Leslie Hill – författare
977 kr
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707 kr
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686 kr
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Beckett's Fiction
In Different Words
516 kr
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333 kr
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1 276 kr
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1 160 kr
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Blanchot provides a compelling insight into one of the key figures in the development of postmodern thought. Although Blanchot''s work is characterised by a fragmentary and complex style, Leslie Hill introduces clearly and accessibly the key themes in his work. He shows how Blanchot questions the very existence of philosophy and literature and how we may distinguish between them, stresses the importance of his political writings and the relationship between writing and history that characterised Blanchot''s later work; and considers the relationship between Blanchot and key figures such as Emmanuel Levinas and Georges Bataille and how this impacted on his work. Placing Blanchot at the centre stage of writing in the twentieth century, Blanchot also sheds new light on Blanchot''s political activities before and after the Second World War. This accessible introduction to Blanchot''s thought also includes one of the most comprehensive bibliographies of his writings of the last twenty years.
1 160 kr
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Blanchot provides a compelling insight into one of the key figures in the development of postmodern thought. Although Blanchot''s work is characterised by a fragmentary and complex style, Leslie Hill introduces clearly and accessibly the key themes in his work. He shows how Blanchot questions the very existence of philosophy and literature and how we may distinguish between them, stresses the importance of his political writings and the relationship between writing and history that characterised Blanchot''s later work; and considers the relationship between Blanchot and key figures such as Emmanuel Levinas and Georges Bataille and how this impacted on his work. Placing Blanchot at the centre stage of writing in the twentieth century, Blanchot also sheds new light on Blanchot''s political activities before and after the Second World War. This accessible introduction to Blanchot''s thought also includes one of the most comprehensive bibliographies of his writings of the last twenty years.
812 kr
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Marguerite Duras is France''s best-known and most controversial contemporary woman writer. Duras'' influence extends from her early novels of the 1950''s to her radically innovative experimental autobiographical text of the 1980''s The Lover Leslie Hill''s book throws new light on Duras'' relationship to feminism, psychoanalysis, sexuality, literature, film, politics, and the media. Feted by Kristeva, and Laca who claimed her as almost his other self, Duras is revealed to be a profoundly transgressive thinker and artist. It will be a must for all concerned with contemporary writing, writing by women, recent European cinema, film and literature.
812 kr
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Marguerite Duras is France''s best-known and most controversial contemporary woman writer. Duras'' influence extends from her early novels of the 1950''s to her radically innovative experimental autobiographical text of the 1980''s The Lover Leslie Hill''s book throws new light on Duras'' relationship to feminism, psychoanalysis, sexuality, literature, film, politics, and the media. Feted by Kristeva, and Laca who claimed her as almost his other self, Duras is revealed to be a profoundly transgressive thinker and artist. It will be a must for all concerned with contemporary writing, writing by women, recent European cinema, film and literature.
462 kr
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1 430 kr
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434 kr
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1 359 kr
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468 kr
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Marking the 100-year anniversary of women’s suffrage, Leslie Hill provides a fascinating survey of the history of first wave feminism in British theatre, from the London premiere of Ibsen’s A Doll’s House in 1889 through the militant suffrage movement. Hill’s approachable overview explores some of the pivotal ways in which theatre makers both engaged with and influenced feminist discourse on topics such as sexual agency, reproductive rights, marriage equality, financial independence and suffrage.Clear and concise, this is an ideal resource for undergraduate and postgraduate students of Theatre and Performance Studies taking courses on Women in Theatre and Performance, Staging Feminism, Early Feminist Theatre, Theatre and Suffrage, Gender and Theatre, Political Theatre and Performance Historiography. This text will also appeal to scholars, lecturers, and Literature students.
451 kr
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2 709 kr
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675 kr
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705 kr
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731 kr
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2 073 kr
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766 kr
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367 kr
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306 kr
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Devising Theatre and Performance is a hands-on guide for artists, students and teachers of performance at any stage of their practice. It offers a wide range of creative prompts and pathways enriched with critical thinking tools and questions, a hybrid approach Hill and Paris call ‘Curious Methods’.
This is a welcome addition to the field, created and curated by two experienced artists who have operated at the international interface of academia and professional practice for over three decades.
The collection is packed with fun, creative, thoughtful exercises distilled from over twenty years of running interdisciplinary artist workshops and teaching both devising and performance making. As well providing numerous exercises and suggestions for devising, composing and editing original works, this book offers tools for giving and receiving feedback, critical reflection and framing artistic work within academic research contexts.
Readers can choose to dip in and out, to follow the book as a course or to work section by section, focusing on organizing principles such as working from the body, working with site, working with objects or performance activism. The book includes a detailed production workbook and a practice-based research workbook you can tailor to your own projects. The ''Curious Methods'' approach encourages users to take the time and space their practice deserves while offering tools, nourishment and encouragement and inviting them to take risks beyond their comfort zones. The exercises are carefully described so that they can easily be tested out by readers, and are well contextualized in relation to vivid examples from contemporary performance practice and relevant political contexts. This compelling approach goes beyond many other books on theatre devising, which merely provide performance recipes; they do so by repeatedly highlighting the vital cultural relevance and potential personal impact of the experiments that they invite us to undertake.
The primary audience for this important new book will be academics, instructors and students in courses on devised theatre, improvisation, performance art, experimental performance and practice-based research. It will be essential for classroom use, for students of theatre and performance and live art – undergraduate, postgraduate and Ph.D., teachers and all those needing strategies for getting started.
It will also appeal to readers from the broader arts, humanities and social sciences who are seeking resources for integrating creative methods into their research.