Luc Gilleman – författare
Visar alla böcker från författaren . Handla med fri frakt och snabb leverans.
4 produkter
4 produkter
Inbunden, Engelska, 2001
2 800 kr
Skickas inom 10-15 vardagar
For British playwright, John Osborne, there are no brave causes; only people who muddle through life, who hurt, and are often hurt in return. This study deals with Osborne's complete oeuvre and critically examines its form and technique; the function of the gaze; its construction of gender; and the relationship between Osborne's life and work. Gilleman has also traced the evolution of Osborne's reception by turning to critical reviews at the beginning of each chapter.
Häftad, Engelska, 2015
792 kr
Skickas inom 10-15 vardagar
For British playwright, John Osborne, there are no brave causes; only people who muddle through life, who hurt, and are often hurt in return. This study deals with Osborne's complete oeuvre and critically examines its form and technique; the function of the gaze; its construction of gender; and the relationship between Osborne's life and work. Gilleman has also traced the evolution of Osborne's reception by turning to critical reviews at the beginning of each chapter.
E-bok
Engelska, 2014883 kr
Läs direkt efter köp
For British playwright, John Osborne, there are no brave causes; only people who muddle through life, who hurt, and are often hurt in return. This study deals with Osborne''s complete oeuvre and critically examines its form and technique; the function of the gaze; its construction of gender; and the relationship between Osborne''s life and work. Gilleman has also traced the evolution of Osborne''s reception by turning to critical reviews at the beginning of each chapter.
E-bok
PDF, Engelska, 2014883 kr
Läs direkt efter köp
For British playwright, John Osborne, there are no brave causes; only people who muddle through life, who hurt, and are often hurt in return. This study deals with Osborne''s complete oeuvre and critically examines its form and technique; the function of the gaze; its construction of gender; and the relationship between Osborne''s life and work. Gilleman has also traced the evolution of Osborne''s reception by turning to critical reviews at the beginning of each chapter.