Leslie Kane – författare

Weasels and Wisemen is the first major study of David Mamet's work to investigate the moral vision and cultural poetics upon which this playwright's aesthetic vision is founded. A seminal figure in contemporary American drama whose ascendant reputation as an innovative playwright and filmmaker demands an appraisal of his thought and the evolution of his craft, Mamet's commitment to the dynamic of ethics and ethnicity heavily informs his work. Tracing the development of Mamet's canon over a period of twenty years from his early unpublished play Marranos through his most recent work, Weasels and Wisemen examines the subtle link between the moral vision and ethical behaviour that distinguishes Mamet's theatre and film. It offers a compelling rationale for the prominence and prevalence of the pedagogical relationships, the struggle for dominance, the moral imperative, the consequences of conduct, and the orientation of life that unify his work, and argues the significance of Jewish values and cultural experience that have been insufficiently acknowledged in Mamet's canon. Weasels and Wisemen provides powerful evidence that encourages readers to rethink the plays and screenplays of this important artist.

This is the first collection of scholarly essays dedicated to an assessment of this playwright's prodigious body of work. The 13 essays--12 original and one revised and expanded for this volume--present the most timely and provocative thinking on Horovitz's canon (more than 50 plays), and address such subjects as ethnicity; violence; feminism; social commitment; the role of mythology; the influence of Aeschylus, Beckett, Ionesco, O'Neill, and Albee; and Horovitz's contribution to American drama. Also included are an interview with the playwright conducted by the editor specifically for this collection, a comprehensive chronology of his life and productions, and the most current primary and selected secondary bibliography.

This collection of 15 original essays, assembled by renowned Mamet and Pinter scholar Leslie Kane, examines the pervasiveness of crime and criminality in the plays and screenplays of two of the most influential contemporary dramatists. The contributors generally focus on one or more works by a single writer, while a few take a comparative approach. Often the works studied are lesser-known or infrequently discussed works, thereby making this volume a valuable addition to current scholarship. In addition, this volume complements other works on Mamet and Pinter on our backlist, including Kane's earlier edited volumes on Mamet which both received solid sales and accolades from Choice. Assembled by a Garland/Routledge author with a proven sales record and impressive critical reception, this collection should be an easy sell to academic and theater libraries, as well as Pinter and Mamet specialists.

Contemporary playwright David Mamet's thought-provoking plays and screenplays such as Wag the Dog, Glengarry Glen Ross (for which he won the Pulitzer Prize), and Oleanna have enjoyed popular and critical success in the past two decades. Among the most prolific and provocative of writers, Mamet frequently draws emotional responses from both audiences and critics. Mamet in Conversation collects interviews with the playwright that offer readers insight into his life in the theater, his artistic vision, and the evolution of his craft. The interviews help followers of his work better understand the sensibilities that have informed his work in drama, film, and prose over a twenty-five-year career. The conversations collected here--several of which appear in print for the first time--allow a glimpse inside Mamet's creative process, and to the recurring motifs that drive his work. The range of topics is impressive and includes the celebratory purpose of theater, the responsibility of the playwright, writing for Hollywood, the seduction of fame, the search for truth and the merchandising of it, and the decay of culture. The interviews shed light on the personal as well: Mamet's return to Judaism, his appreciation of Midwestern virtues, his love of rural Vermont, the problems of embattled virtue, and the challenge of aging. The book includes transcripts of Mamet's engagingly candid broadcast interviews with Jim Lehrer and Charlie Rose of PBS, published here for the first time.Leslie Kane is Professor of English, Westfield State College. She is the author of three previous books and is President of the David Mamet Society of the Modern Language Association.

The 12 original and two classic essays offer a dialectic on performance and structure, and substantially advance our knowledge of this seminal playwright. The commentaries examine feminism, pernicious nostalgia, ethnicity, the mythological land motif, the discourse of anxiety, gendered language, and Mamet's vision of America, providing insights on the theatricality, originality, and universality of the work. Although the dominant focus is on Glengarry Glen Ross, several essays look at the play against the background of Mamet's Edmund, Reunion, and American Buffalo, whereas others find fascinating parallels in Emerson, Baudrillard, Conrad, Miller, and Churchill. The book also includes an interview with Sam Mendes, the director of the highly acclaimed 1994 revival of Glengarry Glen Ross in London, conducted specifically for this collectio. A chronology of major productions and the most current and comprehensive bibliography of secondary references from 1983-1995 complete the volume.

The 12 original and two classic essays offer a dialectic on performance and structure, and substantially advance our knowledge of this seminal playwright. The commentaries examine feminism, pernicious nostalgia, ethnicity, the mythological land motif, the discourse of anxiety, gendered language, and Mamet's vision of America, providing insights on the theatricality, originality, and universality of the work. Although the dominant focus is on Glengarry Glen Ross, several essays look at the play against the background of Mamet's Edmund, Reunion, and American Buffalo, whereas others find fascinating parallels in Emerson, Baudrillard, Conrad, Miller, and Churchill. The book also includes an interview with Sam Mendes, the director of the highly acclaimed 1994 revival of Glengarry Glen Ross in London, conducted specifically for this collectio. A chronology of major productions and the most current and comprehensive bibliography of secondary references from 1983-1995 complete the volume.

This collection of 15 original essays, assembled by renowned Mamet and Pinter scholar Leslie Kane, examines the pervasiveness of crime and criminality in the plays and screenplays of two of the most influential contemporary dramatists. The contributors generally focus on one or more works by a single writer, while a few take a comparative approach. Often the works studied are lesser-known or infrequently discussed works, thereby making this volume a valuable addition to current scholarship. In addition, this volume complements other works on Mamet and Pinter on our backlist, including Kane''s earlier edited volumes on Mamet which both received solid sales and accolades from Choice. Assembled by a Garland/Routledge author with a proven sales record and impressive critical reception, this collection should be an easy sell to academic and theater libraries, as well as Pinter and Mamet specialists.

This collection of 15 original essays, assembled by renowned Mamet and Pinter scholar Leslie Kane, examines the pervasiveness of crime and criminality in the plays and screenplays of two of the most influential contemporary dramatists. The contributors generally focus on one or more works by a single writer, while a few take a comparative approach. Often the works studied are lesser-known or infrequently discussed works, thereby making this volume a valuable addition to current scholarship. In addition, this volume complements other works on Mamet and Pinter on our backlist, including Kane''s earlier edited volumes on Mamet which both received solid sales and accolades from Choice. Assembled by a Garland/Routledge author with a proven sales record and impressive critical reception, this collection should be an easy sell to academic and theater libraries, as well as Pinter and Mamet specialists.

The 12 original and two classic essays offer a dialectic on performance and structure, and substantially advance our knowledge of this seminal playwright. The commentaries examine feminism, pernicious nostalgia, ethnicity, the mythological land motif, the discourse of anxiety, gendered language, and Mamet''s vision of America, providing insights on the theatricality, originality, and universality of the work. Although the dominant focus is on Glengarry Glen Ross, several essays look at the play against the background of Mamet''s Edmund, Reunion, and American Buffalo, whereas others find fascinating parallels in Emerson, Baudrillard, Conrad, Miller, and Churchill. The book also includes an interview with Sam Mendes, the director of the highly acclaimed 1994 revival of Glengarry Glen Ross in London, conducted specifically for this collectio. A chronology of major productions and the most current and comprehensive bibliography of secondary references from 1983-1995 complete the volume.

The 12 original and two classic essays offer a dialectic on performance and structure, and substantially advance our knowledge of this seminal playwright. The commentaries examine feminism, pernicious nostalgia, ethnicity, the mythological land motif, the discourse of anxiety, gendered language, and Mamet''s vision of America, providing insights on the theatricality, originality, and universality of the work. Although the dominant focus is on Glengarry Glen Ross, several essays look at the play against the background of Mamet''s Edmund, Reunion, and American Buffalo, whereas others find fascinating parallels in Emerson, Baudrillard, Conrad, Miller, and Churchill. The book also includes an interview with Sam Mendes, the director of the highly acclaimed 1994 revival of Glengarry Glen Ross in London, conducted specifically for this collectio. A chronology of major productions and the most current and comprehensive bibliography of secondary references from 1983-1995 complete the volume.