Lorenzo Casini - Böcker

This book examines Occidentalism, or the set of cultural, literary and political uses of ‘the West’, in the works of canonical 20th and 21st century Egyptian novelists. Beginning with the writings of Muhammad Husayn Haykal, Lorenzo Casini here traces the way that imaginaries and representations of the West became bound up with the notions of modernity and national identity with which Egyptian novelists grappled, from the works of Tawfiq al-Hakim to those of Taha Husayn. The book also explores the trope of the European woman as an embodiment of the free, modern, seductive West as an essential facet of Occidentalism in this formative period. The second part of the book examines the ways in which later novelists —from Latifa al-Zayyat and Yusuf Idris, to Radwa Ashur and Ahdaf Soueif— subverted dominant Occidentalist themes as a way of re-examining concepts of personal, political, and national identity. The author argues that these later novelists reacted to the changing political circumstances in Egypt, from Nasser’s rule and the slide to authoritarianism to the 2011 Revolution, to envisage different kinds of Egyptian political community with a more complicated and less binary relationship with the imagined West.

This book examines Occidentalism, or the set of cultural, literary and political uses of ‘the West’, in the works of canonical 20th and 21st century Egyptian novelists. Beginning with the writings of Muhammad Husayn Haykal, Lorenzo Casini here traces the way that imaginaries and representations of the West became bound up with the notions of modernity and national identity with which Egyptian novelists grappled, from the works of Tawfiq al-Hakim to those of Taha Husayn. The book also explores the trope of the European woman as an embodiment of the free, modern, seductive West as an essential facet of Occidentalism in this formative period. The second part of the book examines the ways in which later novelists —from Latifa al-Zayyat and Yusuf Idris, to Radwa Ashur and Ahdaf Soueif— subverted dominant Occidentalist themes as a way of re-examining concepts of personal, political, and national identity. The author argues that these later novelists reacted to the changing political circumstances in Egypt, from Nasser’s rule and the slide to authoritarianism to the 2011 Revolution, to envisage different kinds of Egyptian political community with a more complicated and less binary relationship with the imagined West.

Comparative Regional Integration: Governance and Legal Models is a groundbreaking comparative study on regional or supranational integration through international and regional organizations. It provides the first comprehensive and empirically based analysis of governance systems by drawing on an original sample of 87 regional and international organizations. The authors explain how and why different organizations select specific governance processes and institutional choices, and outline which legal instruments - regulatory, organizational or procedural - are adopted to achieve integration. They reveal how different objectives influence institutional design and the integration model, for example a free trade area could insist on supremacy and refrain from adopting instruments for indirect rule, while a political union would rather engage with all available techniques. This ambitious work merges different backgrounds and disciplines to provide researchers and practitioners with a unique toolbox of institutional processes and legal mechanisms, and a classification of different models of regional and international integration.

Elgar Advanced Introductions are stimulating and thoughtful introductions to major fields in the social sciences, business and law, expertly written by the world’s leading scholars. Designed to be accessible yet rigorous, they offer concise and lucid surveys of the substantive and policy issues associated with discrete subject areas.Lorenzo Casini delves into the increasing globalization of cultural heritage law in this innovative and thought-provoking Advanced Introduction. Chapters build on examples of armed conflict, UNESCO World Heritage, illicit traffic and restitution, and museums. In addition to answering fundamental questions on cultural property, Casini constantly connects national and global aspects of cultural heritage law; he dissects old and contemporary dilemmas such as the public and private divide, the paradoxes of protection, the complex regulation of landscape, or the retention v. restitution approaches, and examines the future challenges of cultural heritage law in the digital age.Key Features:Balances theory and practice of cultural heritage lawEstablishes links between jurisdiction and wider legal issuesConnects domestic and global issues of cultural heritage lawPresents a rich variety of case studies and examples from different legal systemsAdopts a multidisciplinary approach connecting the law with the broader social sciencesIntroduces a comprehensive overview of international and comparative cultural heritage lawThis coherent Advanced Introduction will prove invaluable to scholars across cultural heritage law and art law. It will also be an invigorating read for practitioners, museum professionals, and lawyers in cultural heritage, art law, and intellectual property worldwide. Lastly, it highlights the general relevance and significance of cultural heritage issues in the field of law and in social sciences more broadly.

Elgar Advanced Introductions are stimulating and thoughtful introductions to major fields in the social sciences, business and law, expertly written by the world’s leading scholars. Designed to be accessible yet rigorous, they offer concise and lucid surveys of the substantive and policy issues associated with discrete subject areas.Lorenzo Casini delves into the increasing globalization of cultural heritage law in this innovative and thought-provoking Advanced Introduction. Chapters build on examples of armed conflict, UNESCO World Heritage, illicit traffic and restitution, and museums. In addition to answering fundamental questions on cultural property, Casini constantly connects national and global aspects of cultural heritage law; he dissects old and contemporary dilemmas such as the public and private divide, the paradoxes of protection, the complex regulation of landscape, or the retention v. restitution approaches, and examines the future challenges of cultural heritage law in the digital age.Key Features:Balances theory and practice of cultural heritage lawEstablishes links between jurisdiction and wider legal issuesConnects domestic and global issues of cultural heritage lawPresents a rich variety of case studies and examples from different legal systemsAdopts a multidisciplinary approach connecting the law with the broader social sciencesIntroduces a comprehensive overview of international and comparative cultural heritage lawThis coherent Advanced Introduction will prove invaluable to scholars across cultural heritage law and art law. It will also be an invigorating read for practitioners, museum professionals, and lawyers in cultural heritage, art law, and intellectual property worldwide. Lastly, it highlights the general relevance and significance of cultural heritage issues in the field of law and in social sciences more broadly.

Combining visual and literary analyses and original ethnographic studies as part of a more general political reflection, Migration in the Making of Gulf Space examines the role of migrants and non-citizens in the processes of settling in the Arab States of the Gulf region. The contributions underscore the aspirational character of the Gulf as a place where migrant recognition can be attained while also reflecting on practices of exclusion. The book is the result of an interdisciplinary dialogue among scholars and includes an original contribution by the acclaimed author of the novel Temporary People, Deepak Unnikrishnan.