Lucia Floridi – författare

This is the first modern commentary devoted exclusively to the poems of Hedylus, one of the most important representatives of Greek epigram in a crucial phase of the development of the genre. Although only a few of Hedylus’ poems survive, he helped shape the genre of literary epigram. His influence is comparable to that of his roughly contemporaries Posidippus of Pella and Asclepiades of Samos, with whom he is associated by Meleager of Gadara in the proem to his Garland. The volume contains an extensive introduction, a new critical text, a translation, and a full literary and philological commentary. Each epigram is preceded by an essay. Particular attention is paid to the different branches of transmission, in order to understand why so few of Hedylus' epigrams survive via the Greek Anthology, while most of his poems are transmitted by Athenaeus in his Deipnosophistai. The commentary is followed by an Auctarium Lectionum, an Appendix Coniecturarum, an Index verborum, an Index locorum, and an Index nominum et rerum notabilium. With its insights into literary Hellenistic epigram in an important phase of its development, this book represents an important tool for all those interested in epigram and Hellenistic literature in general.

This is the first modern commentary devoted exclusively to the poems of Hedylus, one of the most important representatives of Greek epigram in a crucial phase of the development of the genre. Although only a few of Hedylus’ poems survive, he helped shape the genre of literary epigram. His influence is comparable to that of his roughly contemporaries Posidippus of Pella and Asclepiades of Samos, with whom he is associated by Meleager of Gadara in the proem to his Garland. The volume contains an extensive introduction, a new critical text, a translation, and a full literary and philological commentary. Each epigram is preceded by an essay. Particular attention is paid to the different branches of transmission, in order to understand why so few of Hedylus' epigrams survive via the Greek Anthology, while most of his poems are transmitted by Athenaeus in his Deipnosophistai. The commentary is followed by an Auctarium Lectionum, an Appendix Coniecturarum, an Index verborum, an Index locorum, and an Index nominum et rerum notabilium. With its insights into literary Hellenistic epigram in an important phase of its development, this book represents an important tool for all those interested in epigram and Hellenistic literature in general.

Intertextuality is a well-known tool in literary criticism and has been widely applied to ancient literature, with, perhaps surprisingly, classical scholarship being at the frontline in developing new theoretical approaches. By contrast, the seemingly parallel notion of intervisuality has only recently begun to appear in classical studies. In fact, intervisuality still lacks a clear definition and scope. Unlike intertextuality, which is consistently used with reference to the interrelationship between texts, the term ‘intervisuality’ is used not only to trace the interrelationship between images in the visual domain, but also to explore the complex interplay between the visual and the verbal. It is precisely this hybridity that interests us. Intervisuality has proved extremely productive in fields such as art history and visual culture studies. By bringing together a diverse team of scholars, this project aims to bring intervisuality into sharper focus and turn it into a powerful tool to explore the research field traditionally referred to as ‘Greek literature’.

Il Περὶ ἑπτὰ θεαμάτων è l’unico trattato sulle sette meraviglie che ci sia giunto dall’antichità. Il solo testimone che ne tramanda il testo – il Pal. Gr. 398, celebre testimone appartenente alla cosiddetta "collezione filosofica" – lo attribuisce all’ingenere ellenistico Filone di Bisanzio, attivo fra la metà e la fine del III sec. a.C. Tale attribuzione ha accresciuto, fin dal XVII sec., fama e autorità del trattatello. Tutto indica, tuttavia, che l’autore debba essere considerato tardo-antico, se non addirittura proto-bizantino. Questo volume offre la prima edizione critica del Περὶ ἑπτὰ θεαμάτων, corredata di traduzione, e preceduta da un’ampia introduzione che esplora la tradizione letteraria di cui l’autore si è nutrito, nonché le sorti testuali, il genere, la lingua e lo stile del trattatello, per arrivare a un’ipotesi di datazione. A ciascuna delle meraviglie descritte dall’autore sono inoltre dedicati approfondimenti di carattere storico e letterario, utili a far emergere le peculiarità della prospettiva adottata dallo Pseudo-Filone, e – in alcuni casi – a individuarne le probabili o sicure fonti. A corredo e giustificazione del testo è offerta una discussione dei passi più problematici sotto il profilo esegetico e critico-testuale. Conclude il volume la traduzione latina, sinora inedita, di Lukas Holste (1596-1661).