Linda S. Ferber - Böcker

Tastemakers, Collectors, and Patrons explores the dynamic landscape of American art collecting in the United States from the late eighteenth through the early twentieth centuries. The geographic range of collecting histories presented in this publication spans the country, including the Eastern Seaboard, the Old South, the Midwest, and the West Coast.In this volume, the contributing scholars investigate individual collectors and collectives whose missions to create regional and national collecting communities in the United States encouraged civic philanthropy in the fine arts. Key themes—such as the creation of an “American” school distinct from, yet rooted in, European tradition as well as the trials of forming publicly supported museums—reverberate throughout the publication. Essays examine early patrons, collectors, and museum founders; the impact of sectionalism, the Civil War, and reform on American collecting efforts; and the innovative and entrepreneurial spirit of artists, collectors, and dealers at the turn of the century and beyond. Each section foregrounds different issues, underscoring the complexity of the historical, cultural, and political environments in which collections of American art were formed. Together, the volume traces the evolving taste and market for American art in the United States.In addition to the editors, the contributors include Lynne D. Ambrosini, Sarah Cash, Samantha Deutch, Julie McGinnis Flanagan, Ilene Susan Fort, Barbara Dayer Gallati, Lance Humphries, Elizabeth Mankin Kornhauser, Sophie Lynford, Kimberly Orcutt, and Richard Saunders.

An illuminating look at how the Pre-Raphaelite movement was embraced by a group of vanguard American artistsBringing together insights from a distinguished group of scholars, this beautiful book analyzes the history and historiography of the American Pre-Raphaelites, and how the movement made its way from England to America. Led by Thomas Charles Farrer—an English expatriate and acolyte of the hugely influential English critic John Ruskin—the American Pre-Raphaelite artists followed Ruskin’s dictum to depict nature close up and with great fidelity. Many members of the group (including Farrer, who served in the Union army during the American Civil War) were also abolitionists, and several created works with a rich political subtext.  Featuring the work of artists such as Fidelia Bridges, Henry and Thomas Charles Farrer, Charles Herbert Moore, Henry Roderick Newman, and William Trost Richards, this generously illustrated volume is filled with insightful essays that explore the influence of Ruskin on the American artists, the role of watercolor and photography in their work, symbolism and veiled references to the Civil War, and much more.Published in association with the National Gallery of Art, WashingtonExhibition Schedule:National Gallery of Art, Washington(04/14/19–07/21/19)