Lucy Cogan – författare

Theodora, A Novel by Dorothea Du Bois, published in 1770, is an entertaining and frequently shocking tale of a young woman’s efforts to regain her position in high society after her aristocratic father’s abandonment of and denial of marriage to her mother. The two-volume work is a thinly-veiled fictionalisation of Du Bois’s eventful personal history and the novel represents just one prong of what was a very public campaign to assert what she believed was her rightful place among the nobility of Ireland and Britain. Central to the narrative of Theodora is the powerlessness of women in the face of a system, moral, social and legal, that was designed to enshrine and protect patriarchal interests. In this manner Theodora exposes the gross injustices of eighteenth century society. This scholarly edition of Du Bois’s novel introduces readers to a unique voice in women’s writing of the eighteenth century that has been undeservedly dismissed by literary history for far too long.

Theodora, A Novel by Dorothea Du Bois, published in 1770, is an entertaining and frequently shocking tale of a young woman’s efforts to regain her position in high society after her aristocratic father’s abandonment of and denial of marriage to her mother. The two-volume work is a thinly-veiled fictionalisation of Du Bois’s eventful personal history and the novel represents just one prong of what was a very public campaign to assert what she believed was her rightful place among the nobility of Ireland and Britain. Central to the narrative of Theodora is the powerlessness of women in the face of a system, moral, social and legal, that was designed to enshrine and protect patriarchal interests. In this manner Theodora exposes the gross injustices of eighteenth century society. This scholarly edition of Du Bois’s novel introduces readers to a unique voice in women’s writing of the eighteenth century that has been undeservedly dismissed by literary history for far too long.

Charlotte Dacre’s debut novel Confessions of the Nun of St Omer (1805) was a bestseller in its day, launching the career of a woman who would go on to become one of the nineteenth century’s most notorious female novelists. The work tells the story of the wilful Cazire, who recounts her passionate and destructive youthful adventures from the convent where she now lives in seclusion. Although Dacre’s fame, then and now, rests largely on her sensationalist plots and portrayal of sexually self-possessed female villains, Confessions of the Nun of St. Omer shows a different side to her writing, one that is engaged in the political debate surrounding the French Revolution and eager to uphold the conservative moral line. Indeed, in many ways the novel strives to exemplify the moral and social orthodoxies of its time – dealing with themes of education, passion, seduction and the dangers of the radical ‘new philosophy’. Yet even at this early stage of her career the author’s frank exploration of the power of female desire reveals a willingness to experiment with themes left untouched by more conventional Romantic era novelists, themes that would dominate her writing for years to come.

This edition of Charlotte Dacre’s book is based on the Chawton House Library copy of the text from 1805 and contains textual notes. The book will be of interest to those researching the Gothic, women’s writing and the development of the nineteenth-century novel.

Charlotte Dacre’s debut novel Confessions of the Nun of St Omer (1805) was a bestseller in its day, launching the career of a woman who would go on to become one of the nineteenth century’s most notorious female novelists. The work tells the story of the wilful Cazire, who recounts her passionate and destructive youthful adventures from the convent where she now lives in seclusion. Although Dacre’s fame, then and now, rests largely on her sensationalist plots and portrayal of sexually self-possessed female villains, Confessions of the Nun of St. Omer shows a different side to her writing, one that is engaged in the political debate surrounding the French Revolution and eager to uphold the conservative moral line. Indeed, in many ways the novel strives to exemplify the moral and social orthodoxies of its time – dealing with themes of education, passion, seduction and the dangers of the radical ‘new philosophy’. Yet even at this early stage of her career the author’s frank exploration of the power of female desire reveals a willingness to experiment with themes left untouched by more conventional Romantic era novelists, themes that would dominate her writing for years to come.

This edition of Charlotte Dacre’s book is based on the Chawton House Library copy of the text from 1805 and contains textual notes. The book will be of interest to those researching the Gothic, women’s writing and the development of the nineteenth-century novel.

This monograph reorients discussion of Blake’s prophetic mode, revealing it to be not a system in any formal sense, but a dynamic, human response to an era of momentous historical change when the future Blake had foreseen and the reality he was faced with could not be reconciled. At every stage, Blake’s writing confronts the central problem of all politically minded literature: how texts can become action. Yet he presents us with no single or, indeed, conclusive answer to this question and in this sense it can be said that he fails. Blake, however, never stopped searching for a way that prophecy might be made to live up to its promise in the present. The twentieth-century hermeneuticist Paul Ricoeur shared with Blake a preoccupation with the relationship between time, text and action. Ricoeur’s hermeneutics thus provide a fresh theoretical framework through which to analyse Blake’s attempts to fulfil his prophetic purpose.