Louis Paul Boon – författare

According to the author, Chapel Road is the book about the childhood of Ondine [. . .] about her brother Valeer-Traleer with his monstrous head wobbling through life this way and that. But the book is about a lot more than that. It is also the story of Louis Paul Boon, an author working on a novel entitled Chapel Road, surrounded by his colorful group of friends. His readers and companions include the painter Tippetotje, who habitually works a naked woman into her paintings, and Johan Janssens, the journalist and poet who is fired from the paper for refusing to agree with the Capitalists, the Socialists or the Ultra-Marxists. Beyond that, Chapel Road includes a retelling of the myth of Reynard the fox and Isengrinus the wolf, a tale that underscores the greed, stupidity, hypocrisy, pride and lust motivating the other characters of the book. Chapel Road is a pool, a sea, a chaos: it is the book of all that can be heard and seen in Chapel Road, from the year 1800-and-something until today.

This, the author writes, is "the novel of the individual in a world of barbarians." It is the story of Ondine and Oscarke, a young married couple adrift in a Belgian landscape that is darkening under the spread of industry and World War I. Ondine, who "came to serve god and live," finds that she must "serve the gentlemen" instead. Oscarke, an aspiring sculptor, finds himself unsuccessfully scouring Brussels for work and, when he is finally hired, too tired to make his own art. They grow old and their four children grow up as "technology and mechanization, unemployment, fascism, and war" take over around them. War destroys their attempts to establish a better life, which they seek continually and against all odds. And the chapters about these characters, some of whom first appeared in Chapel Road, alternate with chapters about Boon himself, who describes the impossibility of modern life and the destruction of war. As this wide-ranging novel progresses, the author's struggles--both with writing and with his own life--come more and more to resemble those of his characters.

Following in the footsteps of Celine and Joyce, and anticipating the gritty worldview of Burroughs and Bukowski . . .

A meta-textual matryoshka doll of a novel from a renowned voice in Flemish literature.The twisting narrative of Louis Paul Boon’s 1953 masterpiece follows a young girl named Ondine and her brother Valeer, born into poverty at the turn of the century in the industrial city of Aalst, Belgium. Ondine’s coming of age is interwoven with a reworking of the medieval fable of Reynard the Fox, as well as a metanarrative in which an author named Louis Paul Boon and his colorful group of friends discuss the writing of a novel named Chapel Road, debating how best to present Ondine’s story.Groundbreaking among post-war Dutch literature for its postmodern structure and irreverent, dialect-studded use of language, Boon’s allegory of the rise and fall of socialism in Flanders presents his theory of the novel as a type of “illegal writing” where digressions are far more important than a carefully constructed plot.