Lesley Stern – författare

The Smoking Book is a dreamlike structure built on the solid foundation of two questions: how does it feel to smoke, and what does smoking mean? Lesley Stern, in an innovative, hybrid form of writing, muses on these questions through intersecting stories and essays that connect, expand, and contract like smoke rings floating through the air. Stern writes of addictions and passionate attachments, of the body and bodily pleasure, of autobiography and cultural history. Smoking is Stern''s seductive pretext, her way of entering unknown and mysterious regions. The Smoking Book begins with intimate and vivid accounts of growing up on a tobacco farm in colonial Rhodesia, reminiscences that permeate subsequent excursions into precolonial tobacco production and postcolonial life in Zimbabwe, as well as dramatic vignettes set in Australia, the United States, Scotland, Italy, Japan, and South America. Stern has written a book, at once intensely personal and kaleidoscopically international, that weaves the intimate act of a solitary person smoking a cigarette into a broad cultural picture of desire, exchange, fulfillment, and the acts that bind people together, either in lasting ways or through ephemeral encounters. The Smoking Book is for anyone who has ever smoked or loved a smoker (against their better judgment); it is for those who have never smoked or for those who mourn the loss of cigarettes as they would grieve for a lost friend. But mostly, The Smoking Book is for all those who are smoldering still.

"The Smoking Book" is built on the foundation of two questions: how does it feel to smoke, and what does smoking mean? Lesley Stern muses on these questions through intersecting stories and essays. Stern writes of addictions and passionate attachments, of the body and bodily pleasure, of autobiography and cultural history. Smoking is Stern's seductive pretext, her way of entering unknown and mysterious regions. The book begins with accounts of growing up on a tobacco farm in colonial Rhodesia, reminiscences that permeate subsequent excursions into precolonial tobacco production and postcolonial life in Zimbabwe, as well as vignettes set in Australia, the United States, Scotland, Italy, Japan and South America. Stern has written a book, at once personal and international, that weaves the intimate act of a solitary person smoking a cigarette into a broad cultural picture of desire, exchange, fulfilment and the acts that bind people together, either in lasting ways or through ephemeral encounters.

Diary of a Detour is film scholar and author Lesley Stern's memoir of living with chronic lymphocytic leukemia. She chronicles the fears and daily experience of coming to grips with an incurable form of cancer by describing the dramas and delving into the science. Stern also nudges cancer off center stage by turning to alternative obsessions and pleasures. In seductive writing she describes her life in the garden and kitchen, the hospital and the library, and her travels-down the street to her meditation center, across the border to Mexico, and across the world to Australia. Her immediate world is inhabited with books, movies, politics, and medical reports that provoke essayistic reflections. As her environment is shared with friends, chickens, a cat called Elvis, mountain goats, whales, lions, and microbes the book opens onto a larger than human world. Intimate and meditative, engrossing and singular, Diary of a Detour offers new ideas about what it might mean to live and think with cancer, and with chronic illness more broadly.

Diary of a Detour is film scholar and author Lesley Stern's memoir of living with chronic lymphocytic leukemia. She chronicles the fears and daily experience of coming to grips with an incurable form of cancer by describing the dramas and delving into the science. Stern also nudges cancer off center stage by turning to alternative obsessions and pleasures. In seductive writing she describes her life in the garden and kitchen, the hospital and the library, and her travels-down the street to her meditation center, across the border to Mexico, and across the world to Australia. Her immediate world is inhabited with books, movies, politics, and medical reports that provoke essayistic reflections. As her environment is shared with friends, chickens, a cat called Elvis, mountain goats, whales, lions, and microbes the book opens onto a larger than human world. Intimate and meditative, engrossing and singular, Diary of a Detour offers new ideas about what it might mean to live and think with cancer, and with chronic illness more broadly.

Diary of a Detour is film scholar and author Lesley Stern''s memoir of living with chronic lymphocytic leukemia. She chronicles the fears and daily experience of coming to grips with an incurable form of cancer by describing the dramas and delving into the science. Stern also nudges cancer off center stage by turning to alternative obsessions and pleasures. In seductive writing she describes her life in the garden and kitchen, the hospital and the library, and her travels—down the street to her meditation center, across the border to Mexico, and across the world to Australia. Her immediate world is inhabited with books, movies, politics, and medical reports that provoke essayistic reflections. As her environment is shared with friends, chickens, a cat called Elvis, mountain goats, whales, lions, and microbes the book opens onto a larger than human world. Intimate and meditative, engrossing and singular, Diary of a Detour offers new ideas about what it might mean to live and think with cancer, and with chronic illness more broadly.

I dagens forskning har det uppstått ett dynamiskt fält där så vitt skilda vetenskaper som filosofi och neurovetenskap, psykologi och filmvetenskap börjat föra dialoger med varandra. Det handlar då om affekters inverkan på liv och handling. Mycket av den forskningen har än så länge rört sig på ett principiellt plan. Med den här boken ger sig etnologer och antropologer i kast med det konkreta - tingen och de olika affektiva kopplingar som uppstår mellan människor och den omgivande materiella kulturen. Mängder av kunskap förmedlas via sinnena - smaken, ljuden, lukten och beröringen som är svåra att verbalisera eller förmedla via bilder eller symboler. Förtätade etnografiska beskrivningar får läsaren här ta del av situationer som t ex hur den kappsäck som en uppriven hustru, en deporterad, - eller varför inte en vanlig resenär packas full av såväl hopp som förtvivlan; hur ett arvskifte ger ting från föräldrahemmet ett affektionsvärde som kan få syskon och efterlevande att kapa alla band och hellre gå till domstol än börja samtala; eller hur de belägrade invånarna i staden Sarajevo under kriget fick paket med mat och förnödenheter som inte bara lindrade utsattheten utan också ökade känslan av förnedring och vanmakt. I dessa och ytterligare typfall analyseras användbarheten av ett affektivt perspektiv vid förståelsen av relationen mellan människor och tingen omkring dem. Etnografin i boken tar läsaren med till olika delar av Skandinavien, till ett oroligt Balkan och en resa genom södra USA. I tre av bidragen diskuteras också hur affektstudier kan komma till praktisk användning i tillämpade innovationsstudier. Boken inleds med en utförlig diskussion där de affektiva perspektiven sätts in i en etnologisk och antropologisk kontext. Särskilt utrymme ägnas här de metodologiska och teoretiska utmaningar som detta öppnar för. Den här boken är visserligen ett pionjärarbete i sitt slag inom de nämnda disciplinerna, men vänder sig också till forskare och studenter inom sociologi, kultur- och turiststudier, och naturligtvis till en bredare läsekrets med intresse för studiet av känslor, musik, materiell kultur, innovationer och postsocialism.