Linda Seger – författare

The Collaborative Art of Filmmaking: From Script to Screen explores what goes into the making of Hollywood’s greatest motion pictures. Join veteran script consultant Linda Seger as she examines contemporary and classic screenplays on their perilous journey from script to screen. This fully revised and updated edition includes interviews with over 80 well-known artists in their fields including writers, producers, directors, actors, editors, composers, and production designers. Their discussions about the art and craft of filmmaking – including how and why they make their decisions – provides filmmaking and screenwriting students and professionals with the ultimate guide to creating the best possible "blueprint" for a film and to also fully understand the artistic and technical decisions being made by all those involved in the process.

The Collaborative Art of Filmmaking: From Script to Screen explores what goes into the making of Hollywood’s greatest motion pictures. Join veteran script consultant Linda Seger as she examines contemporary and classic screenplays on their perilous journey from script to screen. This fully revised and updated edition includes interviews with over 80 well-known artists in their fields including writers, producers, directors, actors, editors, composers, and production designers. Their discussions about the art and craft of filmmaking – including how and why they make their decisions – provides filmmaking and screenwriting students and professionals with the ultimate guide to creating the best possible "blueprint" for a film and to also fully understand the artistic and technical decisions being made by all those involved in the process.

“What lurks in the shadows, just below waking consciousness?”Subtext can be the most important element in text and in a performance. It’s an unseen force that speaks directly to the reader’s unconscious, deepening meaning and understanding. Great subtext reveals more than simple dialogue and action and is at the heart of the best books and films. It is what glues us to the screen.This book goes far beyond dialogue, action, gestures, genre, and images. Written by one of the foremost script consultants in the world and the most prolific writer on screenwriting, this new edition adds new examples with chapters on analogy and love, and provides deeper explanations of how subtext works beneath the text. This edition has been expanded to be relevant to all fiction writers.

Making a good script great is more than just a matter of putting a good idea on paper. It requires the working and reworking of that idea. This book takes you through the whole screenwriting process-from initial concept through final rewrite-providing specific methods that will help you craft tighter, stronger, and more saleable scripts. While retaining the invaluable insights that placed its first two editions among the all-time most popular screenwriting books, this expanded, revised, and updated third edition adds rich and important new material on dialogue, cinematic images, and point of view, as well as an interview with screenwriter Paul Haggis. If you are writing your first script, this book will help develop your skills for telling a compelling and dramatic story. If you are a veteran screenwriter, it will help you articulate the skills you know intuitively. And if you are currently stuck on a rewrite, this book will help you analyse and solve your script's problems and get it back on track.

For decades, many of us have concentrated on personal success at the price of our spirituality. Now, Dr. Linda Seger, a successful Hollywood insider who has dealt with the competition and worldly spirit of the film and television industry, reveals how you can attain your goals and desires without compromising your relationship with God. Dr. Seger tackles these important issues: how do you identify your calling? Handle risk? Cope with praise or blame? Identify and confront evil in our work? Deal with competition? Take the Leap of Faith? Meet and overcome the Seven Deadly Sins? The book is based on her own experiences while trying to build her career as she became a world-renowned script consultant. She also interviewed over 30 people from all six continents and from the arts, the sciences, and business and reveals and identifies success and spirituality issues that have rarely been discussed before. The book won the "Enduring Light/ Inspirational" Illumination Book Award for Exemplary Christian writing.

In 2001, Peter and Linda were ready to start a vacation when Peter herniated two discs in his spine and was flat on his back for three months. The pain of the injury was crippling and overwhelming. Quieting down seemed more nurturing than acting up. Peter's years spent as a Quaker learning to listen and ponder in silent worship came to his aid. He prayed and, at one point, distinctly felt the remarkable hand of God. He had read the Bible before, but now turned to Psalms and the Gospels with which he felt the healing reverberations. While Peter was healing, he began a ritual of prayer. First he’d recite The Lord’s Prayer and the Prayer of Jabez. Then, he said his own prayers, expressing his needs and wants. In order to remember all the requests, Peter began creating the Alphabet Prayer, such as: "Compassionate God, Calm Me and Comfort Me and Forgiving Father, Feed Me with Faith and Favor." He eventually mentioned The Alphabet Prayer to his wife, an author. Linda replied, “Honey, I think you have a book!” Linda suggested they add to it further by drawing on the many names and attributes of God. They then asked a calligrapher to illustrate it. Linda and Peter are both Christians, but they tested the book with Christians, Jews, and Muslims, all of whom found it resonated emotionally and intellectually with them. Even an agnostic was surprised by how much he liked it, and found it clever and wise!

If Jesus were alive today, would he: feed the poor - or give tax breaks to the super rich? Comfort the old and infirm - or cut Social Security? Build bridges that unite - or build walls that divide? Make peace - or make war?In the revised edition of this groundbreaking book, noted author and theologian Linda Seger, Th.D., explores what it means to be a Christian and a Democrat - and shows how the two are not mutually exclusive but rather inclusive. She reveals the close relationship between Democratic policy and Jesus' teachings and the many ways in which the values Jesus espouses in the Bible correspond to the values Democrats call their own. The idea that America's real Christians vote strictly Republican crumbles when one studies the platforms of both parties. Jesus Rode a Donkey reminds the reader that Jesus and the prophets had a radical, progressive message that calls individuals and nations to feed the hungry, help the poor, heal the sick, care for the earth, free the oppressed, and love our enemies. The book won the Silver Medal Christian Living Illumination Book Award given for exemplary Christian writing.

Das Geheimnis des guten Drehbuchs liegt nicht allein in der guten Idee, sondern im Analysieren von Problemen und dem professionellen Bearbeiten, im Neu- und Umschreiben. Das Buch vermittelt Methoden und Techniken des Drehbuchschreibens, bietet Lösungen bei häufig auftretenden Problemen an, wie das ungewollte Entfernen von der eigentlichen Story, es lehrt, subtilste Situationen in kurzen Sequenzen einzufangen und auf die Realisierbarkeit zu achten.

In ''Von der Figur zum Charakter'' setzt sich Linda Seger mit einem essentiellen Bereich des Filmemachens auseinander, dem Erschaffen glaubwürdiger und spannender Filmfiguren. Mit ihrer bewährten Mischung aus Beispielen, Anekdoten, Interviews und Anleitungen erklärt und betont sie die Bedeutung der Recherche, des Dialogs, des persönlichen und konkreten Hintergrunds und der Psychologie, um unvergeßliche Figuren zu erschaffen.Linda Seger: "Die Gespräche mit erstklassigen Schriftstellern haben mir deutlich gemacht, welcher Kenntnisse und Kunstfertigkeiten es bedarf, großartige Figuren zu schaffen. Am meisten beeindruckte mich, daß jeder dieser Schriftsteller den Eindruck erweckte, daß er seine oder ihre innere Stimme gefunden hatte. Durch meine Arbeit als Drehbuchberaterin weiß ich, daß Schriftsteller lernen können, an diese persönliche Stimme zu glaubenund sie weiterzuentwickeln. Talent ist mit Sicherheit ein wichtiger Teil des Schreibens, doch es fliegt kaum jemandem zu. Zum Talent müssen harte Arbeit hinzukommen, eine gewisse Ausbildung, viel Übung, und man muß lernen, an den eigenen Standpunkt zu glauben und ihn zu formulieren.""Fazit: ''Von der Figur zum Charakter'' und ''Das Geheimnis guter Drehbücher'' sind wichtige Arbeitshilfen für Anfänger, immer wieder mit Beispielen untermauert. Aber auch erfahrene Autoren können sich hier Techniken aneignen, die ihnen in Problemfällen weiterhelfen." (Jean-Paul Raabe, Film & TV Kameramann, 48. Jg., Nr. 11/1999)Linda Seger arbeitete als Drehbuch-Beraterin (script consultant) bereits an mehr als 1500 Drehbüchern und über 70 Filmen mit. Über das Drehbuchschreiben hat sie mehrere Bücher verfaßt, darunter den internationalen Bestseller ''Making a Good Script Great''.

Making a good script great is more than just a matter of putting a good idea on paper. It requires the working and reworking of that idea. This book takes you through the whole screenwriting process - from initial concept through final rewrite - providing specific methods that will help you craft tighter, stronger, and more saleable scripts. While retaining the invaluable insights that placed its first two editions among the all - time most popular screenwriting books, this expanded, revised, and updated third edition adds rich and important new material on dialogue, cinematic images, and point of view, as well as an interview with screenwriter Paul Haggis. If you are writing your first script, this book will help develop your skills for telling a compelling and dramatic story. If you are a veteran screenwriter, it will help you articulate the skills you know intuitively. And if you are currently stuck on a rewrite, this book will help you analysis and solve your script''s problems and get it back on track.

En casi todos los guiones hay palabras que expresan lo que dicen, y palabras que no. A veces son mentiras, y otras un modo alternativo de comunicación, indispensable para construir un guion excelente. Pero cabe también expresar ese mismo contenido mediante asociaciones de imágenes, objetos, nombres y evocaciones, que proporcionan al espectador la información que necesita para sospechar, alegrarse y amar, desconfiar o sorprenderse con los personajes, que adquieren una realidad inesperada.El subtexto constituye un lenguaje indispensable para el gran cine, y también para la novela. Linda Seger elabora, como siempre de un modo sintético, un magnífico manual divulgativo para amantes del cine y de la creación literararia, novelistas y guionistas, pero también para academias y universidades, y para todo aquel que busca disfrutar y aprender con el buen cine.

Las adaptaciones cinematográficas son, desde hace mucho tiempo, el principal soporte de la industria de Hollywood y de las cadenas de televisión norteamericanas. Además, la mayoría de las cintas que han ganado el Oscar a la mejor película han sido adaptaciones de novelas, obras de teatro o historias reales. Linda Seger, autora de varios libros ya clásicos sobre escritura de guiones, ofrece ahora un manual valioso y completo para guionistas, productores y realizadores que quieran adaptar obras y acontecimientos a la pantalla.Junto a cómo analizar este material "y evaluar su potencial como película", Seger proporciona un método práctico para trasladar al cine la historia, los personajes, los temas y el estilo. La última parte aborda también las cuestiones legales de toda adaptación, las posibilidades de opción sobre una obra y la protección de los derechos como guionista o productor.