Lou Andreas-Salomé – författare

Freud's letters contain revealing commentaries on his working methods, his concept of narcissism, and his interpretation of Moses, and they treat the themes that preoccupied him in old age: death, religion, war. Frau Andreas's topic include her relationship to Rilke, and her reaction to his death, and the psychology of the artist.

He would become one of the most important poets of the twentieth century; she a muse of Europe's fin-de-siècle thinkers and artists. In this collection of letters, a finalist for the PEN USA translation award, the poet Rainer Maria Rilke and Lou Andreas-Salomé, a writer and intellectual fourteen years his senior, pen a relationship that spans thirty years and shifting boundaries: as lovers, as mentor and protégé, and as deep personal and literary allies.

The Human Family is the first complete translation of the cycle of ten novellas that Lou Andreas-Salomé (1861–1937) wrote between 1895 and 1898. This collection contributes to the rediscovery of Andreas-Salomé's significance as a thinker and writer, above all with regard to her literary contribution to modern feminism and the principles of women's emancipation. Born in St. Petersburg to a German diplomat and his wife, Andreas-Salomé has always been a figure of interest because of her close relationships to influential thinkers such as Friedrich Nietzsche, Rainer Maria Rilke, and Sigmund Freud. Only since the mid-1980s, however, have her prose fiction and theoretical writings been reconsidered as important documents of emerging ideas and debates in twentieth-century feminism. The ten stories of The Human Family drive home her critical perspective on feminine stereotypes. They depict a wide variety of young women as they relate to men representing different degrees of enlightenment and tolerance, struggling to express a complete and independent feminine identity in the face of the confining but often seductive roles that convention and tradition impose on female potential. The Human Family provides a subtle and nuanced perspective on European feminist writing from the turn of the last century by a woman writer who was intimately involved with the literary mainstream of her time and whose theoretical and literary works played a significant role in feminist debates of the period, prefiguring present-day feminist discourse on essentialism and constructivism.

Psychoanalyst and author Lou Andreas-Salome may seem to be a figure remote from us, one belonging to a pre-1914 Europe, but in many ways, she is our contemporary. She travelled in a highly romantic world as socialite, sociologist, and author. She was part of Georg Simmel's salon, the most exclusive in Berlin, frequented by elusive poet Stefan Georg, dramatist Paul Ernst, social theorist and polymath Max Weber, and Georg Lukacs, among others.Salome's unique contribution to the erotic was that she argued sexual difference ran deeper than economics and equality—the politics of Marx and the ideals of the French Revolution. For Salome, to think about women and their erotic nature, you must start with their biological and psychological difference, not their economic situation.Salome was an outstanding theorist. Her books on Nietzsche and on Rilke are major studies. The field of psychoanalysis would not have developed in the way it did without Lou Andreas-Salome. We cannot understand Freud's "rationalism" or his anti-religious sensibility without Salome's writings. This new English translation is an essential text of psychoanalysis, one that shaped the very conception of the field.

Psychoanalyst and author Lou Andreas-Salome may seem to be a figure remote from us, one belonging to a pre-1914 Europe, but in many ways, she is our contemporary. She travelled in a highly romantic world as socialite, sociologist, and author. She was part of Georg Simmel's salon, the most exclusive in Berlin, frequented by elusive poet Stefan Georg, dramatist Paul Ernst, social theorist and polymath Max Weber, and Georg Lukacs, among others.Salome's unique contribution to the erotic was that she argued sexual difference ran deeper than economics and equality—the politics of Marx and the ideals of the French Revolution. For Salome, to think about women and their erotic nature, you must start with their biological and psychological difference, not their economic situation.Salome was an outstanding theorist. Her books on Nietzsche and on Rilke are major studies. The field of psychoanalysis would not have developed in the way it did without Lou Andreas-Salome. We cannot understand Freud's "rationalism" or his anti-religious sensibility without Salome's writings. This new English translation is an essential text of psychoanalysis, one that shaped the very conception of the field.

As a psychoanalyst and author, Lou Andreas-Salome traverses the mystery of sexuality in much of her work. This book, comprised of two texts originally written for adolescents, uniquely explores sexual education and the collision of sexuality and religion across the lifespan.The first piece, "Three Letters to a Young Boy" (1917), is a psychoanalytic fairy tale. The letters offer an interesting version of the evolution of sexual knowledge from childhood through adolescence. The second piece, "The Devil & His Grandmother" (1922), merges sexuality with religion, encapsulating three ages of woman—child, to a lost soul and the Devil's bride, to the Devil's Grandmother. Written in charmingly convoluted dialogue, this work has a cinematic, fanciful feel. Both pieces dispense with academic formality and point to a relaxed new phase in Salome's writing life. Interestingly, this tone can also be detected in her blossoming correspondence with Sigmund Freud, which contrasts starkly with her sombre letters to Rainer Maria Rilke.It is with the spirit of free thinking demonstrated in these two selections, perhaps informed by Salome's experimentation with free association, that the reader is transported to a new theatre of Salome's imagination.

The first English translation of a presciently modern portrayal of emerging feminist sensibilities in a nineteenth-century family, by one of Germany's leading pre-First World War writers.Best known now for her involvement with Nietzsche, Rilke, and Freud, Lou Andreas-Salomé (1861-1937) first became famous for fiction and criticism that engaged provocatively with "the woman question." In recent years, the author's literary treatment of the challenges facing women in a patriarchal society has awakened renewed interest. Anneliese's House is the first English translation of her last and most masterful work of fiction, the 1921 Das Haus: Familiengeschichte vom Ende vorigen Jahrhunderts (The House: A Family Story from the End of the Nineteenth Century). Anneliese Branhardt, the book's protagonist, long ago renounced a career as a pianist to raise a family with her physician husband, Frank. She worries about her son Balduin - an aspiring poet modeled on Rilke - and about her equally free-spirited daughter Gitta. She is haunted by memories of a daughter who died in childhood and anxious about a risky, late pregnancy. With her domestic harmony threatened by her own stirrings of autonomy and her children's growing independence, Anneliese finds the future both frightening and promising. The edition is fully annotated, with a critical introduction and bibliography.

The first English translation of a presciently modern portrayal of emerging feminist sensibilities in a nineteenth-century family, by one of Germany's leading pre-First World War writers.Best known now for her involvement with Nietzsche, Rilke, and Freud, Lou Andreas-Salomé (1861-1937) first became famous for fiction and criticism that engaged provocatively with "the woman question." In recent years, the author's literary treatment of the challenges facing women in a patriarchal society has awakened renewed interest. Anneliese's House is the first English translation of her last and most masterful work of fiction, the 1921 Das Haus: Familiengeschichte vom Ende vorigen Jahrhunderts (The House: A Family Story from the End of the Nineteenth Century). Anneliese Branhardt, the book's protagonist, long ago renounced a career as a pianist to raise a family with her physician husband, Frank. She worries about her son Balduin - an aspiring poet modeled on Rilke - and about her equally free-spirited daughter Gitta. She is haunted by memories of a daughter who died in childhood and anxious about a risky, late pregnancy. With her domestic harmony threatened by her own stirrings of autonomy and her children's growing independence, Anneliese finds the future both frightening and promising. The edition is fully annotated, with a critical introduction and bibliography.