Liz Herbert McAvoy – författare

This volume focuses on women's literary history in Britain between 700 and 1500. It brings to the fore a wide range of women's literary activity undertaken in Latin, Welsh and Anglo-Norman alongside that of the English vernacular, demanding a rethinking of the traditions of literary history, and ultimately the concept of 'writing' itself.

While moralists may stress the importance of the proper management of appetite, medieval and early modern narratives are full of images of monstrous and deformed appetites running out of control. Consuming Narratives examines the significance of these concepts, metaphors and narratives of appetite for understanding gender, politics, race and nation in the Middle Ages and the Renaissance. The essays in this wide-ranging collection consider appetite in relation to sexual and textual consumption, monstrous bodies and genders, races and nations. Each section is introduced by a leading academic in the field, while individual papers deal with a variety of texts, from the Revelations of Divine Love to Massinger's The Sea Voyage, and cover topics ranging from trade and colonialism to vampires, witchcraft and the sheela-na-gig figure. Consuming Narratives analyses representations of monstrous appetites, highlights the role of consumption within narrative practices and considers the ways in which appetites and ideas about them contributed to the production of textual, human and national bodies. It will be an essential book for all those interested in the intersections of gender, politics and narrative in the medieval and early modern periods.

'Consuming Narratives' is a collection of essays dealing with the relevance of the concept and metaphor of appetite for understanding writing, politics, race, nation and gender in the medieval and modern periods.

This book examines from a variety of perspectives, and offers a range of interpretations, of the type of rhetoric associated with the anchoritic experience during the Middle Ages and draws conclusions on the many purposes of that rhetoric. In particular, each chapter will aim to unravel aspects of the often complex webs of association embedded within the rhetoric and imagery of anchoritic literature and the ways in which these associations travelled from within the anchorhold to the wider community of the laity beyond its walls. In so doing, it will argue for the centrality of anchoritic spirituality to the religious climate of the later Middle Ages in spite of the seemingly marginalized status of the anchorite within the social community which housed her/him.

Ranging from studies of the influence of desert eremiticism upon a variety of expressions of religious enclosure in England to the sexualized spirituality of the high Middle Ages, this book contains essays that demonstrate how discourses of anchoritic enclosure were utilized to different ends at different periods throughout the Middle Ages.

This volume focuses on women's literary history in Britain between 700 and 1500. It brings to the fore a wide range of women's literary activity undertaken in Latin, Welsh and Anglo-Norman alongside that of the English vernacular, demanding a rethinking of the traditions of literary history, and ultimately the concept of 'writing' itself.

This volume focuses on women's literary history in Britain between 700 and 1500. It brings to the fore a wide range of women's literary activity undertaken in Latin, Welsh and Anglo-Norman alongside that of the English vernacular, demanding a rethinking of the traditions of literary history, and ultimately the concept of 'writing' itself.

An examination of the growth and different varieties of anchoritism throughout medieval Europe.The practice of anchoritism - religious enclosure which was frequently solitary and voluntarily embraced, very often in a permanent capacity - was widespread in many areas of Europe throughout the middle ages. Originating in the desert withdrawal of the earliest Christians and prefiguring even the monastic life, anchoritism developed into an elite vocation which was popular amongst both men and women. Within this reclusive vocation, the anchorite would withdraw, either alone or with others like her or him, to a small cell or building, very frequently attached to a church or other religious institution, where she or he would - theoretically at least - remain locked up until death. In the later period it was a vocation which was particularly associated with pious laywomen who appear to have opted for this extreme way of life in their thousands throughout western Europe, often as an alternative to marriage orremarriage, allowing them, instead, to undertake the role of "living saint" within the community.This volume brings together for the first time in English much of the most important European scholarship on the subject to date. Tracing the vocation's origins from the Egyptian deserts of early Christian activity through to its multiple expressions in western Europe, it also identifies some of those regions - Wales and Scotland, for example - where thephenomenon does not appear to have been as widespread. As such, the volume provides an invaluable resource for those interested in the theories and practices of medieval anchoritism in particular, and the development of medieval religiosity more widely. Dr LIZ HERBERT MCAVOY is Professor of Medieval Literature at Swansea University.CONTRIBUTORS: Anneke B. Mulder-Bakker, Gabriela Signori, M. Sensi, G. Cavero Dominguez, P. L'Hermite-Leclercq, Mari Hughes-Edwards, Colman O Clabaigh, Anna McHugh, Liz Herbert McAvoy.

An examination of ways in which the writings of Julian of Norwich and Margery Kempe were affected by traditional and contemporary attitudes towards women.The writings of Julian of Norwich and Margery Kempe show an awareness of traditional and contemporary attitudes towards women, in particular medieval attitudes towards the female body. This study examines the extent to which they make use of such attitudes in their writing, and investigates the importance of the female body as a means of explaining their mystical experiences and the insight gained from them; in both writers, the female body is central to their writing, leading to a feminised language through which they achieve authority and create a space in which they can be heard, particularly in the context of their religious and mystical experiences. The three archetypal representations of woman in the middle ages, as mother, as whore and as "wise woman", are all clearly present in the writings of Julian of Norwich and Margery Kempe; in examining the ways in which both writers make use of these female categories, McAvoy establishes the extent of their success in resolving the tension between society's expectations of them and their own lived experiences as women and writers.LIZ HERBERT MCAVOY is Senior Lecturer in Gender in English and Medieval Literature, College of Arts and Humanities, Swansea University

An examination of the importance of anchoritism to social, cultural and religious life in the middle ages.Originating in the deserts of northern Africa in the early years of Christianity, anchoritism, or the enclosed solitary life, gradually metamorphosed into a permanent characteristic of European religiosity; from the twelfth century onwards, and throughout the middle ages, it was embraced with increasing enthusiasm, by devoted laywomen in particular.This book investigates the wider cultural importance of medieval anchoritism within the different religious landscapes and climates of the period. Drawing upon a range of contemporary gender and spatial theories, it focuses on the gender dynamics of this remarkable way of life, and the material spaces which they generated and within which they operated. As such, it unites related - but too often discrete - areas of scholarship, including early Christian anchoritism, anchoritic guidance texts and associated works, fourteenth and fifteenth-century holy womenwith close anchoritic connections, and a range of other less known works dealing with or connected to the anchoritic life.Dr LIZ HERBERT MCAVOY is Senior Lecturer in Gender in English and Medieval Studies at Swansea University

A consideration of the ways in which the past was framed and remembered in the pre-modern world.The training and use of memory was crucial in medieval culture, given the limited literacy at the time, but to date, very little thought has been given to the complex and disparate ways in which the theory and practices of memoryinteracted with the inherently unstable concepts of time and gender at the time. The essays in this volume, drawing on approaches from applied poststructural and queer theory among others, reassess those ideologies, meanings and responses generated by the workings of memory within and over "time". Ultimately, they argue for the inherent instability of the traditional gender-time-memory matrix (within which men are configured as the recorders of "history"and women as the repositories of a more inchoate familial and communal knowledge), showing the Middle Ages as a locus for a far more fluid conceptualization of time and memory than has previously been considered.Elizabeth Cox is Lecturer in Old English at Swansea University; Roberta Magnani is Lecturer in Medieval Literature at Swansea University; Liz Herbert McAvoy is Professor of Medieval Literature at Swansea University.Contributors: Anne E. Bailey, Daisy Black, Elizabeth Cox, Fiona Harris-Stoertz, Ayoush Lazikani, Liz Herbert McAvoy, Pamela E. Morgan, William Rogers, Patricia Skinner, Victoria Turner.

One of the most important medieval writers studied in historical and literary context.Julian of Norwich, the fourteenth/early fifteenth-century anchoress and mystic, is one of the most important and best-known figures of the Middle Ages. Her Revelations, intense visions of the divine, have been widely studied and read; the first known writings of an English woman, their influence extends over theology and literature. However, many aspects of both her life and thought remain enigmatic.This exciting new collection offers a comprehensive, accessible coverage of the key aspects of debate surrounding Julian. It places the author within a wide range of contemporary literary, social, historical and religious contexts, and also provides a wealth of new insightsinto manuscript traditions, perspectives on her writing and ways of interpreting it, building on the work of many of the most active and influential researchers within Julian studies, and including the fruits of the most recent,ground-breaking findings. It will therefore be a vital companion for all of Julian's readers in the twenty-first century.Dr Liz Herbert McAvoy is Senior Lecturer in Gender in English and Medieval Studies at Swansea University.Contributors: Denise M. Baker, Alexandra Barratt, Marleen Cré, Elisabeth Dutton,Vincent Gillespie, Cate Gunn, Ena Jenkins, E.A. Jones, Liz Herbert McAvoy, Laura Saetveit Miles, Kim M. Philips, Elizabeth Robertson,Sarah Salih, Annie Sutherland, Diane Watt, Barry Windeatt.

Essays challenging the orthodox opinion of anchorites as entirely divorced from the world around them.Much of the research into medieval anchoritism to date has focused primarily on its liminal and elite status within the socio-religious cultures of its day: the anchorite has long been depicted as both solitary and alone, almost entirely removed from community and living a life of permanent withdrawal and isolation, in effect dead to the world. Considerably less attention has been afforded to the communal sociability that also formed part of the reclusivelife during the period,The essays in this volume, stemming from a variety of cross-disciplinary approaches and methodologies, lay down a challenge to this position, breaking new ground in their presentation of the medievalanchorite and other types of enclosed solitary as playing a central role within the devotional life of the communities in which they were embedded. They attest also to the frequent involvement of anchorites and other recluses in local, national and, sometimes, international matters of importance. Overall, the volume suggests that, far from operating on the socio-religious periphery, as posited previously, the medieval anchorite was more often found at theheart of a sometimes intersecting array of communities: synchronic and diachronic; physical and metaphysical; religious and secular; gendered and textual.CATE GUNN has taught in the Continuing Education and LiteratureDepartments of the University of Essex; LIZ HERBERT MCAVOY is Professor of Medieval Literature at Swansea University.Contributors: Diana Denissen, Clare Dowding, Clarck Drieshen, Cate Gunn, Catherine Innes-Parker, E.A. Jones, Dorothy Kim, Liz Herbert McAvoy, Godelinde Perk, James Plumtree, Michelle Sauer, Sophie Sawicka-Sykes, Andrew Thornton OSB,

Translation and facing text of an important female-authored work from the late middle ages.A Revelation of Purgatory was written by an unnamed woman, almost certainly an anchoress, in Winchester in 1422. It details from a first-person perspective a series of terrifying visions experienced by the author in which she witnesses the purgatorial sufferings of a former friend named Margaret who makes her way through the blazing fires of purgatory tormented by devils, the "worm of conscience", and - uniquely - her two former pets, a fierce little cat and dog. Through her prayer and the prayers she elicits from her own circle of influential priests, the anchoress is eventually able to deliver Margaret to the doors of the heavenly Jerusalem.Made available here in accessible parallel-text format with extended introduction and annotation, the Revelation is an important text: not only does it testify to popular and religious concerns with the afterlife in the late Middle Ages but also underscores the significant role played by women in mitigating the suffering of souls in purgatory by means of their personal interventions. The text also bears witness to female friendship, effective intergender dialogue, and the central role played by an anchoress in those communities with which she interacted, be they spiritual, institutional or personal.Liz Herbert McAvoy is Professor of Medieval Literature at Swansea University.

During the Middle Ages, the arresting motif of the walled garden - especially in its manifestation as a sacred or love-inflected hortus conclusus - was a common literary device.During the Middle Ages, the arresting motif of the walled garden - especially in its manifestation as a sacred or love-inflected hortus conclusus - was a common literary device. Usually associated with the Virgin Mary or the Lady of popular romance, it appeared in myriad literary and iconographic forms, largely for its aesthetic, decorative and symbolic qualities.This study focuses on the more complex metaphysical functions and meanings attached to it between 1100 and 1400 - and, in particular, those associated with the gardens of Eden and the Song of Songs. Drawing on contemporary theories of gender, gardens, landscape and space, it traces specifically the resurfacing and reworking of the idea and image of the enclosed garden within the writings of medieval holy women and other female-coded texts. In so doing, it presents the enclosed garden as generator of a powerfully gendered hermeneutic imprint within the medieval religious imaginary - indeed, as an alternative "language" used to articulate those highly complex female-coded approaches to God that came to dominate late-medieval religiosity.The book also responds to the "eco-turn" in our own troubled times that attempts to return the non-human to the centre of public and private discourse. The texts under scrutiny therefore invite responses as both literary and "garden" spaces where form often reflects content, and where their authors are also diligent "gardeners": the apocryphal Lives of Adam and Eve, for example; the horticulturally-inflected Hortus Deliciarum of Herrad of Hohenburg and the "green" philosophies of Hildegard of Bingen's Scivias; the visionary writings of Gertrude the Great and Mechthild of Hackeborn collaborating within their Helfta nunnery; the Middle English poem, Pearl; and multiple reworkings of the deeply problematic and increasingly sexualized garden enclosing the biblical figure of Susanna.

Initiates a wider development of inquiries into women's literary cultures to move the reader beyond single geographical, linguistic, cultural and period boundaries.Since the closing decades of the twentieth century, medieval women's writing has been the subject of energetic conversation and debate. This interest, however, has focused predominantly on western European writers working within the Christian tradition: the Saxon visionaries, Mechthild of Hackeborn, Mechthild of Magdeburg, Gertrude the Great, for example, and, in England, Julian of Norwich and Margery Kempe are cases in point. While this present book acknowledges the huge importance of such writers to women's literary history, it also argues that they should no longer be read solely within a local context. Instead, by putting them into conversation with other literary women and their cultures from wider geographical regions and global cultures - women from eastern Europe and their books, dramas and music; the Welsh gwraig llwyn a pherth (woman of bush and brake); the Indian mystic, Mirabai; Japanese women writers from the Heian period; women saints from across Christian Europe and those of eleventh-century Islam or late medieval Ethiopia; for instance - much more is to be gained in terms of our understanding of the drivers behind and expressions of medieval women's literary activities in far broader contexts. This volume considers the dialogue, synergies, contracts and resonances emerging from such new alignments, and to help a wider, multidirectional development of this enquiry into women's literary cultures.

Essays on women and devotional literature in the Middle Ages in commemoration and celebration of the respected feminist scholar Catherine Innes-Parker.Silence was a much-lauded concept in the Middle Ages, particularly in the context of religious literature directed at women. Based on the Pauline prescription that women should neither preach nor teach, and should at all times keep speech to a minimum, the concept of silence lay at the forefront of many devotional texts, particularly those associated with various forms of women's religious enclosure. Following the example of the Virgin Mary, religious women were exhorted to speak seldom, and then only seriously and devoutly. However, as this volume shows, such gendered exhortations to silence were often more rhetorical than literal. The contributions range widely: they consider the English 'Wooing Group' texts and female-authored visionary writings from the Saxon nunnery of Helfta in the thirteenth century; works by Richard Rolle and the Dutch mystic Jan van Ruusbroec in the fourteenth century; Anglo-French treatises, and books housed in the library of the English noblewoman Cecily Neville in the fifteenth century; and the resonant poetics of women from non-Christian cultures. But all demonstrate the ways in which silence, rather than being a mere absence of speech, frequently comprised a form of gendered articulation and proto-feminist point of resistance. They thus provide an apt commemoration and celebration of the deeply innovative work of Catherine Innes-Parker (1956-2019), the respected feminist scholar and a pioneer of this important field of study.