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Harriet Smith investigates...A murder most Austen.
A witty debut whodunit that reimagines Harriet Smith, the gullible sidekick of Jane Austen's Emma, as a spitfire con woman, hired to break off an engagement and uncover a murderer in the genteel village of Highbury.
';Seldom, very seldom, does complete truth belong to any human disclosure.' Jane Austen, EMMA
Is a killer lurking in the idyllic country domain of Emma Woodhouse?
No longer Emma's naive companion, Harriet Smith is a feisty con-woman-turned-detective tasked with breaking off Frank Churchill's engagement and uncovering his aunt's would-be murderer. The shrewd Mrs. Churchill suspects Frank's unsuitable fiancee, Jane Fairfax, is out to kill her, while Harriet suspects little more than a society scandal. But what begins as a routine investigation among Highbury's elite quickly spirals into a web of deception, deadly secrets, and a game of survival.
As Harriet interrogates a growing list of suspects with the help of her long-suffering best friend, Robert Martin, not only does she have to contend with a potential homicidal maniac and striking out as a single woman in Regency society but is also afraid her father (and former partner-in-crime) is out for revenge.
With a cast of unforgettable charactersincluding a charming scoundrel, a lovesick farmer, a ghoulish butler, and a ruthless heiress determined to hide her skeletons at any cost this brilliantly reimagined mystery featuring the characters from Jane Austen's Emma is as deliciously dark as it is delightfully clever.
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This book aims to establish the position of the sidekick character in the crime and detective fiction literary genres. It re-evaluates the traditional view that the sidekick character in these genres is often overlooked as having a small, generic or singular role—either to act as the foil to the detective in order to accentuate their own abilities at solving crimes, or else to simply tell the story to the reader. Instead, essays in the collection explore the representations and functions of the detective’s sidekick across a range of forms and subgenres of crime fiction. By incorporating forms such as children’s detective fiction, comics and graphic novels and film and television alongside the more traditional fare of novels and short stories, this book aims to break down the boundaries that sometimes exist between these forms, using the sidekick as a defining thread to link them together into a wider conceptual argument that covers a broad range of crime narratives.
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