Loyal Jones – författare

Q: Is he afraid of work? A: No, he can lie down beside it and go to sleep.This volume is an encyclopedia of the many country music performers who made comedy a central part of their careers. Loyal Jones offers an informative biographical sketch of each performer and many entries include a sample of the artist's humor, a recording history, and amusing anecdotal tidbits. Starting with vaudeville and radio barn dance figures like the Skillet Lickers and the Weaver Brothers and Elviry, Jones moves on to the regulars on Hee Haw and the Grand Old Opry and present-day comedians from the Austin Lounge Lizards to Jeff Foxworthy. Jones's introductory essay discusses such topics as stock comic figures, venues for comedic performance, and benchmark performers. Throughout the volume, he places each performer squarely in the context of the country music community, its performing traditions, and each artist's place in the larger cultural milieu.

We were going down the road, and we came to this house. There was a little boy standing by the road just crying and crying. We stopped, and we heard the biggest racket you ever heard up in the house. “What’s the matter, son?” “Why, Maw and Paw are up there fightin’.” “Who is your Paw, son?” “Well, that’s what they are fightin’ over.”Brimming with ballads, stories, riddles, tall tales, and great good humor, My Curious and Jocular Heroes pays homage to four people who guided and inspired Loyal Jones’s own study of Appalachian culture. His sharp-eyed portraits introduce a new generation to Bascom Lunsford, the pioneer behind the “memory collections” of song and story at Columbia University and the Library of Congress; the Sorbonne-educated collector and performer Josiah H. Combs; Cratis D. Williams, the legendary father of Appalachian studies; and the folklorist and master storyteller Leonard W. Roberts. Throughout, Jones highlights the tales, songs, jokes, and other collected nuggets that define the breadth of each man’s research and repertoire.

Never have so many missionaries been sent to save so many Christians as is the case in the Southern Uplands. The area has long been perceived by American Christians in contradictory ways: on the one hand, as an unchurched area with people who have little religion or an inadequate faith; on the other, as part of the Bible Belt, packed with small breakaway fundamentalist churches and wild-eyed believers.  In Faith and Meaning, one of Appalachian religion's most eloquent spokesmen reveals a people devoted to and thoughtful about their religion, and profoundly influenced by it. Loyal Jones's three decades of conversations and interviews, supplemented by documents such as sermons, testimonies, and articles of faith, articulate Southern Upland views on basic issues of the human condition-faith, God, the world, the Word, and the devil-as well as on community issues such as racial integration and women in the church. In their own voices these people describe their beliefs, their churches, and their lives, exposing a deep conviction tempered with humanity and humor.

We were going down the road, and we came to this house. There was a little boy standing by the road just crying and crying. We stopped, and we heard the biggest racket you ever heard up in the house. “What’s the matter, son?” “Why, Maw and Paw are up there fightin’.” “Who is your Paw, son?” “Well, that’s what they are fightin’ over.”Brimming with ballads, stories, riddles, tall tales, and great good humor, My Curious and Jocular Heroes pays homage to four people who guided and inspired Loyal Jones’s own study of Appalachian culture. His sharp-eyed portraits introduce a new generation to Bascom Lunsford, the pioneer behind the “memory collections” of song and story at Columbia University and the Library of Congress; the Sorbonne-educated collector and performer Josiah H. Combs; Cratis D. Williams, the legendary father of Appalachian studies; and the folklorist and master storyteller Leonard W. Roberts. Throughout, Jones highlights the tales, songs, jokes, and other collected nuggets that define the breadth of each man’s research and repertoire.

Q: Is he afraid of work? 

A: No, he can lie down beside it and go to sleep.

This volume is an encyclopedia of the many country music performers who made comedy a central part of their careers. Loyal Jones offers an informative biographical sketch of each performer and many entries include a sample of the artist''s humor, a recording history, and amusing anecdotal tidbits. Starting with vaudeville and radio barn dance figures like the Skillet Lickers and the Weaver Brothers and Elviry, Jones moves on to the regulars on Hee Haw and the Grand Old Opry and present-day comedians from the Austin Lounge Lizards to Jeff Foxworthy. 

Jones''s introductory essay discusses such topics as stock comic figures, venues for comedic performance, and benchmark performers. Throughout the volume, he places each performer squarely in the context of the country music community, its performing traditions, and each artist''s place in the larger cultural milieu.

We were going down the road, and we came to this house. There was a little boy standing by the road just crying and crying.

We stopped, and we heard the biggest racket you ever heard up in the house.

“What’s the matter, son?”

“Why, Maw and Paw are up there fightin’.”

“Who is your Paw, son?”

“Well, that’s what they are fightin’ over.”

Brimming with ballads, stories, riddles, tall tales, and great good humor, My Curious and Jocular Heroes pays homage to four people who guided and inspired Loyal Jones’s own study of Appalachian culture. His sharp-eyed portraits introduce a new generation to Bascom Lunsford, the pioneer behind the “memory collections” of song and story at Columbia University and the Library of Congress; the Sorbonne-educated collector and performer Josiah H. Combs; Cratis D. Williams, the legendary father of Appalachian studies; and the folklorist and master storyteller Leonard W. Roberts. Throughout, Jones highlights the tales, songs, jokes, and other collected nuggets that define the breadth of each man’s research and repertoire.

It is said that Bascom Lamar Lunsford would "cross hell on a rotten rail to get a folk song"his Southern highlands folk-song compilations now constitute one of the largest collections of its kind in the Library of Congressbut he did much more than acquire songs. He preserved and promoted the Appalachian mountain tradition for generations of people, founding in 1928 the Mountain Dance and Folk Festival in Asheville, North Carolina, an annual event that has shaped America's festival movement. Loyal Jones pens a lively biography of a man considered to be Appalachian music royalty. He also includes a "Lunsford Sampler" of ballads, songs, hymns, tales, and anecdotes, plus a discography of his recordings.

It is said that Bascom Lamar Lunsford would "cross hell on a rotten rail to get a folk song" -- his Southern highlands folk-song compilations now constitute one of the largest collections of its kind in the Library of Congress -- but he did much more than acquire songs. He preserved and promoted the Appalachian mountain tradition for generations of people, founding in 1928 the Mountain Dance and Folk Festival in Asheville, North Carolina, an annual event that has shaped America's festival movement. Loyal Jones pens a lively biography of a man considered to be Appalachian music royalty. He also includes a "Lunsford Sampler" of ballads, songs, hymns, tales, and anecdotes, plus a discography of his recordings.