Abu Bakr al-Suli was an Abbasid polymath and table companion, as well as a legendary chess player. He was perhaps best known for his work on poetry and chancery, which would have a long-lasting influence on Arabic literature. His decades of service at the court of at least three caliphs give him a unique perspective as an historian of his own time, although he is often valued as an observer rather than an interpreter of events for posterity.Letizia Osti here provides the first full-length English-language study devoted to al-Suli, illustrating how investigating the life, times and works of such a complex individual can serve as a fil rouge for tackling broader, contested concepts, such as biography, autobiography, court culture, and written culture. The result is an exploration of the ways in which the Abbasid court made sense of the past and, in general, of what ‘historiography’ means in a medieval Arabic context.

Adab is not an English word, but it could become one. This collection, in honour of Julia Bray, experiments with juxtaposed articles, quotations, translations and lines of poetry to let readers create connections in the same way authors did a thousand years ago in Arabic. The collaboration is inspired by the ongoing work of Julia Bray, which continues to demonstrate the rewards of taking what we read seriously.The field of Arabic studies is increasingly rejecting a hard line between the modern and the premodern. This book is an intervention in that development – arguing that the premodern can structure contemporary thinking. It offers translations, commentaries and discussions of important and insufficiently known primary texts together with the original Arabic text of poems. These cross-genre and cross-disciplinary connections can catalyse future research and show how a key feature of the Arabic literary tradition is relevant to how we think about scholarship today. The chapters provide readers with both an academic resource and an intellectual conversation with the past.

Adab is not an English word, but it could become one. This collection, in honour of Julia Bray, experiments with juxtaposed articles, quotations, translations and lines of poetry to let readers create connections in the same way authors did a thousand years ago in Arabic. The collaboration is inspired by the ongoing work of Julia Bray, which continues to demonstrate the rewards of taking what we read seriously.The field of Arabic studies is increasingly rejecting a hard line between the modern and the premodern. This book is an intervention in that development – arguing that the premodern can structure contemporary thinking. It offers translations, commentaries and discussions of important and insufficiently known primary texts together with the original Arabic text of poems. These cross-genre and cross-disciplinary connections can catalyse future research and show how a key feature of the Arabic literary tradition is relevant to how we think about scholarship today. The chapters provide readers with both an academic resource and an intellectual conversation with the past.

Adab is not an English word, but it could become one. This collection, in honour of Julia Bray, experiments with juxtaposed articles, quotations, translations and lines of poetry to let readers create connections in the same way authors did a thousand years ago in Arabic. The collaboration is inspired by the ongoing work of Julia Bray, which continues to demonstrate the rewards of taking what we read seriously.The field of Arabic studies is increasingly rejecting a hard line between the modern and the premodern. This book is an intervention in that development – arguing that the premodern can structure contemporary thinking. It offers translations, commentaries and discussions of important and insufficiently known primary texts together with the original Arabic text of poems. These cross-genre and cross-disciplinary connections can catalyse future research and show how a key feature of the Arabic literary tradition is relevant to how we think about scholarship today. The chapters provide readers with both an academic resource and an intellectual conversation with the past.

Abu Bakr al-Suli was an Abbasid polymath and table companion, as well as a legendary chess player. He was perhaps best known for his work on poetry and chancery, which would have a long-lasting influence on Arabic literature. His decades of service at the court of at least three caliphs give him a unique perspective as an historian of his own time, although he is often valued as an observer rather than an interpreter of events for posterity.Letizia Osti here provides the first full-length English-language study devoted to al-Suli, illustrating how investigating the life, times and works of such a complex individual can serve as a fil rouge for tackling broader, contested concepts, such as biography, autobiography, court culture, and written culture. The result is an exploration of the ways in which the Abbasid court made sense of the past and, in general, of what ‘historiography’ means in a medieval Arabic context.

Abu Bakr al-Suli was an Abbasid polymath and table companion, as well as a legendary chess player. He was perhaps best known for his work on poetry and chancery, which would have a long-lasting influence on Arabic literature. His decades of service at the court of at least three caliphs give him a unique perspective as an historian of his own time, although he is often valued as an observer rather than an interpreter of events for posterity.Letizia Osti here provides the first full-length English-language study devoted to al-Suli, illustrating how investigating the life, times and works of such a complex individual can serve as a fil rouge for tackling broader, contested concepts, such as biography, autobiography, court culture, and written culture. The result is an exploration of the ways in which the Abbasid court made sense of the past and, in general, of what 'historiography' means in a medieval Arabic context.

Abu Bakr al-Suli was an Abbasid polymath and table companion, as well as a legendary chess player. He was perhaps best known for his work on poetry and chancery, which would have a long-lasting influence on Arabic literature. His decades of service at the court of at least three caliphs give him a unique perspective as an historian of his own time, although he is often valued as an observer rather than an interpreter of events for posterity.Letizia Osti here provides the first full-length English-language study devoted to al-Suli, illustrating how investigating the life, times and works of such a complex individual can serve as a fil rouge for tackling broader, contested concepts, such as biography, autobiography, court culture, and written culture. The result is an exploration of the ways in which the Abbasid court made sense of the past and, in general, of what 'historiography' means in a medieval Arabic context.

The reign of al-Muqtadir (295-320/908-32) is a crucial and controversial epoch in the history of the Abbasid empire. Al-Muqtadir’s regime has traditionally been depicted as one of decline, when the political power of the caliphate and the lustre of its capital began to crumble. This book not only offers a substantial investigation of the idea and reality of decline, but also provides new interpretations of the inner workings of the court and the empire. The authors, four specialists of Abbasid history, explore the formal and informal power relationships that shaped politics at the court, involving bureaucrats, military, harem, courtiers and of course al-Muqtadir himself. A study of the topography of Baghdad completes this vivid picture of the court and its capital.

Abu Bakr al-Suli was an Abbasid polymath and table companion, as well as a legendary chess player. He was perhaps best known for his work on poetry and chancery, which would have a long-lasting influence on Arabic literature. His decades of service at the court of at least three caliphs give him a unique perspective as an historian of his own time, although he is often valued as an observer rather than an interpreter of events for posterity.Letizia Osti here provides the first full-length English-language study devoted to al-Suli, illustrating how investigating the life, times and works of such a complex individual can serve as a fil rouge for tackling broader, contested concepts, such as biography, autobiography, court culture, and written culture. The result is an exploration of the ways in which the Abbasid court made sense of the past and, in general, of what ‘historiography’ means in a medieval Arabic context.

Adab is not an English word, but it could become one. This collection, in honour of Julia Bray, experiments with juxtaposed articles, quotations, translations and lines of poetry to let readers create connections in the same way authors did a thousand years ago in Arabic. The collaboration is inspired by the ongoing work of Julia Bray, which continues to demonstrate the rewards of taking what we read seriously.The field of Arabic studies is increasingly rejecting a hard line between the modern and the premodern. This book is an intervention in that development – arguing that the premodern can structure contemporary thinking. It offers translations, commentaries and discussions of important and insufficiently known primary texts together with the original Arabic text of poems. These cross-genre and cross-disciplinary connections can catalyse future research and show how a key feature of the Arabic literary tradition is relevant to how we think about scholarship today. The chapters provide readers with both an academic resource and an intellectual conversation with the past.

Adab is not an English word, but it could become one. This collection, in honour of Julia Bray, experiments with juxtaposed articles, quotations, translations and lines of poetry to let readers create connections in the same way authors did a thousand years ago in Arabic. The collaboration is inspired by the ongoing work of Julia Bray, which continues to demonstrate the rewards of taking what we read seriously.The field of Arabic studies is increasingly rejecting a hard line between the modern and the premodern. This book is an intervention in that development – arguing that the premodern can structure contemporary thinking. It offers translations, commentaries and discussions of important and insufficiently known primary texts together with the original Arabic text of poems. These cross-genre and cross-disciplinary connections can catalyse future research and show how a key feature of the Arabic literary tradition is relevant to how we think about scholarship today. The chapters provide readers with both an academic resource and an intellectual conversation with the past.

Adab is not an English word, but it could become one. This collection, in honour of Julia Bray, experiments with juxtaposed articles, quotations, translations and lines of poetry to let readers create connections in the same way authors did a thousand years ago in Arabic. The collaboration is inspired by the ongoing work of Julia Bray, which continues to demonstrate the rewards of taking what we read seriously.The field of Arabic studies is increasingly rejecting a hard line between the modern and the premodern. This book is an intervention in that development – arguing that the premodern can structure contemporary thinking. It offers translations, commentaries and discussions of important and insufficiently known primary texts together with the original Arabic text of poems. These cross-genre and cross-disciplinary connections can catalyse future research and show how a key feature of the Arabic literary tradition is relevant to how we think about scholarship today. The chapters provide readers with both an academic resource and an intellectual conversation with the past.

Abu Bakr al-Suli was an Abbasid polymath and table companion, as well as a legendary chess player. He was perhaps best known for his work on poetry and chancery, which would have a long-lasting influence on Arabic literature. His decades of service at the court of at least three caliphs give him a unique perspective as an historian of his own time, although he is often valued as an observer rather than an interpreter of events for posterity.Letizia Osti here provides the first full-length English-language study devoted to al-Suli, illustrating how investigating the life, times and works of such a complex individual can serve as a fil rouge for tackling broader, contested concepts, such as biography, autobiography, court culture, and written culture. The result is an exploration of the ways in which the Abbasid court made sense of the past and, in general, of what ‘historiography’ means in a medieval Arabic context.

Abu Bakr al-Suli was an Abbasid polymath and table companion, as well as a legendary chess player. He was perhaps best known for his work on poetry and chancery, which would have a long-lasting influence on Arabic literature. His decades of service at the court of at least three caliphs give him a unique perspective as an historian of his own time, although he is often valued as an observer rather than an interpreter of events for posterity.Letizia Osti here provides the first full-length English-language study devoted to al-Suli, illustrating how investigating the life, times and works of such a complex individual can serve as a fil rouge for tackling broader, contested concepts, such as biography, autobiography, court culture, and written culture. The result is an exploration of the ways in which the Abbasid court made sense of the past and, in general, of what 'historiography' means in a medieval Arabic context.

Abu Bakr al-Suli was an Abbasid polymath and table companion, as well as a legendary chess player. He was perhaps best known for his work on poetry and chancery, which would have a long-lasting influence on Arabic literature. His decades of service at the court of at least three caliphs give him a unique perspective as an historian of his own time, although he is often valued as an observer rather than an interpreter of events for posterity.Letizia Osti here provides the first full-length English-language study devoted to al-Suli, illustrating how investigating the life, times and works of such a complex individual can serve as a fil rouge for tackling broader, contested concepts, such as biography, autobiography, court culture, and written culture. The result is an exploration of the ways in which the Abbasid court made sense of the past and, in general, of what 'historiography' means in a medieval Arabic context.

The reign of al-Muqtadir (295-320/908-32) is a crucial and controversial epoch in the history of the Abbasid empire. Al-Muqtadir’s regime has traditionally been depicted as one of decline, when the political power of the caliphate and the lustre of its capital began to crumble. This book not only offers a substantial investigation of the idea and reality of decline, but also provides new interpretations of the inner workings of the court and the empire. The authors, four specialists of Abbasid history, explore the formal and informal power relationships that shaped politics at the court, involving bureaucrats, military, harem, courtiers and of course al-Muqtadir himself. A study of the topography of Baghdad completes this vivid picture of the court and its capital.