Lionel Pike - Böcker

Reveals the hidden complexities in the work of `RVW'.Vaughan Williams' nine symphonies are among the finest pieces of music written in the twentieth century, each one revealing new aspects of Vaughan Williams' formidable creative personality. But for many years these works were undervalued by imperceptive critics - and Vaughan Williams did himself no favours by joking, with misplaced humility, about what he felt was his own lack of expertise.Lionel Pike's penetrating analysis of all nine works reveals the hidden complexities that lie below the surface. He argues that `RVW' has been consistently denied his rightful place in twentieth-century music and in the history of the symphony, and that close investigation can uncoverelements of construction that show the mind of a genius at work.LIONEL PIKE is Senior Lecturer in Music at Royal Holloway (University of London), and has been organist of the college chapel since 1969. For four years hewas Dean of the Faculty of Music in the University of London. He was a chorister and assistant organist at Bristol Cathedral, and at the University of Oxford he was organ scholar of Pembroke College.

First published in 1998, this broad survey includes a large number of musical illustrations and provides an indispensable guide for both students and teachers.Hexachords and solmization syllables formed the foundations of musical language during the sixteenth century. Yet, owing to changes over time in music education and style, there no longer exists widespread general knowledge of hexachords. Without this awareness it is impossible to appreciate fully the music of the most important composers of the Renaissance such as Palestrina, Lasso and Monteverdi. This book is the first attempt to fill such a gap in our understanding of hexachords and how they were employed in late-Renaissance music.Lionel Pike’s research covers the period from Willaert to Dowland (c. 1530-1600) and examines the ways in which the uses of hexachords developed in the hands of different composers. The book concludes with an investigation of English examples of hexachords in vocal and instrumental music.

First published in 1998, this broad survey includes a large number of musical illustrations and provides an indispensable guide for both students and teachers.Hexachords and solmization syllables formed the foundations of musical language during the sixteenth century. Yet, owing to changes over time in music education and style, there no longer exists widespread general knowledge of hexachords. Without this awareness it is impossible to appreciate fully the music of the most important composers of the Renaissance such as Palestrina, Lasso and Monteverdi. This book is the first attempt to fill such a gap in our understanding of hexachords and how they were employed in late-Renaissance music.Lionel Pike’s research covers the period from Willaert to Dowland (c. 1530-1600) and examines the ways in which the uses of hexachords developed in the hands of different composers. The book concludes with an investigation of English examples of hexachords in vocal and instrumental music.