Lois Brown – författare

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“The design of this Memoir is, to present the incidents in the life of a little colored boy.” So begins the life story of James Jackson, as set down by his African American teacher, Susan Paul, in 1835, as an example to other children and adults who might learn from the boy’s goodness.This remarkable document—the first African American biography and a work that predates Harriet Jacobs’s Incidents in the Life of a Slave Girl by almost thirty years—is a lost treasure from the annals of African American history. With its combination of eyewitness accounts, personal testimony, and excerpts from traditional Sunday school texts, the memoir is an extraordinary social history rooted in both nineteenth-century evangelicalism and the experiences of free African Americans.Susan Paul’s portrayal of James Jackson’s Christian sensibility, his idealism, and his racial awareness emphasizes his humanity and exemplary American character over his racial identity, even as it embeds him in his African American community.

This is a comprehensive, A-to-Z guide to the literature of the Harlem Renaissance. The Harlem Renaissance, a broad artistic movement of the 1920s and early '30s that involved literature, the visual arts, and music, was one of the most productive eras in American literary history. ""Encyclopedia of the Harlem Literary Renaissance"" provides authoritative coverage and unique insight into the literature of the Harlem Renaissance. More than 800 concise, A-to-Z entries detail the historical relevance of the subject and explain how the writer, work, or idea helped shape American literature. The author draws on historical studies, biographies, literary criticism, and primary materials, including letters and diaries of such Harlem Renaissance figures as Langston Hughes, Jean Toomer, W. E. B. DuBois, and Zora Neale Hurston. This book also includes a chronology, a map, a list of works by Harlem Renaissance writers, crossreferences, a bibliography, and an index. Coverage includes: writers, poets, important critics, and others linked to the Harlem Literary Renaissance; important places, historical figures and events, and ideas related to the literature of the Harlem Literary Renaissance; and, many other significant terms and topics that are important to understanding the movement.

Lois Brown offers a straight retelling of her history in My Life. This autobiography is about growing up on a large farm in Newberry, Florida the daughter of Albert Preston Hodge and Lois Magnolia Stephens. It is interesting to note how simplicity makes the details of Browns story all the more compelling for readers. Perhaps it is the careful, loving attention the author gives to everyone who populates the book. A precision that is clean and bright makes even barbecued goat (her brother Walters favorite) seem a natural and necessary part of living. The book is built with well-organized chapters that manage to take all the threads of family history into a very readable whole. Again, it is Lois Browns talent for storytelling that comes to the fore. Nothing is out of place and each disparate chapter blends into another with nary a bump for the reader. The interesting details continue without flagging and the writing is seen to be a concise, consistent and steady rhythm that is almost hypnotic.The author knows all the details of local color so intimately that the reader is taken straight into the sights and sounds of a tobacco auction or reads of some delicious home cooking whose aromas can almost come out of the page. From early childhood onward, we see how the woman Lois Brown is formed from both the fertile ground of family history and an intelligent personality. Replete with pictures and stories that defined moments and true lives, here is the remarkable result of Lois Browns patience and determination to tell her story.

Born into an educated free black family in Portland, Maine, Pauline Elizabeth Hopkins (1859–1930) was a pioneering playwright, journalist, novelist, feminist, and public intellectual, best known for her 1900 novel Contending Forces: A Romance of Negro Life North and South. In this critical biography, Lois Brown documents for the first time Hopkins’s early family life and her ancestral connections to eighteenth-century New England, the African slave trade, and twentieth-century race activism in the North.Brown includes detailed descriptions of Hopkins’s earliest known performances as a singer and actress; textual analysis of her major and minor literary works; information about her most influential mentors, colleagues, and professional affiliations; and details of her battles with Booker T. Washington, which ultimately led to her professional demise as a journalist.Richly grounded in archival sources, Brown’s work offers a definitive study that clarifies a number of inconsistencies in earlier writing about Hopkins. Brown re-creates the life of a remarkable woman in the context of her times, revealing Hopkins as the descendant of a family comprising many distinguished individuals, an active participant and supporter of the arts, a woman of stature among professional peers and clubwomen, and a gracious and outspoken crusader for African American rights.

Born into an educated free black family in Portland, Maine, Pauline Elizabeth Hopkins (1859-1930) was a pioneering playwright, journalist, novelist, feminist, and public intellectual, best known for her 1900 novel Contending Forces: A Romance of Negro Life North and South. In this critical biography, Lois Brown documents for the first time Hopkins's early family life and her ancestral connections to eighteenth-century New England, the African slave trade, and twentieth-century race activism in the North. Brown includes detailed descriptions of Hopkins's earliest known performances as a singer and actress; textual analysis of her major and minor literary works; information about her most influential mentors, colleagues, and professional affiliations; and details of her battles with Booker T. Washington, which ultimately led to her professional demise as a journalist.Richly grounded in archival sources, Brown's work offers a definitive study that clarifies a number of inconsistencies in earlier writing about Hopkins. Brown re-creates the life of a remarkable woman in the context of her times, revealing Hopkins as the descendant of a family comprising many distinguished individuals, an active participant and supporter of the arts, a woman of stature among professional peers and clubwomen, and a gracious and outspoken crusader for African American rights.