Lorna Collins – författare

Published with ISME, ITTO and project partners FAO, UNESCO-MAB, UNEP-WCMC and UNU-INWEH

This atlas provides the first truly global assessment of the state of the world''s mangroves. Written by a leading expert on mangroves with support from the top international researchers and conservation organizations, this full colour atlas contains 60 full-page maps, hundreds of photographs and illustrations and a comprehensive country-by-country assessment of mangroves.

Mangroves are considered both ecologically and from a human perspective. Initial chapters provide a global view, with information on distribution, biogeography, productivity and wider ecology, as well as on human uses, economic values, threats, and approaches for mangrove management. These themes are revisited throughout the regional chapters, where the maps provide a spatial context or starting point for further exploration. The book also presents a wealth of statistics on biodiversity, habitat area, loss and economic value which provide a unique record of mangroves against which future threats and changes can be evaluated. Case-studies, written by regional experts provide insights into regional mangrove issues, including primary and potential productivity, biodiversity, and information on present and traditional uses and values and sustainable management.

Published with ISME, ITTO and project partners FAO, UNESCO-MAB, UNEP-WCMC and UNU-INWEH

This atlas provides the first truly global assessment of the state of the world''s mangroves. Written by a leading expert on mangroves with support from the top international researchers and conservation organizations, this full colour atlas contains 60 full-page maps, hundreds of photographs and illustrations and a comprehensive country-by-country assessment of mangroves.

Mangroves are considered both ecologically and from a human perspective. Initial chapters provide a global view, with information on distribution, biogeography, productivity and wider ecology, as well as on human uses, economic values, threats, and approaches for mangrove management. These themes are revisited throughout the regional chapters, where the maps provide a spatial context or starting point for further exploration. The book also presents a wealth of statistics on biodiversity, habitat area, loss and economic value which provide a unique record of mangroves against which future threats and changes can be evaluated. Case-studies, written by regional experts provide insights into regional mangrove issues, including primary and potential productivity, biodiversity, and information on present and traditional uses and values and sustainable management.

Making Sense utilises art practice as a pro-active way of thinking that helps us to make sense of the world. It does this by developing an applied understanding of how we can use art as a method of healing and as a critical method of research. Drawing from poststructuralist philosophy, psychoanalysis, arts therapies, and the creative processes of a range of contemporary artists, the book appeals to the fields of art theory, the arts therapies, aesthetics and art practice, whilst it opens the regenerative affects of art-making to everyone. It does this by proposing the agency of ‘transformative therapeutics’, which defines how art helps us to make sense of the world, by activating, nourishing and understanding a particular world view or situation therein. The purpose of the book is to question and understand how and why art has this facility and power, and make the creative and healing properties of certain modes of expression widely accessible, practical and useful.

The concept of schizoanalysis is Deleuze and Guattari’s fusion of psychoanalytic-inspired theories of the self, the libido and desire with Marx-inspired theories of the economy, history and society. Schizoanalysis holds that art’s function is both political and aesthetic – it changes perception. If one cannot change perception, then, one cannot change anything politically. This is why Deleuze and Guattari always insist that artists operate at the level of the real (not the imaginary or the symbolic). Ultimately, they argue, there is no necessary distinction to be made between aesthetics and politics. They are simply two sides of the same coin, both concerned with the formation and transformation of social and cultural norms. Deleuze and the Schizoanalysis of Visual Art explores how every artist, good or bad, contributes to the structure and nature of society because their work either reinforces social norms, or challenges them. From this point of view we are all artists, we all have the potential to exercise what might be called a ‘aesthetico-political function’ and change the world around us; or, conversely, we can not only let the status quo endure, but fight to preserve it as though it were freedom itself.Edited by one of the world's leading scholars in Deleuze Studies and an accomplished artist, curator and critic, this impressive collection of writings by both academics and practicing artists is an exciting imaginative tool for a upper level students and academics researching and studying visual arts, critical theory, continental philosophy, and media.

The concept of schizoanalysis is Deleuze and Guattari''s fusion of psychoanalytic-inspired theories of the self, the libido and desire with Marx-inspired theories of the economy, history and society. Schizoanalysis holds that art''s function is both political and aesthetic – it changes perception. If one cannot change perception, then, one cannot change anything politically. This is why Deleuze and Guattari always insist that artists operate at the level of the real (not the imaginary or the symbolic). Ultimately, they argue, there is no necessary distinction to be made between aesthetics and politics. They are simply two sides of the same coin, both concerned with the formation and transformation of social and cultural norms. Deleuze and the Schizoanalysis of Visual Art explores how every artist, good or bad, contributes to the structure and nature of society because their work either reinforces social norms, or challenges them. From this point of view we are all artists, we all have the potential to exercise what might be called a ''aesthetico-political function'' and change the world around us; or, conversely, we can not only let the status quo endure, but fight to preserve it as though it were freedom itself.Edited by one of the world''s leading scholars in Deleuze Studies and an accomplished artist, curator and critic, this impressive collection of writings by both academics and practicing artists is an exciting imaginative tool for a upper level students and academics researching and studying visual arts, critical theory, continental philosophy, and media.

The concept of schizoanalysis is Deleuze and Guattari''s fusion of psychoanalytic-inspired theories of the self, the libido and desire with Marx-inspired theories of the economy, history and society. Schizoanalysis holds that art''s function is both political and aesthetic – it changes perception. If one cannot change perception, then, one cannot change anything politically. This is why Deleuze and Guattari always insist that artists operate at the level of the real (not the imaginary or the symbolic). Ultimately, they argue, there is no necessary distinction to be made between aesthetics and politics. They are simply two sides of the same coin, both concerned with the formation and transformation of social and cultural norms. Deleuze and the Schizoanalysis of Visual Art explores how every artist, good or bad, contributes to the structure and nature of society because their work either reinforces social norms, or challenges them. From this point of view we are all artists, we all have the potential to exercise what might be called a ''aesthetico-political function'' and change the world around us; or, conversely, we can not only let the status quo endure, but fight to preserve it as though it were freedom itself.Edited by one of the world''s leading scholars in Deleuze Studies and an accomplished artist, curator and critic, this impressive collection of writings by both academics and practicing artists is an exciting imaginative tool for a upper level students and academics researching and studying visual arts, critical theory, continental philosophy, and media.

Making Sense utilises art practice as a pro-active way of thinking that helps us to make sense of the world. It does this by developing an applied understanding of how we can use art as a method of healing and as a critical method of research. Drawing from poststructuralist philosophy, psychoanalysis, arts therapies, and the creative processes of a range of contemporary artists, the book appeals to the fields of art theory, the arts therapies, aesthetics and art practice, whilst it opens the regenerative affects of art-making to everyone. It does this by proposing the agency of ‘transformative therapeutics’, which defines how art helps us to make sense of the world, by activating, nourishing and understanding a particular world view or situation therein. The purpose of the book is to question and understand how and why art has this facility and power, and make the creative and healing properties of certain modes of expression widely accessible, practical and useful.

Making Sense utilises art practice as a pro-active way of thinking that helps us to make sense of the world. It does this by developing an applied understanding of how we can use art as a method of healing and as a critical method of research. Drawing from poststructuralist philosophy, psychoanalysis, arts therapies, and the creative processes of a range of contemporary artists, the book appeals to the fields of art theory, the arts therapies, aesthetics and art practice, whilst it opens the regenerative affects of art-making to everyone. It does this by proposing the agency of ''transformative therapeutics'', which defines how art helps us to make sense of the world, by activating, nourishing and understanding a particular world view or situation therein. The purpose of the book is to question and understand how and why art has this facility and power, and make the creative and healing properties of certain modes of expression widely accessible, practical and useful.

Making Sense utilises art practice as a pro-active way of thinking that helps us to make sense of the world. It does this by developing an applied understanding of how we can use art as a method of healing and as a critical method of research. Drawing from poststructuralist philosophy, psychoanalysis, arts therapies, and the creative processes of a range of contemporary artists, the book appeals to the fields of art theory, the arts therapies, aesthetics and art practice, whilst it opens the regenerative affects of art-making to everyone. It does this by proposing the agency of ''transformative therapeutics'', which defines how art helps us to make sense of the world, by activating, nourishing and understanding a particular world view or situation therein. The purpose of the book is to question and understand how and why art has this facility and power, and make the creative and healing properties of certain modes of expression widely accessible, practical and useful.

On an early morning paddle, Agapé Jones' outrigger team finds a body in the water off Maui, thrusting him into unexpected danger. Agapé Jones, retired NYPD detective, is asked to act as special investigator in the murder of famous surfer Philip Fowler, the son of Hawaii State Senator Thomas Fowler. The assignment takes Agapé to the North Shore of Oahu where he discovers that he’s investigating more than just a murder. The young man had no enemies, and Agapé is frustrated by little evidence and few possible suspects. Agapé enjoys exercising his old skills, but he misses his wife, Gerry. He encounters several people who become more than acquaintances, and in the end, discovers the truth. Murder in Paradise allows readers to discover the answers along with the detective while experiencing a virtual trip to the real Paradise that is Hawaii.

Published with ISME, ITTO and project partners FAO, UNESCO-MAB, UNEP-WCMC and UNU-INWEH.This atlas provides the first truly global assessment of the state of the world's mangroves. Written by a leading expert on mangroves with support from the top international researchers and conservation organizations, this full colour atlas contains 60 full-page maps, hundreds of photographs and illustrations and a comprehensive country-by-country assessment of mangroves. Mangroves are considered both ecologically and from a human perspective. Initial chapters provide a global view, with information on distribution, biogeography, productivity and wider ecology, as well as on human uses, economic values, threats, and approaches for mangrove management. These themes are revisited throughout the regional chapters, where the maps provide a spatial context or starting point for further exploration. The book also presents a wealth of statistics on biodiversity, habitat area, loss and economic value which provide a unique record of mangroves against which future threats and changes can be evaluated. Case-studies, written by regional experts provide insights into regional mangrove issues, including primary and potential productivity, biodiversity, and information on present and traditional uses and values and sustainable management.

This volume of texts and images has evolved from papers given at the inaugural Making Sense colloquium, which was held at the University of Cambridge in September 2009. The chapters collected here reflect the multi-dimensional and interdisciplinary sense made at this event, which became something of an artistic installation in itself. The essay ‘Making Sense’ by Jean-Luc Nancy provided the grand finale for the colloquium and is also the culmination of the volume. The collection also includes articles that expound and critique Nancean theory, as well as those that provide challenging manifestos or question the divide between artist and artisan. The volume contrasts works that use texts to make sense of the world with performance pieces that question the sense of theory and seek to make sense through craft, plastic art or painting. By juxtaposing works of pure theory with pieces that incorporate poetry, prose and performance, the book presents the reader with a distillation of the creative act.