Louise Phillips - Böcker

Diskursbegreppet har varit på modet i mer än tio år men innebörden är ofta oklar. En vanlig förklaring på begreppet är att diskurs är ett bestämt sätt att tala om och förstå världen.I den här boken vill författarna visa diskursanalysens bredd genom att ta upp tre perspektiv på fältet: diskursteori, kritisk diskursanalys och diskurspsykologi. Syftet är att visa på spännvidd och möjligheter såväl teoretiskt som metodiskt och att genom konkreta exempel uppmuntra och inspirera till nya diskursanalyser. Boken vänder sig till alla med intresse för sammanhangen mellan betydelseskapande och sociala processer. Dess tvärvetenskapliga inriktning gör den användbar på kurser i både humaniora och samhällsvetenskap. Översättning: Sven-Erik Torhell

What are the fundamental mechanisms of decision making, processing speed, memory and cognitive control? How do these give rise to individual differences, and how do they change as people age? How are these mechanisms implemented in neural unctions, in particular the functions of the frontal lobe? How do they relate to the demands of everyday, 'real life' behaviour? Over almost five decades, Pat Rabbitt has been among the most distinguished of British cognitive psychologists. His work has been widely influential in theories of mental speed, cognitive control and aging, influencing research in experimental psychology, neuropsychology and individual differences.This volume, dedicated to Pat Rabbitt, brings together a distinguished group of 16 contributors actively pursuing research in the fields of speed, memory, and control, and the application of these fields to individual differences and aging. With the latest work from senior figures in the field, and a focus on fundamental topics in both teaching and research, the book will be valuable to students and scientists in experimental psychology and cognitive neuroscience.

Using real life case studies of people experiencing mental illness, this book identifies how bodily presentation of patients may reflect certain aspects of their ‘lived experience’.With reference to a range of theoretical perspectives including philosophy, psychoanalysis, feminism and sociology, Mental Illness and the Body explores the ways in which understanding ‘lived experience’ may usefully be applied to mental health practice. Key features include:an overview of the history of British psychiatry including treatments an analysis of feminism and the way its insights have been applied to understanding women's mental health and illness in-depth interviews with four patients diagnosed with mental illness an outline of Freudian and post-Freudian perspectives on the body and their relevance to current mental health practice. Mental Illness and the Body is essential reading for mental health practitioners, allied professionals and anyone with an interest in the body and mental illness.

Using real life case studies of people experiencing mental illness, this book identifies how bodily presentation of patients may reflect certain aspects of their ‘lived experience’.With reference to a range of theoretical perspectives including philosophy, psychoanalysis, feminism and sociology, Mental Illness and the Body explores the ways in which understanding ‘lived experience’ may usefully be applied to mental health practice. Key features include:an overview of the history of British psychiatry including treatments an analysis of feminism and the way its insights have been applied to understanding women's mental health and illness in-depth interviews with four patients diagnosed with mental illness an outline of Freudian and post-Freudian perspectives on the body and their relevance to current mental health practice. Mental Illness and the Body is essential reading for mental health practitioners, allied professionals and anyone with an interest in the body and mental illness.

Collaborative research embraces a multiplicity of practices in which social actors are invited to participate in the research process as co-producers of knowledge. But what is actually meant by “co-production” in collaborative research? Knowledge and Power in Collaborative Research presents a range of critical, reflexive strategies for understanding and tackling the challenges emanating from the tensions that arise in the meeting between different participants, knowledge forms and knowledge interests. The chapters anchor discussion of ethical, epistemological and methodological questions in sustained empirical analyses of cases of collaborative knowledge production. The book covers diverse theoretical approaches such as dialogic communication theory, actor network theory, poststructuralist writing as inquiry, institutional ethnography, dialogic action research, and pragmatic action research. The empirical cases span a broad spectrum of empirical fields of social practice: health services, organisational change, research, science communication, environmental communication in intermediary NGOs, participatory governance in relation to urban planning, and digital communication and virtual worlds.

This volume presents a wide range of methodological strategies that are designed to take into account the complex, emergent, and continually shifting character of virtual worlds. It interrogates how virtual worlds emerge as objects of study through the development and application of various methodological strategies. Virtual worlds are not considered objects that exist as entities with fixed attributes independent of our continuous engagement with them and interpretation of them. Instead, they are conceived of as complex ensembles of technology, humans, symbols, discourses, and economic structures, ensembles that emerge in ongoing practices and specific situations.A broad spectrum of perspectives and methodologies is presented: Actor-Network-Theory and post-Actor-Network-Theory, performativity theory, ethnography, discourse analysis, Sense-Making Methodology, visual ethnography, multi-sited ethnography, and Social Network Analysis.

Discourse Analysis as Theory and Method is a systematic introduction to discourse analysis as a body of theories and methods for social research. It brings together three central approaches, Laclau and Mouffe's discourse theory, critical discourse analysis and discursive psychology, in order to establish a dialogue between different forms of discourse analysis often kept apart by disciplinary boundaries.

The book introduces the three approaches in a clear and easily comprehensible manner, explaining the distinctive philosophical premises and theoretical perspectives of each approach as well as the methodological guidelines and tools they provide for empirical discourse analysis. The authors also demonstrate the possibilities for combining different discourse analytical and non-discourse analytical approaches in empirical study. Finally, they contextualize discourse analysis within the social constructionist debate about critical social research, rejecting the view that a critical stance is incompatible with social constructionist premises and arguing that critique must be an inherent part of social research.

Discourse Analysis as Theory and Method is a systematic introduction to discourse analysis as a body of theories and methods for social research. It brings together three central approaches, Laclau and Mouffe's discourse theory, critical discourse analysis and discursive psychology, in order to establish a dialogue between different forms of discourse analysis often kept apart by disciplinary boundaries.

The book introduces the three approaches in a clear and easily comprehensible manner, explaining the distinctive philosophical premises and theoretical perspectives of each approach as well as the methodological guidelines and tools they provide for empirical discourse analysis. The authors also demonstrate the possibilities for combining different discourse analytical and non-discourse analytical approaches in empirical study. Finally, they contextualize discourse analysis within the social constructionist debate about critical social research, rejecting the view that a critical stance is incompatible with social constructionist premises and arguing that critique must be an inherent part of social research.

Co-creation in participatory, qualitative research has become commonplace. It supports a myriad of collaborative practices – from service-user involvement in health and social care, to community capacity-building, to bottom-up climate change projects. With its democratic ambitions, transformative power and (in some contexts) goals of social justice, co-creation has much to offer, particularly in these challenging times… but it is also complex and full of tensions.This book offers an approach which recognises - and embraces - the messy complexities of co-creation. The approach is constructive – it revolves around creating openings for multiple voices; and, in particular, the voices of people with lived experience. And it is critical – it involves integrating critical, reflexive analyses of the intrinsic tensions in co-creation into the practice of research. The book brings participatory research into dialogue with poststructuralist, social constructionist and new materialist, posthumanist strands of qualitative inquiry. In an engaging and accessible way, the author weaves together personal storytelling and more detached analysis to illustrate her approach to producing and communicating knowledge as intertwined processes.The book is written for all students and researchers with an interest in collaborative research practice.

Co-creation in participatory, qualitative research has become commonplace. It supports a myriad of collaborative practices – from service-user involvement in health and social care, to community capacity-building, to bottom-up climate change projects. With its democratic ambitions, transformative power and (in some contexts) goals of social justice, co-creation has much to offer, particularly in these challenging times… but it is also complex and full of tensions.This book offers an approach which recognises - and embraces - the messy complexities of co-creation. The approach is constructive – it revolves around creating openings for multiple voices; and, in particular, the voices of people with lived experience. And it is critical – it involves integrating critical, reflexive analyses of the intrinsic tensions in co-creation into the practice of research. The book brings participatory research into dialogue with poststructuralist, social constructionist and new materialist, posthumanist strands of qualitative inquiry. In an engaging and accessible way, the author weaves together personal storytelling and more detached analysis to illustrate her approach to producing and communicating knowledge as intertwined processes.The book is written for all students and researchers with an interest in collaborative research practice.

This volume presents a wide range of methodological strategies that are designed to take into account the complex, emergent, and continually shifting character of virtual worlds. It interrogates how virtual worlds emerge as objects of study through the development and application of various methodological strategies. Virtual worlds are not considered objects that exist as entities with fixed attributes independent of our continuous engagement with them and interpretation of them. Instead, they are conceived of as complex ensembles of technology, humans, symbols, discourses, and economic structures, ensembles that emerge in ongoing practices and specific situations.A broad spectrum of perspectives and methodologies is presented: Actor-Network-Theory and post-Actor-Network-Theory, performativity theory, ethnography, discourse analysis, Sense-Making Methodology, visual ethnography, multi-sited ethnography, and Social Network Analysis.

Collaborative research embraces a multiplicity of practices in which social actors are invited to participate in the research process as co-producers of knowledge. But what is actually meant by “co-production” in collaborative research? Knowledge and Power in Collaborative Research presents a range of critical, reflexive strategies for understanding and tackling the challenges emanating from the tensions that arise in the meeting between different participants, knowledge forms and knowledge interests. The chapters anchor discussion of ethical, epistemological and methodological questions in sustained empirical analyses of cases of collaborative knowledge production. The book covers diverse theoretical approaches such as dialogic communication theory, actor network theory, poststructuralist writing as inquiry, institutional ethnography, dialogic action research, and pragmatic action research. The empirical cases span a broad spectrum of empirical fields of social practice: health services, organisational change, research, science communication, environmental communication in intermediary NGOs, participatory governance in relation to urban planning, and digital communication and virtual worlds.

He thought he was in control. But he was wrong. And after the final blows of the knife, she stole his last breath with a kiss...Will criminal psychologist Dr Kate Pearson uncover the identity of this vicious killer before it is too late?At a hotel room in Dublin, the butchered body of art dealer Rick Shevlin, arranged with artistic precision like the Hanged Man from a Tarot card, is found.Meanwhile, in a quiet suburb, Sandra Regan clings to her sanity as a shadowy presence moves through her home.What connects them?Criminal psychologist Dr Kate Pearson is sure that the killer has struck before and will again - soon. As Kate and DI O'Connor are plunged into an investigation which spreads to Rome and Paris, they uncover a vicious trail of sexual power and evil. But will they uncover the killer's identity before she claims another victim?

'Intriguing and compelling ... will enthral you to the end' Liz Nugent 'Absolutely gripping ... an addictive page turner.' Patricia GibneyIn a small town south-east of Boston, a young nanny awaits trial for murder.The evidence - and the media - is against her, but Abby Jones swears she is innocent.Defence attorney Heather Baxter believes Abby is telling the truth, but convincing a jury will not be easy. And she knows that in a place like Corham, where her own mother's murder remains unsolved, justice isn't always served.As the lawyer starts to dig deeper into Abby's case, Heather soon realises there may be a link to the shadows of her own past -- and those involved will stop at nothing to keep their secrets buried ...'A gripping courtroom drama with a courageous new heroine in Heather Baxter. Pacy, tightly plotted and full of suspense. The Hiding Game was worth the wait!' Andrea Carter 'Riveting, thought provoking and compulsive.' Arlene Hunt

'Riveting and thrilling in equal measure. I didn't come up for air until the very last page. Filled with fantastic characters who find themselves in terrifying and unexpected situations. I kept asking myself, what would I do if it was me? A fantastic read with so many great twists. The best book from Louise Phillips so far.' Patricia Gibney'Compelling and clever. They All Lied grips you from the opening page and doesn't let you go.' Brian McGilloway When Nadine Fitzmaurice, a manager in an insurance company, gets a distressed phone call from her eighteen-year-old daughter, Becca, telling her she's killed someone, Nadine's life is turned upside down.Now Becca is being held against her will and, determined to save her daughter, Nadine finds herself dragged into the underworld of organised crime - and under the scrutiny of Detective Sergeant Wren Moore.But the more Nadine gets sucked in by those holding Becca, elements of her past, and a 'TRUTH or DARE' game that went terribly wrong years before, come to the surface.Eighteen years earlier, teenager Evie Nolan went missing. She never came home.One day Becca was there, and now she is gone too.But can Nadine help her daughter before it's too late?'One of the most original and distinctive voices in Irish crime fiction.' Jane Casey'Cleverly plotted and deftly woven, with surprises at every turn.' Andrea Mara'An explosive thriller with brilliant twists.' Anthony Quinn'From the opening psychological dilemma to the breathtaking denouement, They All Lied is Louise Phillips' best yet' Sharon Dempsey

'Riveting and thrilling in equal measure. I didn't come up for air until the very last page' Patricia Gibney'Compelling and clever. They All Lied grips you from the opening page and doesn't let you go' Brian McGilloway 'MUM, LISTEN TO ME. DO EXACTLY AS I SAY, OR WE COULD BOTH END UP DEAD.'It seems like any other morning at Nadine Fitzmaurice's office job, until she receives a shocking phone call from her teenage daughter. Becca confesses to killing someone, saying she is now being held hostage. And Nadine must follow a series of mysterious instructions in order to keep her alive.Terrified but determined to save her daughter, Nadine finds herself dragged into the underworld of organised crime, lying to everyone in her life to protect Becca.But as Becca's captors increase their demands, secrets from Nadine's past rush to the surface, including memories of a teenager who went missing and never came home. Could there be a link to her disappearance and the danger Becca is in now? And if someone is out for revenge, can Nadine rescue her daughter before it's too late?'One of the most original and distinctive voices in Irish crime fiction.' Jane Casey'Cleverly plotted and deftly woven, with surprises at every turn.' Andrea Mara'An explosive thriller with brilliant twists.' Anthony Quinn'From the opening psychological dilemma to the breathtaking denouement, They All Lied is Louise Phillips' best yet' Sharon Dempsey