Lisa Woynarski – författare

With the majority of the global population living in cities, urbanisation and climate crisis have become urgent planetary issues. This Element examines 'urban eco-performance', exploring how theatre and performance intersect with urbanisation and ecological crises to reimagine equitable urban futures. Through rigorous ecodramaturgical analyses, this Element critiques the colonial and capitalist systems shaping cities and highlights performance's role in addressing climate justice. Performances from Canada, Mexico, Nigeria, Taiwan, UK and USA, as well as Indigenous performances, are brought together for the first time to examine how they challenge the human/nature divide, revealing cities as vibrant ecological spaces. These performances foreground underrepresented voices and reframe cities as 'bio-urban' spaces. This Element integrates decolonial and intersectional ecological frameworks over three thematic sections: Living Cities, Petro-Cities and Urban Futures Against the Apocalypse. It argues for justice for marginalised communities while envisioning cities as interconnected ecosystems that can foster collective action and ecological resilience.

With the majority of the global population living in cities, urbanisation and climate crisis have become urgent planetary issues. This Element examines 'urban eco-performance', exploring how theatre and performance intersect with urbanisation and ecological crises to reimagine equitable urban futures. Through rigorous ecodramaturgical analyses, this Element critiques the colonial and capitalist systems shaping cities and highlights performance's role in addressing climate justice. Performances from Canada, Mexico, Nigeria, Taiwan, UK and USA, as well as Indigenous performances, are brought together for the first time to examine how they challenge the human/nature divide, revealing cities as vibrant ecological spaces. These performances foreground underrepresented voices and reframe cities as 'bio-urban' spaces. This Element integrates decolonial and intersectional ecological frameworks over three thematic sections: Living Cities, Petro-Cities and Urban Futures Against the Apocalypse. It argues for justice for marginalised communities while envisioning cities as interconnected ecosystems that can foster collective action and ecological resilience.

This book addresses theatre’s contribution to the way we think about ecology, our relationship to the environment, and what it means to be human in the context of climate change. It offers a detailed study of the ways in which contemporary performance has critiqued and re-imagined everyday ecological relationships, in more just and equitable ways. The broad spectrum of ecologically-oriented theatre and performance included here, largely from the UK, US, Canada, Europe, and Mexico, have problematised, reframed, and upended the pervasive and reductive images of climate change that tend to dominate the ecological imagination. Taking an inclusive approach this book foregrounds marginalised perspectives and the multiple social and political forces that shape climate change and related ecological crises, framing understandings of the earth as home. Recent works by Fevered Sleep, Rimini Protokoll, Violeta Luna, Deke Weaver, Metis Arts, Lucy + Jorge Orta, as well as Indigenous activist movements such as NoDAPL and Idle No More, are described in detail.