the 25th that climaxed the voting rights campaign—and the families who find themselves confronting the past amid another flashpoint in American history.Young Adam, who has been raised in Harlem by his white father, George, and Black mother, Thelma, goes back to his parents’ home state of Alabama to participate in the voting rights campaign, only to be brutalized in the Bloody Sunday melee. He is still recovering from this when he is struck a heavy emotional blow, learning for the first time—and in the cruelest way imaginable—of a family secret that sends him spiraling and plunging further into danger. To save him, and any hope for their relationship, Thelma is drawn back, for the first time in twenty years, to the South she both hates and fears, and to a reckoning that may result in an incalculable loss.Meanwhile, Thelma’s brother Luther is also spiraling, but in a different way. Forty-two years after his parents were lynched before his eyes, and twenty years after the man who led the lynch mob walked out of court a free man, Luther has just made a shocking discovery. He‘s found the murderer, Floyd Bitters, helpless and enfeebled in a rest home—unable to move or even to speak. The old man is literally at Luther’s mercy. And Luther, who has never overcome this trauma that defined his life, is suddenly forced to relive it all again as he grapples with the awful question of what justice now demands.

Since 1976, when he was an 18-year-old junior at USC, Leonard Pitts' writing has been winning awards, including the Pulitzer and five National Headliner Awards. This book collects his best newspaper columns, along with select longer pieces. The book is arranged chronologically under three broad subject headings: "Waiting for Someday to Come," about children and family; "White Men Can't Jump (and Other Stupid Myths)," about race, gender, sexual orientation, religion, and other fault lines of American culture; and "Forward from this Moment," about life after the September 11 attacks, spirituality, American identity, and Britney Spears. Pitts has a readership in the multi-millions across the country, and his columns generate an average of 2500 email responses per week. His enthusiastic fans are certain to embrace this collection of the best of his newspaper and magazine work, published to coincide with the release of his first novel, Before I Forget. Forward from this Moment is an essential collection from one of America's most important voices.

Freeman, the new novel by Leonard Pitts, Jr., takes place in the first few months following the Confederate surrender and the assassination of Abraham Lincoln. Upon learning of Lee's surrender, Sam--a runaway slave who once worked for the Union Army--decides to leave his safe haven in Philadelphia and set out on foot to return to the war-torn South. What compels him on this almost-suicidal course is the desire to find his wife, the mother of his only child, whom he and their son left behind 15 years earlier on the Mississippi farm to which they all "belonged." At the same time, Sam's wife, Tilda, is being forced to walk at gunpoint with her owner and two of his other slaves from the charred remains of his Mississippi farm into Arkansas, in search of an undefined place that would still respect his entitlements as slaveowner and Confederate officer. The book's third main character, Prudence, is a fearless, headstrong white woman of means who leaves her Boston home for Buford, Mississippi, to start a school for the former bondsmen, and thus honor her father's dying wish.At bottom, Freeman is a love story--sweeping, generous, brutal, compassionate, patient--about the feelings people were determined to honor, despite the enormous constraints of the times. It is this aspect of the book that should ensure it a strong, vocal, core audience of African-American women, who will help propel its likely critical acclaim to a wider audience. At the same time, this book addresses several themes that are still hotly debated today, some 145 years after the official end of the Civil War. Like Cold Mountain, Freeman illuminates the times and places it describes from a fresh perspective, with stunning results. It has the potential to become a classic addition to the literature dealing with this period. Few other novels so powerfully capture the pathos and possibility of the era particularly as it reflects the ordeal of the black slaves grappling with the promise--and the terror--of their new status as free men and women.