Liana Finck – författare

A new edition of Saul Steinberg’s memoir-via-drawing of his escape from fascist Europe and of his transition into life as an American, capturing absurdities, delights, and the grim realities of war along the way.To escape fascist Europe, the artist Saul Steinberg drew his way to America. He made it to New York in 1942 already in contract with The New Yorker, but was soon called up to serve in the US Naval Reserve in World War II. This book, All In Line, is a memoir-via-drawing of this key time in Steinberg’s life, when he began to find his line and his way as an American.  In works for The New Yorker and others, Steinberg depicted delightful absurdities and quiet moments: a painter saws a long canvas into smaller, sellable portions; a child draws a gigantic face on the sidewalk to the confusion of passersby; American soldiers stroll through exquisitely detailed streets in China, India, North Africa, and Italy.  But Steinberg didn’t shy away from the grim realities of his era. There are withering anti-fascist drawings, as well as glimpses of war: skies crowded with bombers, families on the run, army convoys, broken-down jeeps, and smoldering battlefields.This new edition of All in Line includes an introduction by cartoonist Liana Finck, an afterword by Steinberg scholar Iain Topliss on the making of the book, and full captions with notes. It will resonate with both lifelong Steinberg fans as well as those who are encountering his work for the first time.

From acclaimed New Yorker cartoonist Liana Finck comes a validating and heartfelt feelings book like none other.This exploration of mixed and wide-ranging emotions is presented in illustrated vignettes and beautifully articulate text. Each spread portrays a specific scenario involving a child and a phrase that reminds readers (young and old) that not all feelings can be summed up in a single word, or occur singularly. The text “Mostly happy but a little sad” accompanies a child leaving for the beach, but waving goodbye to his dog. “Like I’m trying hard to have fun”  shows a child at a loud party, covering their ears. In her trademark style and funny-because-it’s-real approach, Finck has created a deeply insightful book on feelings that validates the way we all experience the world.

**LONGLISTED FOR THE COMEDY WOMEN IN PRINT PRIZE 2020**Melancholy and funny, personal and surreal, Passing for Human is a neurological coming-of-age story in which Liana Finck goes in search of that thing she has lost – her shadow, that part of her that has always felt as though she is living in exile from the world. On a quest for self-understanding and self-acceptance, along the way, she seeks to answer some eternal questions: What makes us whole? What parts of ourselves do we hide or ignore or chase away – because they’re embarrassing, or inconvenient – and at what cost?Part magical odyssey, part feminist creation myth, Passing for Human is most of all an extraordinary, moving meditation on what it means to be an artist and a woman.

**LONGLISTED FOR THE COMEDY WOMEN IN PRINT PRIZE 2020**Melancholy and funny, personal and surreal, Passing for Human is a neurological coming-of-age story in which Liana Finck goes in search of that thing she has lost – her shadow, that part of her that has always felt as though she is living in exile from the world. On a quest for self-understanding and self-acceptance, along the way, she seeks to answer some eternal questions: What makes us whole? What parts of ourselves do we hide or ignore or chase away – because they’re embarrassing, or inconvenient – and at what cost?Part magical odyssey, part feminist creation myth, Passing for Human is most of all an extraordinary, moving meditation on what it means to be an artist and a woman.