Lloyd E. Chiasson – författare

Throughout American history, the press has been incredibly adept at making the public aware. The history of the press in crisis situations is in many ways the story of public attitudes and the story of America. This book looks at the press over time and the way it has functioned in times of crisis. It considers press coverage of 13 events, spanning a time frame that includes the birth of the nation, its political, economic, and social struggles as a young country, and its civil war. It tells how a young agrarian society grew into an industrial giant, and how it changed from isolationist to a world power. It relates how this country coped with the growth of socialism, two world wars, civil unrest, and with the problem of world overpopulation.The American press has performed various functions throughout the years. The Colonial Press served as a vehicle of discussion, debate, and finally agitation and, in the process, may have defined itself and laid a groundwork for the press's future roles. The press has agitated, advocated, and persuaded. It has been duped, it has been unfair, and it has misled. This volume considers such concepts as advocacy journalism, a central theme of the chapters on abolitionists and David Duke, and social responsibility, a primary part of the chapter on Japanese-American internment. The press's attempt to lead public opinion is the focus of the chapters on the partisan press, the antebellum period, and the first Red Scare in 1919. The chapter on Joseph McCarthy looks at the concepts of objectivity and the use and misuse of pseudo news. The final chapter, on overpopulation, deals extensively with agenda setting.

As Chiasson and his contributors illustrate, trials are media events that can have long-reaching significance. They can, and have, changed the way people think, how institutions function, and have shaped public opinions. While this collection on ten trials is about withcraft, slavery, religion, and radicalism, it is, in many ways, the story of America.Trials are the stuff of news. Those rare moments when justice, or a reasonable facsimile, is meted out. And what offers up more high drama, or melodrama, than a highly publicized trial? Most news events enjoy short life spans. They happen; they are reported; they are quickly forgotten. As Chiasson and his contributors make clear, a trial often is a lingering, living thing that builds in tension. It is, every once in a long while, a modern Shakespearean drama with a twist: The audience becomes members of the cast because, every once in a long while, society finds itself the defendant.Trials can have lasting importance beyond how the public perceives them. A trial can have long-reaching significance if it changes the way people think, or how institutions function, or shapes public opinion. Ten such American trials covering a span of 307 years are covered here. In each, the sociological underpinnings of events often has greater significance than either the crime or the trial. The ten trials included are the Salem witch trials, the Amistad trial, the Sioux Indian Uprising trials, the Ed Johnson/Sheriff Shipp trial, the Big Bill Haywood trial, the Ossian Sweet trial, the Clay Shaw trial, the Manuel Noriega trial, and the Matthew Shepard trial. While the book is about ten crimes, the subsequent trials, and the media coverage of each, it is also a book about witchcraft, about religion, slavery, and radicalism. It paints portraits of a racist America, a capitalistic America, an anarchist America. It relates compelling tales of compassion, greed, stupidity, and hate beginning in 17th-century colonial times and ending in present-day America. In many ways, it is the story of America.

As Chiasson and his contributors illustrate, trials are media events that can have long-reaching significance. They can, and have, changed the way people think, how institutions function, and have shaped public opinions. While this collection on ten trials is about withcraft, slavery, religion, and radicalism, it is, in many ways, the story of America.Trials are the stuff of news. Those rare moments when justice, or a reasonable facsimile, is meted out. And what offers up more high drama, or melodrama, than a highly publicized trial? Most news events enjoy short life spans. They happen; they are reported; they are quickly forgotten. As Chiasson and his contributors make clear, a trial often is a lingering, living thing that builds in tension. It is, every once in a long while, a modern Shakespearean drama with a twist: The audience becomes members of the cast because, every once in a long while, society finds itself the defendant.Trials can have lasting importance beyond how the public perceives them. A trial can have long-reaching significance if it changes the way people think, or how institutions function, or shapes public opinion. Ten such American trials covering a span of 307 years are covered here. In each, the sociological underpinnings of events often has greater significance than either the crime or the trial. The ten trials included are the Salem witch trials, the Amistad trial, the Sioux Indian Uprising trials, the Ed Johnson/Sheriff Shipp trial, the Big Bill Haywood trial, the Ossian Sweet trial, the Clay Shaw trial, the Manuel Noriega trial, and the Matthew Shepard trial. While the book is about ten crimes, the subsequent trials, and the media coverage of each, it is also a book about witchcraft, about religion, slavery, and radicalism. It paints portraits of a racist America, a capitalistic America, an anarchist America. It relates compelling tales of compassion, greed, stupidity, and hate beginning in 17th-century colonial times and ending in present-day America. In many ways, it is the story of America.

Perhaps no drama catches the interest of the American public more than a spectacular trial. Even though the reporting of a crime may quickly diminish in news value, the trial lingers while drama builds. Although this has become seemingly more pronounced in recent years with the popularity of televised trials, public interest in criminal trials was just as high in 1735 when John Peter Zenger defended his right to free speech, or in 1893 when Lizzie Borden was tried for the murder of her father and stepmother. This book tells the stories of sixteen significant trials in American history and their media coverage, from the Zenger trial in 1735 to the O. J. Simpson trial in 1995. Each chapter relates the history of events leading up to the trial, the people involved, and how the crimes and subsequent trials were reported.

As Chiasson and his contributors illustrate, trials are media events that can have long-reaching significance. They can, and have, changed the way people think, how institutions function, and have shaped public opinions. While this collection on ten trials is about withcraft, slavery, religion, and radicalism, it is, in many ways, the story of America.Trials are the stuff of news. Those rare moments when justice, or a reasonable facsimile, is meted out. And what offers up more high drama, or melodrama, than a highly publicized trial? Most news events enjoy short life spans. They happen; they are reported; they are quickly forgotten. As Chiasson and his contributors make clear, a trial often is a lingering, living thing that builds in tension. It is, every once in a long while, a modern Shakespearean drama with a twist: The audience becomes members of the cast because, every once in a long while, society finds itself the defendant.Trials can have lasting importance beyond how the public perceives them. A trial can have long-reaching significance if it changes the way people think, or how institutions function, or shapes public opinion. Ten such American trials covering a span of 307 years are covered here. In each, the sociological underpinnings of events often has greater significance than either the crime or the trial. The ten trials included are the Salem witch trials, the Amistad trial, the Sioux Indian Uprising trials, the Ed Johnson/Sheriff Shipp trial, the Big Bill Haywood trial, the Ossian Sweet trial, the Clay Shaw trial, the Manuel Noriega trial, and the Matthew Shepard trial. While the book is about ten crimes, the subsequent trials, and the media coverage of each, it is also a book about witchcraft, about religion, slavery, and radicalism. It paints portraits of a racist America, a capitalistic America, an anarchist America. It relates compelling tales of compassion, greed, stupidity, and hate beginning in 17th-century colonial times and ending in present-day America. In many ways, it is the story of America.

Throughout American history, the press has been incredibly adept at making the public aware. The history of the press in crisis situations is in many ways the story of public attitudes and the story of America. This book looks at the press over time and the way it has functioned in times of crisis. It considers press coverage of 13 events, spanning a time frame that includes the birth of the nation, its political, economic, and social struggles as a young country, and its civil war. It tells how a young agrarian society grew into an industrial giant, and how it changed from isolationist to a world power. It relates how this country coped with the growth of socialism, two world wars, civil unrest, and with the problem of world overpopulation.The American press has performed various functions throughout the years. The Colonial Press served as a vehicle of discussion, debate, and finally agitation and, in the process, may have defined itself and laid a groundwork for the press's future roles. The press has agitated, advocated, and persuaded. It has been duped, it has been unfair, and it has misled. This volume considers such concepts as advocacy journalism, a central theme of the chapters on abolitionists and David Duke, and social responsibility, a primary part of the chapter on Japanese-American internment. The press's attempt to lead public opinion is the focus of the chapters on the partisan press, the antebellum period, and the first Red Scare in 1919. The chapter on Joseph McCarthy looks at the concepts of objectivity and the use and misuse of pseudo news. The final chapter, on overpopulation, deals extensively with agenda setting.

Perhaps no drama catches the interest of the American public more than a spectacular trial. Even though the reporting of a crime may quickly diminish in news value, the trial lingers while drama builds. Although this has become seemingly more pronounced in recent years with the popularity of televised trials, public interest in criminal trials was just as high in 1735 when John Peter Zenger defended his right to free speech, or in 1893 when Lizzie Borden was tried for the murder of her father and stepmother. This book tells the stories of sixteen significant trials in American history and their media coverage, from the Zenger trial in 1735 to the O. J. Simpson trial in 1995. Each chapter relates the history of events leading up to the trial, the people involved, and how the crimes and subsequent trials were reported.