Lisa Walker - Böcker

'Clever and twisty' Jackie Kabler'I loved this intriguingly unique and dark tale. It has everything I need as a reader' ⭐⭐⭐⭐⭐ An unmissable psychological dark academia thriller: Saltburn meets Lucy Clarke's The Hike WHO WILL BE THE FIRST TO BREAK? Tess enters the prestigious and exclusive Ravensthorpe Writing College with dreams of literary greatness, but soon discovers that ambition comes at a cost.Drawn into a tight-knit group with fellow writers Ethan, Theo, and Jaz, Tess’s world is upended when their charismatic tutor is found dead. Believing someone in their circle is responsible, Tess flees the elite literary world and abandons the future she once craved.Three years later, an enigmatic invitation to walk the Camino de Santiago offers Tess a chance to uncover the truth. Reunited with her former friends, including Ethan, now a literary star, Tess realises the past isn’t finished with her. Someone knows what really happened that night, and they’ll do anything to keep it buried.Readers love The Pact:'A dark and twisty story of the consequences of toxic ambition that will keep you guessing until the very end' Kayte Nunn'Written with an effervescent, irreverent humour, this mystery thriller is also rich in twists and shocks' Morning Star'This quirky and unpredictable suspense is as twisty as Spain's Camino de Santiago!' Allie Reynolds'The path to Santiago is never straight — and neither is the truth in this gripping, twist-filled murder mystery' Donna M Cameron'Pacy, twisty and layered revenge tale' Joanna Barnard'Beautiful scenery, well plotted secrets and a pace that is conducive to losing your entire day' ⭐⭐⭐⭐⭐

'Clever and twisty' Jackie Kabler'I loved this intriguingly unique and dark tale. It has everything I need as a reader' ?????An unmissable psychological dark academia thriller: Saltburn meets Lucy Clarke's The Hike. Pre-order now!

PRE-ORDER NOWTess enters the prestigious and exclusive Ravensthorpe Writing College with dreams of literary greatness, but soon discovers that ambition comes at a cost.Drawn into a tight-knit group with fellow writers Ethan, Theo, and Jaz, Tess’s world is upended when a mysterious crime is committed. Believing someone in their circle is responsible, Tess retreats from the elite literary world.Three years later, an enigmatic invitation to walk the Camino offers Tess a chance at revenge. Reunited with her former friends, including Ethan, now a literary star, Tess is determined to expose whoever is responsible for their shared past's dark secret.

A classic fish-out-of-water romantic comedy - can a city-slicker fall for a wildlife ranger? Can a city bird change her feathers? PR whizz Cassandra Daley isn't afraid of using all the dirty tricks of the trade to spin a story her way. A glitzy city-slicker, she has never given much thought to wildlife until she loses a PR war with a potoroo. Sacked and disgraced, she flees the city for an anonymous bolt hole. But small-town Beechville has other plans for her. Feral pigs, a snake in the dunny, a philosopher frog and a town with a secret - could things get worse? Add one man who has the sexiest way with maps she's ever seen and Cassandra's really in trouble. Her best friend Jessica thinks she's been brainwashed by some kind of rural cult, and Jessica could be right. Can Cassandra reinvent herself or will she always be a liar bird?

Looks can be deceiving, and in a society where one's status and access to opportunity are largely attendant on physical appearance, the issue of how difference is constructed and interpreted, embraced or effaced, is of tremendous import.Lisa Walker examines this issue with a focus on the questions of what it means to look like a lesbian, and what it means to be a lesbian but not to look like one. She analyzes the historical production of the lesbian body as marked, and studies how lesbians have used the frequent analogy between racial difference and sexual orientation to craft, emphasize, or deny physical difference. In particular, she explores the implications of a predominantly visible model of sexual identity for the feminine lesbian, who is both marked and unmarked, desired and disavowed.Walker's textual analysis cuts across a variety of genres, including modernist fiction such as The Well of Loneliness and Wide Sargasso Sea, pulp fiction of the Harlem Renaissance, the 1950s and the 1960s, post-modern literature as Michelle Cliff's Abeng, and queer theory.In the book's final chapter, "How to Recognize a Lesbian," Walker argues that strategies of visibility are at times deconstructed, at times reinscribed within contemporary lesbian-feminist theory.

Looks can be deceiving, and in a society where one's status and access to opportunity are largely attendant on physical appearance, the issue of how difference is constructed and interpreted, embraced or effaced, is of tremendous import.Lisa Walker examines this issue with a focus on the questions of what it means to look like a lesbian, and what it means to be a lesbian but not to look like one. She analyzes the historical production of the lesbian body as marked, and studies how lesbians have used the frequent analogy between racial difference and sexual orientation to craft, emphasize, or deny physical difference. In particular, she explores the implications of a predominantly visible model of sexual identity for the feminine lesbian, who is both marked and unmarked, desired and disavowed.Walker's textual analysis cuts across a variety of genres, including modernist fiction such as The Well of Loneliness and Wide Sargasso Sea, pulp fiction of the Harlem Renaissance, the 1950s and the 1960s, post-modern literature as Michelle Cliff's Abeng, and queer theory.In the book's final chapter, "How to Recognize a Lesbian," Walker argues that strategies of visibility are at times deconstructed, at times reinscribed within contemporary lesbian-feminist theory.