Lisa Beisswanger - Böcker
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4 produkter
4 produkter
591 kr
Skickas inom 10-15 vardagar
The Live Museum uncovers the surprising history of live performances in US museums during the 1970s, exploring how and why both art and museums came alive in this era. It reframes this period as a pivotal moment when museums and artists co-created new possibilities for art in motion—an experiment that continues to shape the museum experience today.Drawing on meticulous archival research and in-depth case studies, this book examines landmark events across a range of institutions by figures such as Merce Cunningham, Laurie Anderson, Chris Burden, and even a cameo by Arnold Schwarzenegger, revealing a period of experimental energy as artists and museums negotiated, challenged, and inspired one another. Rejecting the notion that performance art is inherently anti-institutional, The Live Museum situates these developments within the broader cultural and political landscape, including the distribution of performance and public art funding. It shows how frictions between artists and museums spurred innovation: artists developed new formats and inventive modes of documentation, while institutions expanded programming, adapted to funding structures, and became more dynamic, responsive, and diverse.Iconoclastic yet rigorously historical, this book speaks to scholars and students of art history, performance studies, museum studies, and cultural history, as well as artists, curators, and cultural producers.
2 166 kr
Skickas inom 10-15 vardagar
The Live Museum uncovers the surprising history of live performances in US museums during the 1970s, exploring how and why both art and museums came alive in this era. It reframes this period as a pivotal moment when museums and artists co-created new possibilities for art in motion—an experiment that continues to shape the museum experience today.Drawing on meticulous archival research and in-depth case studies, this book examines landmark events across a range of institutions by figures such as Merce Cunningham, Laurie Anderson, Chris Burden, and even a cameo by Arnold Schwarzenegger, revealing a period of experimental energy as artists and museums negotiated, challenged, and inspired one another. Rejecting the notion that performance art is inherently anti-institutional, The Live Museum situates these developments within the broader cultural and political landscape, including the distribution of performance and public art funding. It shows how frictions between artists and museums spurred innovation: artists developed new formats and inventive modes of documentation, while institutions expanded programming, adapted to funding structures, and became more dynamic, responsive, and diverse.Iconoclastic yet rigorously historical, this book speaks to scholars and students of art history, performance studies, museum studies, and cultural history, as well as artists, curators, and cultural producers.
999 kr
Skickas inom 5-8 vardagar
Live performances are now an everyday occurrence in art museums. Yet is this really a new development? When, how and why did art come to life in the museum? These are the questions the author examines. She highlights the less well-known beginnings of the phenomenon of performance in the museum and thus rewrites the history of museums and performances within them. Starting with the US art world of the 1970s, a nucleus of early performance art, she examines presentations and exhibitions by performers such as Merce Cunningham, Laurie Anderson and Chris Burden. Even Arnold Schwarzenegger makes a guest appearance. Beyond the common narrative of performance art as a form of resistance, analyses of the institutional, economic and political contexts offers an intriguing collection of curios from cultural history.
449 kr
Skickas inom 5-8 vardagar
Are You a Model? explores the model as architectural tool and practice. The volume approaches architectural models not as categorical objects but through questions such as: What determines a model’s functions and agencies? When in the design process does it unfold its power and when has it served its purpose? Based on nine overarching questions, the book brings together interdisciplinary voices from architecture, art history as well as architectural and curatorial practice, and software engineering. 31 contributions interweave perspectives from various disciplines and geographies, and reveal surprising affinities rather than seeking conclusive answers. Models are thus not classified according to time of origin, genre, or material, but rather understood as an epistemologically diverse practice.