Lilian R. Furst – författare

Originally published in 1977, this volume gives a co-hesive overview of Franco-German literary relationships between 1770 and 1895. It discerns the dynamics and outlines the structure of the interrelationship. The two literatures develop in a broadly similar direction in the nineteenth century, but there is a puzzling time-lag which forms the focal point of enquiry. It looks back to the combination of literary, political and social factors that may explain how the time-lag came into being. The book serves both as an introduction and as a starting point for further detailed analysis of specific areas and offers a new approach to the comparative study of literature.

Originally published in 1977, this volume gives a co-hesive overview of Franco-German literary relationships between 1770 and 1895. It discerns the dynamics and outlines the structure of the interrelationship. The two literatures develop in a broadly similar direction in the nineteenth century, but there is a puzzling time-lag which forms the focal point of enquiry. It looks back to the combination of literary, political and social factors that may explain how the time-lag came into being. The book serves both as an introduction and as a starting point for further detailed analysis of specific areas and offers a new approach to the comparative study of literature.

First published in 1980. This collection of carefully selected extracts from primary texts seeks to show what the Romantics themselves held Romanticism to be. The movement is thus defined in terms of the writers’ own views of their art both in general principle and in practical terms. This title will be of interest to students of literature.

First published in 1980. This collection of carefully selected extracts from primary texts seeks to show what the Romantics themselves held Romanticism to be. The movement is thus defined in terms of the writers’ own views of their art both in general principle and in practical terms. This title will be of interest to students of literature.

First published in 1971, this book examines the literary style of Naturalism. After introducing the reader to the term itself, including its history and its relationship to Realism, it goes on to trace the origins of the Naturalist movement as well as particular groups which adhered to Naturalism and the theories they espoused. It also provides a summary of the key Naturalist literary works and concludes which a brief reflection on the movement as a whole.

This book will be of interest to those studying nineteenth and early twentieth-century literature.

First published in 1971, this book examines the literary style of Naturalism. After introducing the reader to the term itself, including its history and its relationship to Realism, it goes on to trace the origins of the Naturalist movement as well as particular groups which adhered to Naturalism and the theories they espoused. It also provides a summary of the key Naturalist literary works and concludes which a brief reflection on the movement as a whole.

This book will be of interest to those studying nineteenth and early twentieth-century literature.

First published in 1969, this work traces the evolution of Romanticism and in doing so, demonstrates its novelty as an imaginative and emotional perception of the world in contrast to the rationalistic approach which was dominant in the seventeenth century. It identifies the fundamental similarities between Romantic writing in England, France and Germany as well as their differences brought about by divergent literary and social backgrounds. The book is concluded by a review of the problems that arise from a simple definition of Romanticism.

First published in 1969, this work traces the evolution of Romanticism and in doing so, demonstrates its novelty as an imaginative and emotional perception of the world in contrast to the rationalistic approach which was dominant in the seventeenth century. It identifies the fundamental similarities between Romantic writing in England, France and Germany as well as their differences brought about by divergent literary and social backgrounds. The book is concluded by a review of the problems that arise from a simple definition of Romanticism.