Louise Marburg – författare

From F. Scott Fitzgerald to John Cheever, the swimming pool has long held a unique place in the mythos of the American idyll, by turns status symbol and respite. The fourteen stories that comprise NO DIVING ALLOWED fearlessly plunge the depths of the human condition as award-winning author Louise Marburg freights her narratives with the often unfathomable pressure of what lies beneath. In "Identical," sibling rivalry between brothers exposes lingering resentments of men who never made peace with boyhood animosities; "Let Me Stay With You" follows a man whose innocent attention to a child is gravely misunderstood. The trials of a fractured family come to the fore in the trenchant, unapologetic "Minor Thefts." Siblings, friends, parents, couples, children: the characters in these stories ask how much any of us can bear before we break. Marburg''s writing is agile, witty, and crisply spare. These are tales of regret and mercy, of bonds forged and frayed, and most of all our individual capacity to love even that which damns us. As readers of these pages will learn, the difference between swimming and drowning is often nothing more than the will to live.

A middle-aged woman’s unlikely and hilarious tardy coming-of-age.Meet Laura Harrigan. Depending on who Laura is talking to, she’s a psychiatrist, a business consultant, or a mother of twin boys at Yale. That last one is a new lie she’s trying on for size. In reality, Laura is middle-aged, childless, “involuntarily unmarried,” and works a job far beneath her capabilities. She is a graduate of Harvard, but as she notes, “Meeting other people’s expectations is something I am famously unable to do.” Most nights, Laura can be found at Baltimore’s least-glamorous dive, The Chicken Box, where the bartender knows when to call her an Uber. At the weekend, she might be hooking up with a care home aide at her elderly father’s birthday party, much to the chagrin of her uptight sister, Nadine.The story follows Laura in her home in Baltimore and elsewhere through her fiftieth year. Each chapter marks her encounter with a new character—a family member or two, a potential lover, complete strangers–each offering their own brand of wisdom or judgment or wacky opinion. Somehow, through these entanglements, Laura begins to gather bits and pieces of the self-knowledge she is lacking. Most, if not all, coming-of-age stories are about young people, but this is a middle-aged coming-of-age.