Louise Braddock – författare

Ever since Freud, psychoanalysts have explored the connections between psychoanalysis and literature and psychoanalysis and philosophy, while literary criticism, social science and philosophy have all reflected on and made use of ideas from psychoanalytic theory. The Academic Face of Psychoanalysis presents contributions from these fields and gives the reader an insight into different understandings and applications of psychoanalytic theory.This book comprises twelve contributions from experts in their fields covering philosophy, psychoanalysis, sociology and literary theory. The chapters are divided into three distinct sections:PsychoanalysisPhilosophySocial science and literary theoryLouise Braddock and Michael Lacewing successfully bring these contributions together with an in-depth introduction that allows the reader to explore the connections between the different disciplines.The multi-disciplinary approach to this book is rare; it will appeal to academics and students, from the subject areas of psychoanalysis, humanities and social science.

Ever since Freud, psychoanalysts have explored the connections between psychoanalysis and literature and psychoanalysis and philosophy, while literary criticism, social science and philosophy have all reflected on and made use of ideas from psychoanalytic theory. The Academic Face of Psychoanalysis presents contributions from these fields and gives the reader an insight into different understandings and applications of psychoanalytic theory.

This book comprises twelve contributions from experts in their fields covering philosophy, psychoanalysis, sociology and literary theory. The chapters are divided into three distinct sections:

Psychoanalysis Philosophy Social science and literary theory

Louise Braddock and Michael Lacewing successfully bring these contributions together with an in-depth introduction that allows the reader to explore the connections between the different disciplines.

The multi-disciplinary approach to this book is rare; it will appeal to academics and students, from the subject areas of psychoanalysis, humanities and social science.

Ever since Freud, psychoanalysts have explored the connections between psychoanalysis and literature and psychoanalysis and philosophy, while literary criticism, social science and philosophy have all reflected on and made use of ideas from psychoanalytic theory. The Academic Face of Psychoanalysis presents contributions from these fields and gives the reader an insight into different understandings and applications of psychoanalytic theory.

This book comprises twelve contributions from experts in their fields covering philosophy, psychoanalysis, sociology and literary theory. The chapters are divided into three distinct sections:

Psychoanalysis Philosophy Social science and literary theory

Louise Braddock and Michael Lacewing successfully bring these contributions together with an in-depth introduction that allows the reader to explore the connections between the different disciplines.

The multi-disciplinary approach to this book is rare; it will appeal to academics and students, from the subject areas of psychoanalysis, humanities and social science.

Raymond Williams is one of the most important anglophone cultural critics of the twentieth century. In a distinguished career, his readings of the British literary canon offered radical new ways of looking at British society as it developed from the Romantic period into the modern age. Central to this re-evaluation was the idea of ‘structures of feeling’, which Williams shaped in order to explain the ways in which members of societies felt about one another, and how they changed over time. The authors of the present volume examine the idea of structures of feeling, and its value for ongoing contemporary debates about relationships of human feeling in areas such as anthropology, economics, law, literary studies, philosophy, psychology and social geography.

Raymond Williams is one of the most important anglophone cultural critics of the twentieth century. In a distinguished career, his readings of the British literary canon offered radical new ways of looking at British society as it developed from the Romantic period into the modern age. Central to this re-evaluation was the idea of ‘structures of feeling’, which Williams shaped in order to explain the ways in which members of societies felt about one another, and how they changed over time. The authors of the present volume examine the idea of structures of feeling, and its value for ongoing contemporary debates about relationships of human feeling in areas such as anthropology, economics, law, literary studies, philosophy, psychology and social geography.

Raymond Williams is one of the most important anglophone cultural critics of the twentieth century. In a distinguished career, his readings of the British literary canon offered radical new ways of looking at British society as it developed from the Romantic period into the modern age. Central to this re-evaluation was the idea of ‘structures of feeling’, which Williams shaped in order to explain the ways in which members of societies felt about one another, and how they changed over time. The authors of the present volume examine the idea of structures of feeling, and its value for ongoing contemporary debates about relationships of human feeling in areas such as anthropology, economics, law, literary studies, philosophy, psychology and social geography.