This volume considers the role of analogy in symbol formation, with reference to bodily process. It focuses on symbols and symbolic structures that can be traced over millenia and across geographical distance and addresses the beginnings of figurative art in the Upper Paleolithic cave paintings.

This volume considers the role of analogy in symbol formation, with reference to bodily process. It focuses on symbols and symbolic structures that can be traced over millenia and across geographical distance and addresses the beginnings of figurative art in the Upper Paleolithic cave paintings.

This volume considers the role of analogy in symbol formation, with reference to bodily process. It focuses on symbols and symbolic structures that can be traced over millenia and across geographical distance and addresses the beginnings of figurative art in the Upper Paleolithic cave paintings.

This volume considers the role of analogy in symbol formation, with reference to bodily process. It focuses on symbols and symbolic structures that can be traced over millenia and across geographical distance and addresses the beginnings of figurative art in the Upper Paleolithic cave paintings.

This volume considers the role of analogy in symbol formation, with reference to bodily process. It focuses on symbols and symbolic structures that can be traced over millenia and across geographical distance and addresses the beginnings of figurative art in the Upper Paleolithic cave paintings.

This volume considers the role of analogy in symbol formation, with reference to bodily process. It focuses on symbols and symbolic structures that can be traced over millenia and across geographical distance and addresses the beginnings of figurative art in the Upper Paleolithic cave paintings.