Luce Irigaray – författare

"Speculum of the Other Woman is a major text in the post-1968 feminist inquiry in France. It will be of interest to feminists, psychoanalysts, philosophers, and literary critics. There is no other text that attempts to do readings of major texts within the Western philosophical tradition using Lacanian, Derridean, and feminist tools. Gillian C. Gill offers a remarkable performance in translating without betraying a very challenging text."―Elaine Marks, Department of French and Italian and Women's Studies Program, University of Wisconsin, MadisonSpeculum of the Other Woman by Luce Irigaray is incontestably one of the most important works in feminist theory to have been published in this generation. For the profession of psychoanalysis, Irigaray believes, female sexuality has remained a "dark continent," unfathomable and unapproachable; its nature can only be misunderstood by those who continue to regard women in masculine terms. In the first section of the book, "The Blind Spot of an Old Dream of Symmetry," Irigaray rereads Freud's essay "Femininity," and his other writings on women, bringing to the fore the masculine ideology implicit in psychoanalytic theory and in Western discourse in general: woman is defined as a disadvantaged man, a male construct with no status of her own.In the last section, "Plato's Hystera," Irigaray reinterprets Plato's myth of the cave, of the womb, in an attempt to discover the origins of that ideology, to ascertain precisely the way in which metaphors were fathered that henceforth became vehicles of meaning, to trace how woman came to be excluded from the production of discourse.Between these two sections is "Speculum"-ten meditative, widely ranging, and freely associational essays, each concerned with an aspect of the history of Western philosophy in its relation to woman, in which Irigaray explores woman's essential difference from man.

In the tradition of Simone de Beauvoir and Julia Kristeva, Luce Irigaray is one of France's most versatile feminist critics. Sexes and Genealogies, a collection of lectures delivered throughout Canada and Europe, introduces her writing to a wider American audience. Irigaray's most famous work, Speculum of the Other Woman, prompted her expulsion from the Lacanin Ecole Freudienne because of its searing depiction of Platonic and Freudian representations of women. Now Sexes and Genealogies analyzes sexual difference according to what she terms the double dimension of gender and ideology. Irigaray covers major issues in religion, the law, psychoanalysis, and literature, such as: the continued neglect by psychoanalysts of the sexual and gender dimensions of therapy, the urgency of female divinity for contemporary feminist movements, and a reconsideration of women's relation to the market economy. Sexes and Genealogies also includes Irigaray's dazzling reading of the Oresteia, "Body Against Body: In Relation to the Mother," now acknowleged as a feminist classic.

Published in France in 1980, Marine Lover is the first in a trilogy in which Luce Irigaray links the interrogation of the feminine in post-Hegelian philosophy with a pre-Socratic investigation of the elements. Irigaray undertakes to interrogate Nietzche, the grandfather of poststructuralist philosophy, from the point of view of water. According to Irigaray, water is the element Nietzsche fears most. She uses this element in her narrative because for her there is a complex relationship between the feminine and the fluid. Irigaray's method is to engage in an amorous dialogue with the male philosopher. In this dialogue, she ruptures conventional discourse and writes in a lyrical style that defies distinction between theory, fiction, and philosophy.

Published in France in 1980, Marine Lover is the first in a trilogy in which Luce Irigaray links the interrogation of the feminine in post-Hegelian philosophy with a pre-Socratic investigation of the elements. Irigaray undertakes to interrogate Nietzche, the grandfather of poststructuralist philosophy, from the point of view of water. According to Irigaray, water is the element Nietzsche fears most. She uses this element in her narrative because for her there is a complex relationship between the feminine and the fluid. Irigaray's method is to engage in an amorous dialogue with the male philosopher. In this dialogue, she ruptures conventional discourse and writes in a lyrical style that defies distinction between theory, fiction, and philosophy.

With this book we see a philosopher well steeped in the Western tradition thinking through ancient Eastern disciplines, meditating on what it means to learn to breathe, and urging us all at the dawn of a new century to rediscover indigenous Asian cultures. Yogic tradition, according to Irigaray, can provide an invaluable means for restoring the vital link between the present and eternity-and for re-envisioning the patriarchal traditions of the West. Western, logocentric rationality tends to abstract the teachings of yoga from its everyday practice-most importantly, from the cultivation of breath. Lacking actual, personal experience with yoga or other Eastern spiritual practices, the Western philosophers who have tried to address Hindu and Buddhist teachings-particularly Schopenhauer-have frequently gone astray. Not so, Luce Irigaray. Incorporating her personal experience with yoga into her provocative philosophical thinking on sexual difference, Irigaray proposes a new way of understanding individuation and community in the contemporary world.She looks toward the indigenous, pre-Aryan cultures of India-which, she argues, have maintained an essentially creative ethic of sexual difference predicated on a respect for life, nature, and the feminine. Irigaray's focus on breath in this book is a natural outgrowth of the attention that she has given in previous books to the elements-air, water, and fire. By returning to fundamental human experiences-breathing and the fact of sexual difference-she finds a way out of the endless sociologizing abstractions of much contemporary thought to rethink questions of race, ethnicity, and globalization.

With this book we see a philosopher well steeped in the Western tradition thinking through ancient Eastern disciplines, meditating on what it means to learn to breathe, and urging us all at the dawn of a new century to rediscover indigenous Asian cultures. Yogic tradition, according to Irigaray, can provide an invaluable means for restoring the vital link between the present and eternity-and for re-envisioning the patriarchal traditions of the West. Western, logocentric rationality tends to abstract the teachings of yoga from its everyday practice-most importantly, from the cultivation of breath. Lacking actual, personal experience with yoga or other Eastern spiritual practices, the Western philosophers who have tried to address Hindu and Buddhist teachings-particularly Schopenhauer-have frequently gone astray. Not so, Luce Irigaray. Incorporating her personal experience with yoga into her provocative philosophical thinking on sexual difference, Irigaray proposes a new way of understanding individuation and community in the contemporary world.She looks toward the indigenous, pre-Aryan cultures of India-which, she argues, have maintained an essentially creative ethic of sexual difference predicated on a respect for life, nature, and the feminine. Irigaray's focus on breath in this book is a natural outgrowth of the attention that she has given in previous books to the elements-air, water, and fire. By returning to fundamental human experiences-breathing and the fact of sexual difference-she finds a way out of the endless sociologizing abstractions of much contemporary thought to rethink questions of race, ethnicity, and globalization.

Blossoming from a correspondence between Luce Irigaray and Michael Marder, Through Vegetal Being is an intense personal, philosophical, and political meditation on the significance of the vegetal for our lives, our ways of thinking, and our relations with human and nonhuman beings. The vegetal world has the potential to rescue our planet and our species and offers us a way to abandon past metaphysics without falling into nihilism. Luce Irigaray has argued in her philosophical work that living and coexisting are deficient unless we recognize sexuate difference as a crucial dimension of our existence. Michael Marder believes the same is true for vegetal difference. Irigaray and Marder consider how plants contribute to human development by sustaining our breathing, nourishing our senses, and keeping our bodies and minds alive. They note the importance of returning to ancient Greek tradition and engaging with Eastern teachings to revive a culture closer to nature. As a result, we can reestablish roots when we are displaced and recover the vital energy we need to improve our sensibility and relation to others.This generative discussion points toward a more universal way of becoming human that is embedded in the vegetal world.

Blossoming from a correspondence between Luce Irigaray and Michael Marder, Through Vegetal Being is an intense personal, philosophical, and political meditation on the significance of the vegetal for our lives, our ways of thinking, and our relations with human and nonhuman beings. The vegetal world has the potential to rescue our planet and our species and offers us a way to abandon past metaphysics without falling into nihilism. Luce Irigaray has argued in her philosophical work that living and coexisting are deficient unless we recognize sexuate difference as a crucial dimension of our existence. Michael Marder believes the same is true for vegetal difference. Irigaray and Marder consider how plants contribute to human development by sustaining our breathing, nourishing our senses, and keeping our bodies and minds alive. They note the importance of returning to ancient Greek tradition and engaging with Eastern teachings to revive a culture closer to nature. As a result, we can reestablish roots when we are displaced and recover the vital energy we need to improve our sensibility and relation to others.This generative discussion points toward a more universal way of becoming human that is embedded in the vegetal world.

In A New Culture of Energy, Luce Irigaray reflects on three critical concerns of our time: the cultivation of energy in its many forms, the integration of Asian and Western traditions, and the reenvisioning of religious figures for the contemporary world. A philosopher as well as a psychoanalyst, Irigaray draws deeply on her personal experience in addressing these questions. In her view, although psychoanalysis can succeed in releasing mental energy, it fails to support physical and spiritual well-being. In pursuit of an alternative, she took up the bodily practices of yoga and pranayama breathing, which she considers in light of her analysis of sexuate belonging and difference. Reflecting on these practices, Irigaray contrasts yoga’s approach to the natural world with how the Western tradition privileges mastery over nature. These varied sources provoke her to question how a tradition imagines transcendence and the divine. In the book’s final section, she reinterprets the figure of Mary through breath, self-affection, and touch, recalibrating her physicality within a natural world. A reflection on the liberation of human energy, this book urges us to cultivate an evolutionary culture in harmony with all living beings.

In A New Culture of Energy, Luce Irigaray reflects on three critical concerns of our time: the cultivation of energy in its many forms, the integration of Asian and Western traditions, and the reenvisioning of religious figures for the contemporary world. A philosopher as well as a psychoanalyst, Irigaray draws deeply on her personal experience in addressing these questions. In her view, although psychoanalysis can succeed in releasing mental energy, it fails to support physical and spiritual well-being. In pursuit of an alternative, she took up the bodily practices of yoga and pranayama breathing, which she considers in light of her analysis of sexuate belonging and difference. Reflecting on these practices, Irigaray contrasts yoga’s approach to the natural world with how the Western tradition privileges mastery over nature. These varied sources provoke her to question how a tradition imagines transcendence and the divine. In the book’s final section, she reinterprets the figure of Mary through breath, self-affection, and touch, recalibrating her physicality within a natural world. A reflection on the liberation of human energy, this book urges us to cultivate an evolutionary culture in harmony with all living beings.

French philosopher Luce Irigaray has become one of the twentieth century's most influential feminist thinkers. Among her many writings are three books (with a projected fourth) in which she challenges the Western tradition's construals of human beings' relations to the four elements-earth, air, fire, and water-and to nature. In answer to Heidegger's undoing of Western metaphysics as a "forgetting of Being," Irigaray seeks in this work to begin to think out the Being of sexedness and the sexedness of Being.This volume is the first English translation of L'oubli de l'air chez Martin Heidegger (1983). In this complex, lyrical, meditative engagement with the later work of the eminent German philosopher, Irigaray critiques Heidegger's emphasis on the element of earth as the ground of life and speech and his "oblivion" or forgetting of air.With the other volumes (Elemental Passions and Marine Lover of Friedrich Nietzsche, published elsewhere) in Irigaray's "elemental" series, The Forgetting of Air offers a fundamental rereading of basic tenets in Western metaphysics. And with its emphasis on dwelling and human habitation, it will be important reading not only in the humanities but also in architecture and the environmental sciences.

A passionate celebrator of "sexual difference," Luce Irigaray was never simply after the social equality that her generation so publicly demanded. She was seeking more fundamentally a society that celebrated the differences between the genders and their coming together in a union without hierarchy. As she formulates it in this compellingly readable introduction to her own thought, Irigaray is writing about how "I" and "You" become "We." Exploring along the way women’s experiences of motherhood, abortion, the AIDS crisis and the beauty industry, this book presents one of the most important thinkers of our day in her own words.

Irigaray offers the clearest available introduction to her own work. Focusing on power, women, gender and patriarchal mythologies, she lays out what for her has become the central problem for women in the modern world.

Elemental Passions explores the man/woman relaitonship in a series of meditations of the senses and the formal elements. Its form resembles a series of love letters in which, however, the identity-and even the reality-of the adressee are deliberately obscured.

In this book, one of the foremost contemporary scholars in the fields of feminist thought and linguistics, explores the possibility of a new liberating language and hence a new relationship between the sexes. In I Love to You, Luce Irigaray moves from the critique of patriarchy to an exploration of the ground for a possible inter-subjectivity between the two sexes. Continuing her rejection of demands for equality, Irigaray poses the question: how can we move to a new era of sexual difference in which women and men establish lasting relations with one another without reducing the other to the status of object?

In this book, one of the foremost contemporary scholars in the fields of feminist thought and linguistics, explores the possibility of a new liberating language and hence a new relationship between the sexes. In I Love to You, Luce Irigaray moves from the critique of patriarchy to an exploration of the ground for a possible inter-subjectivity between the two sexes. Continuing her rejection of demands for equality, Irigaray poses the question: how can we move to a new era of sexual difference in which women and men establish lasting relations with one another without reducing the other to the status of object?

In this work, Luce Irigaray continues to explore the issue central to her thought: the feminist redefinition of being and identity. Grounding the discussion in relation to such major figures as Sartre, Levinas, and Merleau-Ponty, she also attempt to bring the elements into philosophical discourse.

In this major new work, French philosopher Luce Irigaray continues to explore the issue central to her thought: the feminist redefinition of Being and Identity. For Irigaray, the notion of the individual is twinned with a reconceived notion of difference, or alterity. What does it mean to be someone? How can identity be created, or discovered, in relation to others? In To Be Two Irigaray gives new clarity to her project, grounding it in relation to such major figures as Sartre, Levinas, and Merleau-Ponty. Yet at the same time, she enriches her discussion with an attempt to bring the elements--earth, fire, water--into philosophical discourse. Even the polarities of heaven and earth come to play in this ambitious and provocative text. At once political, philosophical, and poetic, To Be Two will become one of Irigarary's central works.

In Democracy Begins Between Two, Luce Irigaray calls for a form of specific civil rights guaranteeing women a separate civil identity of their own equivalent to-though not simply the same as-that enjoyed by men.

This work calls for a radical reconsideration of the so-called democratic bases of Western culture. In a series of essays written during the early 1990s, the author argues the urgent need for society to grant full recognition to both the genders which contribute to the functioning of society.

In these essays, the author discusses how language, religion, law, art science and technology have failed women and why. She goes beyond analysis and commentary to propose concrete changes tailored to women's specificity in all these fields - practical means of ensuring "our" culture is women's as well as men's. These changes, she argues, are crucial to the survival of humankind and the Earth itself. Irigary's other publications include "Elemental Passions" (1992), "The Ethics of Sexual Difference" (1993) and "Speech is Never Neuter" (1994).

In "Democracy Begins with Two" Luce Irigaray calls for a radical reconsideration of the so-called democratic bases of Western culture. In a series of essays covering the earlier 1990s she argues the urgent need for our society to grant full recognition to both the genders which contribute to its functioning. If we are to look on ourselves as fully democratic this recognition must take the form of specific civil rights guaranteeing women a separate civil identity of their own, equivalent to, though not simply the same as, that enjoyed by men. Ranging across topics as diverse as happiness, the family, the construction of the European Union, the transition from natural to civil existence and love, Irigaray exploits her resources as a writer - philosophical, linguistic, psychoanalytical, poetical -to their rhetorical limits. She interweaves her personal experience of an emotional and politico-professional partnership with her re-reading of History, past and present.

The importance of Irigaray's work lies n the fact that feminist and philosophical discourses are brought together in a feminist appropriation of Spinoza. The author draws on both philosophy and psychoanalysis in a rejection of traditional literary modes and thus frees literature from male dominance. "Elemental Passions" was first published in France in 1982. It explores the man/woman relationship in a series of lyrical meditations on the senses and the four elements. Its form resembles a series of love-letters, in which, however, the identity and reality of the addresses are deliberately obscured in order to escape from conventional, male-imposed conceptual patterns.

In these essays, the author discusses how language, religion, law, art science and technology have failed women and why. She goes beyond analysis and commentary to propose concrete changes tailored to women's specificity in all these fields - practical means of ensuring "our" culture is women's as well as men's. These changes, she argues, are crucial to the survival of humankind and the Earth itself. Irigary's other publications include "Elemental Passions" (1992), "The Ethics of Sexual Difference" (1993) and "Speech is Never Neuter" (1994).

In this major new work, French philosopher Luce Irigaray continues to explore the issue central to her thought: the feminist redefinition of Being and Identity. For Irigaray, the notion of the individual is twinned with a reconceived notion of difference, or alterity. What does it mean to be someone? How can identity be created, or discovered, in relation to others? In To Be Two Irigaray gives new clarity to her project, grounding it in relation to such major figures as Sartre, Levinas, and Merleau-Ponty. Yet at the same time, she enriches her discussion with an attempt to bring out the elements - earth, fire, water - into philosophical discourse. Even the polarities of heaven and earth come to play in this ambitious and provocative text. At once political, philosophical and poetic, To Be Two will become one of Irigaray's central works. Luce Irigaray is Director of Research in Philosophy at the Centre National de la Recherche Scientifique, Paris. Translators: Monique Rhodes and marco Cocito-Monoc

In Democracy Begins with Two Luce Irigaray calls for a radical reconsideration of the so-called democratic bases of Western culture. In a series of essays covering the earlier 1990s she argues the urgent need for our society to grant full recognition to both the genders which contribute to its functioning. If we are to look on ourselves as fully democratic this recognition must take the form of specific civil rights guaranteeing women a separate civil identity of their own, equivalent to, though not simply the same as, that enjoyed by men. Ranging across topics as diverse as happiness, the family, the construction of the European Union, the transition from natural to civil existence and love, Irigaray exploits her resources as a writer - philosophical, linguistic, psychoanalytical, poetical -to their rhetorical limits. She interweaves her personal experience of an emotional and politico-professional partnership with her re-reading of History, past and present.

"The publication of these two translations is an event to be celebrated by feminists of all persuasions."― Women's Review of BooksIn This Sex Which Is Not One, Luce Irigaray elaborates on some of the major themes of Speculum of the Other Woman, her landmark work on the status of woman in Western philosophical discourse and in psychoanalytic theory, In eleven acute and widely ranging essays, Irigaray reconsiders the question of female sexuality in a variety of contexts that are relevant to current discussion of feminist theory and practice.Among the topics she treats are the implications of the thought of Freud and Lacan for understanding womanhood and articulating a feminine discourse; classic views on the significance of the difference between male and female sex organs; and the experience of erotic pleasure in men and in women. She also takes up explicitly the question of economic exploitation of women; in an astute reading of Marx she shows that the subjection of woman has been institutionalized by her reduction to an object of economic exchange. Throughout Irigaray seeks to dispute and displace male-centered structures of language and thought through a challenging writing practice that takes a first step toward a woman's discourse, a discourse that would put an end to Western culture's enduring phallocentrism.Making more direct and accessible the subversive challenge of Speculum of the Other Woman, this volume-skillfully translated by Catherine Porter (with Carolyn Burke)-will be essential reading for anyone seriously concerned with contemporary feminist issues.

"Speculum of the Other Woman is a major text in the post-1968 feminist inquiry in France. It will be of interest to feminists, psychoanalysts, philosophers, and literary critics. There is no other text that attempts to do readings of major texts within the Western philosophical tradition using Lacanian, Derridean, and feminist tools. Gillian C. Gill offers a remarkable performance in translating without betraying a very challenging text."―Elaine Marks, Department of French and Italian and Women's Studies Program, University of Wisconsin, MadisonSpeculum of the Other Woman by Luce Irigaray is incontestably one of the most important works in feminist theory to have been published in this generation. For the profession of psychoanalysis, Irigaray believes, female sexuality has remained a "dark continent," unfathomable and unapproachable; its nature can only be misunderstood by those who continue to regard women in masculine terms. In the first section of the book, "The Blind Spot of an Old Dream of Symmetry," Irigaray rereads Freud's essay "Femininity," and his other writings on women, bringing to the fore the masculine ideology implicit in psychoanalytic theory and in Western discourse in general: woman is defined as a disadvantaged man, a male construct with no status of her own.In the last section, "Plato's Hystera," Irigaray reinterprets Plato's myth of the cave, of the womb, in an attempt to discover the origins of that ideology, to ascertain precisely the way in which metaphors were fathered that henceforth became vehicles of meaning, to trace how woman came to be excluded from the production of discourse.Between these two sections is "Speculum"-ten meditative, widely ranging, and freely associational essays, each concerned with an aspect of the history of Western philosophy in its relation to woman, in which Irigaray explores woman's essential difference from man.