Leslie Moran – författare

First published in 1996. The Homosexual(ity) of Law is an innovative and important investigation of the legal representation of identity and sexuality. This wide-ranging and theoretical study demands that we think again about the legal regulation of sexual relations. It examines how both sense and nonsense of same-sex relations are made in law by way of ‘homosexual’. It explores how the introduction of an idea of homosexuality both promotes the continued abhorrence and increased punishment of same-sex relations and makes possible reforms in the law that promote respect for these relations. This study investigates the struggles that surround the review of the law on ‘homosexuality’ undertaken by the Wolfenden Committee in the 1950s and explores the peculiarities of the enactment of the term ‘homosexual’ into the law of England in 1967. It challenges the current understanding that ‘homosexual’ is either a term used to name a specific category of act or a term that is merely used to name an identity. The Homosexual(ity) of Law shows how ‘homosexual’ is a term that signifies both of these things, but it is also capable of expressing many other meanings. It explores the values that are given a voice through this new term in law. It also demonstrates that ‘homosexual’ in law is a reference to a complex technology of interrogation, surveillance and documentation that isolates gestures, speech and deportment and gives them meaning as ‘homosexual’ in law. Through an analysis of various police practices, the day-to-day decisions of the judiciary in high profile test cases and recent Parliamentary debates relating to the age of consent law reform, The Homosexual(ity) of Law explores the way this ‘homosexual(ity)’ is put to use in current legal practice.

First published in 1996. The Homosexual(ity) of Law is an innovative and important investigation of the legal representation of identity and sexuality. This wide-ranging and theoretical study demands that we think again about the legal regulation of sexual relations. It examines how both sense and nonsense of same-sex relations are made in law by way of ‘homosexual’. It explores how the introduction of an idea of homosexuality both promotes the continued abhorrence and increased punishment of same-sex relations and makes possible reforms in the law that promote respect for these relations. This study investigates the struggles that surround the review of the law on ‘homosexuality’ undertaken by the Wolfenden Committee in the 1950s and explores the peculiarities of the enactment of the term ‘homosexual’ into the law of England in 1967. It challenges the current understanding that ‘homosexual’ is either a term used to name a specific category of act or a term that is merely used to name an identity. The Homosexual(ity) of Law shows how ‘homosexual’ is a term that signifies both of these things, but it is also capable of expressing many other meanings. It explores the values that are given a voice through this new term in law. It also demonstrates that ‘homosexual’ in law is a reference to a complex technology of interrogation, surveillance and documentation that isolates gestures, speech and deportment and gives them meaning as ‘homosexual’ in law. Through an analysis of various police practices, the day-to-day decisions of the judiciary in high profile test cases and recent Parliamentary debates relating to the age of consent law reform, The Homosexual(ity) of Law explores the way this ‘homosexual(ity)’ is put to use in current legal practice.

This book is an essential introduction to the complex issues and debates in the field of law and film. It explores interconnections that are usually ignored between law and film through three main themes:A Fantastic Jurisprudence explores representations of law in lawLaw, Aesthetics and Visual Technologies focuses on the visual aspects of law's moving imageRegulation: Histories, Cultures, Practices brings together work on different dimensions and contexts of regulation, censorship, state subsidies and intellectual property to explore the complex inter-relationship between the state, industry and private regulation.Law's Moving Image is an innovative, multi-disciplinary contribution to the rapidly growing fields of study in law and film, law and visual culture, law and culture, criminology, social and cultural studies. It will be of interest to students and academics involved in these areas.