Lisandra Estevez – författare

This book focuses on the techniques and materials of polychromy used in early modern Europe and the Americas from 1200 to 1800.Taking a trans-cultural approach, the book studies the production of polychrome sculptures, panels, and altarpieces, as well as colored terracotta. The book includes chapters on treatises and contracts that reveal specific use of pigments, distribution of workshops, collaborations between specialized artists, and artistic programs centered on the use of color as an agent.The book will be of interest to scholars working in art history, art conservation, early modern history, sculpture, colonialism, material culture, and European studies.

This book focuses on the techniques and materials of polychromy used in early modern Europe and the Americas from 1200 to 1800.Taking a trans-cultural approach, the book studies the production of polychrome sculptures, panels, and altarpieces, as well as colored terracotta. The book includes chapters on treatises and contracts that reveal specific use of pigments, distribution of workshops, collaborations between specialized artists, and artistic programs centered on the use of color as an agent.The book will be of interest to scholars working in art history, art conservation, early modern history, sculpture, colonialism, material culture, and European studies.

Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. This volume examines the sacred and the profane in the early modern period.The 2023 volume features essays from the conference held at the University of North Carolina at Chapel Hill, as well as essays submitted directly to the journal. The opening essay juxtaposes Socratic irony and Hermeticism in its exploration of the Neoplatonic influences in Spenser's Faerie Queene. It is followed by three analyses of religious poems; the first demonstrates the ways in which William Baldwin resurrects Edward the sixth in his "Funeralles of King Edward" to promote his own evangelical agenda; the second takes a close look at Herrick's "Rex Tragicus," arguing that it is a powerful expression of "English religious identity." The final essay in this group seeks to complicate the history of the early modern female sonneteer. Returning to the secular, the next essay compares a work by Polish writer Andrzej Modrzewski to Sir Thomas More's Utopia. Art history is the focus of the following triad of essays, which illuminate the visual cultures of the Netherlands and Spain; they address the collaborative organization of the Spanish sculptor Alonso Berruguete's workshop, the related phenomenon of fiction, faith, and spectacle in Maarten van Heemskerck's religious imagery, and the political dimensions of the aesthetics of Habsburg portraiture. The volume concludes with an exuberant analysis of the role of fiction in the art of biographical writing, using the example of Katherine Rundell's Super-Infinite: The Transformations of John Donne.Contributors: Sunmin Cha, Ilenia Colón Mendoza, Scott Lucas, Gerardo Rappazzo Amura, Mary Ruth Robinson, Jesse Russell, Paul J. Stapleton, John Wall , Vaclav Zheng.