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2 produkter
2 produkter
474 kr
Skickas inom 7-10 vardagar
The creative and collaborative history of vanguard printmaking studio and publisher Brand X Brand X, founded in 1979 as a screenprinting laboratory in New York City, fosters creative collaborations in which paper, ink, and a seemingly endless variety of ideas coalesce through the cooperative alchemy of artists and master printers working under the direction of founder Robert Blanton. This book tells the story of the firm’s evolution as a publisher and producer of screenprints and the many emerging and established artists who have worked in its studio, including Vija Celmins, Chuck Close, Rashid Johnson, Alex Katz, Joel Mesler, Adam Pendleton, and Mickalene Thomas, among others. The book offers an introduction to the history of “artistic” screenprinting in the United States; the role of the medium and its status during the printmaking boom of the 1960s and 1970s; an interview with Robert Blanton and his partner at Brand X, David DeSanctis; and a look into the technical magic of artists, chromists, and printers, illustrated with spectacular color reproductions of more than 150 prints. Distributed for the Philadelphia Museum of Art Exhibition Schedule: Philadelphia Museum of Art(July 3–November 9, 2025)
687 kr
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This book includes a rich and fascinating consideration of the golden age of French printmaking. Once considered the golden age of French printmaking, Louis XIV's reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliotheque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries.AKingdom of Images is published to coincide with an exhibition on view at the Getty Research Institute from June 18 through September 6, 2015, and at the Bibliotheque nationale de France in Paris from November 2, 2015, through January 31, 2016.