Lesleigh Cushing Stahlberg – författare

Even before the biblical canon became fixed, writers have revisited and reworked its stories. The author of Joshua takes the haphazard settlement of Israel recorded in the Book of Judges and retells it as an orderly military conquest. The writer of Chronicles expurgates the David cycle in Samuel I and II, offering an upright and virtuous king devoid of baser instincts. This literary phenomenon is not contained to inner-biblical exegesis. Once the telling becomes known, the retellings begin: through the New Testament, rabbinic midrash, medieval mystery plays, medieval and Renaissance poetry, nineteenth century novels, and contemporary literature, writers of the Western world have continued to occupy themselves with the biblical canon. However, there exists no adequate vocabulary-academic or popular, religious or secular, literary or theological-to describe the recurring appearances of canonical figures and motifs in later literature. Literary critics, bible scholars and book reviewers alike seek recourse in words like adaptation, allusion, echo, imitation and influence to describe what the author, for lack of better terms, has come to call retellings or recastings. Although none of these designations rings false, none approaches precision. They do not tell us what the author of a novel or poem has done with a biblical figure, do not signal how this newly recast figure is different from other recastings of it, and do not offer any indication of why these transformations have occurred. Sustaining Fictions sets out to redress this problem, considering the viability of the vocabularies of literary, midrashic, and translation theory for speaking about retelling.

Even before the biblical canon became fixed, writers have revisited and reworked its stories. The author of Joshua takes the haphazard settlement of Israel recorded in the Book of Judges and retells it as an orderly military conquest. The writer of Chronicles expurgates the David cycle in Samuel I and II, offering an upright and virtuous king devoid of baser instincts. This literary phenomenon is not contained to inner-biblical exegesis. Once the telling becomes known, the retellings begin: through the New Testament, rabbinic midrash, medieval mystery plays, medieval and Renaissance poetry, nineteenth century novels, and contemporary literature, writers of the Western world have continued to occupy themselves with the biblical canon. However, there exists no adequate vocabulary-academic or popular, religious or secular, literary or theological-to describe the recurring appearances of canonical figures and motifs in later literature. Literary critics, bible scholars and book reviewers alike seek recourse in words like adaptation, allusion, echo, imitation and influence to describe what the author, for lack of better terms, has come to call retellings or recastings. Although none of these designations rings false, none approaches precision. They do not tell us what the author of a novel or poem has done with a biblical figure, do not signal how this newly recast figure is different from other recastings of it, and do not offer any indication of why these transformations have occurred. Sustaining Fictions sets out to redress this problem, considering the viability of the vocabularies of literary, midrashic, and translation theory for speaking about retelling.

Scrolls of Love is a book of unions. Edited by a Jew and a Christian who are united by a shared passion for the Bible and a common literary hermeneutic, it joins two biblical scrolls and gathers around them a diverse community of interpreters. It brings together Ruth and the Song of Songs, two seemingly disparate texts of the Hebrew Bible, and reads them through a number of the methodological and theological perspectives. Respectful of traditional biblical scholarship, the collection of essays moves beyond it; alert to contemporary trends, the volume returns venerable interpretive tradition to center stage. Most significantly, it is interfaith. Despite the fact that Jews and Christians share a common text in the Hebrew Scripture, the two communities have read their Bibles in isolation from one another, in ignorance of the richness of the other's traditions of reading. Scrolls of Love brings the two traditions into dialogue, enriching established modes of interpretation with unconventional ones. The result is a volume that sets rabbinic, patristic, and medieval readings alongside feminist, psychoanalytic, and autobiographical ones, combining historical, literary, and textual criticism with a variety of artistic reinterpretations—wood cuts and paper cuts, poetry and fiction. Some of the works are scholarly, with the requisite footnotes to draw readers to further inquiry: others are more reflective than analytic, allowing readers to see what it means to live intimately with Scripture. As a unity, the collection presents Ruth and Song of Songs not only as ancient texts that deserve to be treasured but as old worlds capable of begetting the new.

Scrolls of Love is a book of unions. Edited by a Jew and a Christian who are united by a shared passion for the Bible and a common literary hermeneutic, it joins two biblical scrolls and gathers around them a diverse community of interpreters. It brings together Ruth and the Song of Songs, two seemingly disparate texts of the Hebrew Bible, and reads them through a number of the methodological and theological perspectives. Respectful of traditional biblical scholarship, the collection of essays moves beyond it; alert to contemporary trends, the volume returns venerable interpretive tradition to center stage. Most significantly, it is interfaith. Despite the fact that Jews and Christians share a common text in the Hebrew Scripture, the two communities have read their Bibles in isolation from one another, in ignorance of the richness of the other's traditions of reading. Scrolls of Love brings the two traditions into dialogue, enriching established modes of interpretation with unconventional ones. The result is a volume that sets rabbinic, patristic, and medieval readings alongside feminist, psychoanalytic, and autobiographical ones, combining historical, literary, and textual criticism with a variety of artistic reinterpretations—wood cuts and paper cuts, poetry and fiction. Some of the works are scholarly, with the requisite footnotes to draw readers to further inquiry: others are more reflective than analytic, allowing readers to see what it means to live intimately with Scripture. As a unity, the collection presents Ruth and Song of Songs not only as ancient texts that deserve to be treasured but as old worlds capable of begetting the new.

The Bible in the American Short Story examines Biblical influences in the post-World War II American short story. In a series of accessible chapters, Lesleigh Cushing Stahlberg and Peter S. Hawkins offer close-readings of short stories by leading contemporary writers such as Flannery O’Connor, Allegra Goodman, Tobias Wolff and Kirstin Valdez Quade that highlight the biblical passages that they reference. Exploring episodes from the Hebrew Bible and the New Testament and both Jewish and Christian heritages, this book is an important contribution to understanding the influence of the Bible in contemporary literature.

The Bible in the American Short Story examines Biblical influences in the post-World War II American short story. In a series of accessible chapters, Lesleigh Cushing Stahlberg and Peter S. Hawkins offer close-readings of short stories by leading contemporary writers such as Flannery O’Connor, Allegra Goodman, Tobias Wolff and Kirstin Valdez Quade that highlight the biblical passages that they reference. Exploring episodes from the Hebrew Bible and the New Testament and both Jewish and Christian heritages, this book is an important contribution to understanding the influence of the Bible in contemporary literature.

The Bible in the American Short Story examines Biblical influences in the post-World War II American short story. In a series of accessible chapters, Lesleigh Cushing Stahlberg and Peter S. Hawkins offer close-readings of short stories by leading contemporary writers such as Flannery O''Connor, Allegra Goodman, Tobias Wolff and Kirstin Valdez Quade that highlight the biblical passages that they reference. Exploring episodes from the Hebrew Bible and the New Testament and both Jewish and Christian heritages, this book is an important contribution to understanding the influence of the Bible in contemporary literature.

The Bible in the American Short Story examines Biblical influences in the post-World War II American short story. In a series of accessible chapters, Lesleigh Cushing Stahlberg and Peter S. Hawkins offer close-readings of short stories by leading contemporary writers such as Flannery O''Connor, Allegra Goodman, Tobias Wolff and Kirstin Valdez Quade that highlight the biblical passages that they reference. Exploring episodes from the Hebrew Bible and the New Testament and both Jewish and Christian heritages, this book is an important contribution to understanding the influence of the Bible in contemporary literature.