Lisa Nanney – författare

The book features previously unpublished manuscripts and correspondence illustrating case studies of John Dos Passos' screen writing for Paramount Pictures (1934); his role in writing and filming The Spanish Earth (1937), a Spanish Civil War relief project whose circumstances culminated in his public break from the Left; the 1936 screen treatment he wrote just before The Spanish Earth in consultation with its director, Joris Ivens; and his later-career attempts, beginning in the 1940s, to adapt his radically innovative trilogy U.S.A. directly for the screen and to realign its leftist politics toward the anti-Communist conservatism reflected in his work and activism after the 1930s and the disillusionments of the Spanish Civil War. It thus provides a new context for and reading of his political reorientation in the 1930s that not only ended his long friendship with Ernest Hemingway but also evoked the opprobrium of his former champions on the Left and redefined his literary career.

In addition to being a major twentieth-century author, John Dos Passos painted, principally in watercolor, throughout his career. This book reproduces 68 examples of Dos Passos’s art, almost all in full color, presented in two parts containing 13 sections. In Part One, each section is devoted to a similar kind of art work produced within a specific time frame; in Part Two, each section consists of work in a specific genre. The book also includes essays devoted to the history and nature of Dos Passos’ work as a pictorial artist and to the relationship of this work to his novels. It concludes with a survey of Dos Passos art collections, exhibitions, and previous published illustrations and paintings. The book as a whole seeks to demonstrate that Dos Passos’s lifelong commitment to and practice of pictorial representation are vital aspects of his career because they confirm and manifest in both verbal and visual stylistics such modernist tendencies as Fauvism, Cubism, and Expressionism. Both the essays and illustrations in this book argue for the importance of Dos Passos's paintings as keys to fully understanding the writer’s complex body of work and, in their striking compositions and vibrant colors, as challenging objects of visual pleasure in their own right.