Louise Labe – författare

Louise Labe (1522-66) remains one of the most important and influential women writers of the Renaissance. Best known for her exquisite collection of love sonnets, Labe played off the Petrarchan male tradition with wit and irony, and her elegies respond with lyric skill to predecessors such as Sappho and Ovid. The first complete bilingual edition of this singular female author, "Complete Poetry and Prose" also features the only translations of Labe's sonnets to follow the exacting rhyme patterns of the originals and the first rhymed translation of Labe's elegies in their entirety.

Louise Labe (1522-66) remains one of the most important and influential women writers of the Renaissance. Best known for her exquisite collection of love sonnets, Labe played off the Petrarchan male tradition with wit and irony, and her elegies respond with lyric skill to predecessors such as Sappho and Ovid. The first complete bilingual edition of this singular female author, "Complete Poetry and Prose" also features the only translations of Labe's sonnets to follow the exacting rhyme patterns of the originals and the first rhymed translation of Labe's elegies in their entirety.

Thanks to her acclaimed volume of poetry and prose published in France in 1555, Louise Labé (1522-66) remains one of the most important and influential women writers of the Continental Renaissance. Best known for her exquisite collection of love sonnets, Labé played off the Petrarchan male tradition with wit and irony, and her elegies respond with lyric skill to predecessors such as Sappho and Ovid. The first complete bilingual edition of this singular and broad-ranging female author, Complete Poetry and Prose also features the only translations of Labé''s sonnets to follow the exacting rhyme patterns of the originals and the first rhymed translation of Labé''s elegies in their entirety.

The love sonnets of Louise LabÉ of Lyons and the gilded legend of her life in the early years of the French Renaissance have appealed to the imagination of four centuries.Printed here beside the text of the 1556 edition, the translations of the sonnets by Alta Lind Cook follow closely the original version and admirably retain its sweep and movement, its simplicity and melody. The rhyme scheme of the Petrarchan sonnet has been preserved with variations and corresponding to those of the French. With the poems, the translator presents a sketch of the circumstances and background of this unique literary figure of the Sixteenth Century, known in France and outside of France as La Belle CordiÈre. These translations by Alta Lind Cook are fine poetry; in English as in French the reader finds "present reality in their hope and their despair, their independence and their impertinence, their tears and their sparkle."

The love sonnets of Louise LabÉ of Lyons and the gilded legend of her life in the early years of the French Renaissance have appealed to the imagination of four centuries.Printed here beside the text of the 1556 edition, the translations of the sonnets by Alta Lind Cook follow closely the original version and admirably retain its sweep and movement, its simplicity and melody. The rhyme scheme of the Petrarchan sonnet has been preserved with variations and corresponding to those of the French. With the poems, the translator presents a sketch of the circumstances and background of this unique literary figure of the Sixteenth Century, known in France and outside of France as La Belle CordiÈre. These translations by Alta Lind Cook are fine poetry; in English as in French the reader finds "present reality in their hope and their despair, their independence and their impertinence, their tears and their sparkle."

The love sonnets of Louise LabÉ of Lyons and the gilded legend of her life in the early years of the French Renaissance have appealed to the imagination of four centuries.Printed here beside the text of the 1556 edition, the translations of the sonnets by Alta Lind Cook follow closely the original version and admirably retain its sweep and movement, its simplicity and melody. The rhyme scheme of the Petrarchan sonnet has been preserved with variations and corresponding to those of the French. With the poems, the translator presents a sketch of the circumstances and background of this unique literary figure of the Sixteenth Century, known in France and outside of France as La Belle CordiÈre. These translations by Alta Lind Cook are fine poetry; in English as in French the reader finds "present reality in their hope and their despair, their independence and their impertinence, their tears and their sparkle."