Lucy Huskinson - Böcker

Friedrich Nietzsche (1844-1900) is a key figure of modern (and postmodern) Western thought. This book argues that the underlying message of his thought is extremely relevant to Christians today.

Dreaming the Myth Onwards shows how a revised appreciation of myth can enrich our daily lives, our psychological awareness, and our human relationships. Lucy Huskinson and her contributors explore the interplay between myth, and Jungian thought and practice, demonstrating the philosophical and psychological principles that underlie our experience of psyche and world. Contributors from multi-disciplinary backgrounds throughout the world come together to assess the contemporary relevance of myth, in terms of its utility, its effectual position within Jungian theory and practice, and as a general approach for making sense of life. As well as examining the more conscious facets of myth, this volume discusses the unconscious psychodynamic "processes of myth", including active imagination, transference, and countertransference, to illustrate just how these mythic phenomena give meaning to Jungian theory and therapeutic experience. This rigorous and scholarly analysis showcases fresh readings of central Jungian concepts, updated in accordance with shifts in the cultural and epistemological concerns of contemporary Western consciousness. Dreaming the Myth Onwards will be essential reading for practicing analysts and academics in the field of the arts and social sciences.

Dreaming the Myth Onwards shows how a revised appreciation of myth can enrich our daily lives, our psychological awareness, and our human relationships. Lucy Huskinson and her contributors explore the interplay between myth, and Jungian thought and practice, demonstrating the philosophical and psychological principles that underlie our experience of psyche and world. Contributors from multi-disciplinary backgrounds throughout the world come together to assess the contemporary relevance of myth, in terms of its utility, its effectual position within Jungian theory and practice, and as a general approach for making sense of life. As well as examining the more conscious facets of myth, this volume discusses the unconscious psychodynamic "processes of myth", including active imagination, transference, and countertransference, to illustrate just how these mythic phenomena give meaning to Jungian theory and therapeutic experience. This rigorous and scholarly analysis showcases fresh readings of central Jungian concepts, updated in accordance with shifts in the cultural and epistemological concerns of contemporary Western consciousness. Dreaming the Myth Onwards will be essential reading for practicing analysts and academics in the field of the arts and social sciences.

Buildings shape our identity and sense of self in profound ways that are not always evident to architects and town planners, or even to those who think they are intimately familiar with the buildings they inhabit. Architecture and the Mimetic Self provides a useful theoretical guide to our unconscious behaviour in relation to buildings, and explains both how and why we are drawn to specific elements and features of architectural design. It reveals how even the most uninspiring of buildings can be modified to meet our unconscious expectations and requirements of them—and, by the same token, it explores the repercussions for our wellbeing when buildings fail to do so.Criteria for effective architectural design have for a long time been grounded in utilitarian and aesthetic principles of function, efficiency, cost, and visual impact. Although these are important considerations, they often fail to meet the fundamental needs of those who inhabit and use buildings. Misconceptions are rife, not least because our responses to architecture are often difficult to measure, and are in large part unconscious. By bridging psychoanalytic thought and architectural theory, Architecture and the Mimetic Self frees the former from its preoccupations with interpersonal human relations to address the vital relationships that we establish with our nonhuman environments.In addition to providing a guide to the unconscious behaviours that are most relevant for evaluating architectural design, this book explains how our relationships with the built environment inform a more expansive and useful psychoanalytic theory of human relationship and identity. It will appeal to psychoanalysts and analytical psychologists, architects, and all who are interested in the overlaps of psychology, architecture, and the built environment.

Buildings shape our identity and sense of self in profound ways that are not always evident to architects and town planners, or even to those who think they are intimately familiar with the buildings they inhabit. Architecture and the Mimetic Self provides a useful theoretical guide to our unconscious behaviour in relation to buildings, and explains both how and why we are drawn to specific elements and features of architectural design. It reveals how even the most uninspiring of buildings can be modified to meet our unconscious expectations and requirements of them—and, by the same token, it explores the repercussions for our wellbeing when buildings fail to do so.Criteria for effective architectural design have for a long time been grounded in utilitarian and aesthetic principles of function, efficiency, cost, and visual impact. Although these are important considerations, they often fail to meet the fundamental needs of those who inhabit and use buildings. Misconceptions are rife, not least because our responses to architecture are often difficult to measure, and are in large part unconscious. By bridging psychoanalytic thought and architectural theory, Architecture and the Mimetic Self frees the former from its preoccupations with interpersonal human relations to address the vital relationships that we establish with our nonhuman environments.In addition to providing a guide to the unconscious behaviours that are most relevant for evaluating architectural design, this book explains how our relationships with the built environment inform a more expansive and useful psychoanalytic theory of human relationship and identity. It will appeal to psychoanalysts and analytical psychologists, architects, and all who are interested in the overlaps of psychology, architecture, and the built environment.

How can we make sense of ourselves within a world of change?In Analytical Psychology in a Changing World, an international range of contributors examine some of the common pitfalls, challenges and rewards that we encounter in our efforts to carve out identities of a personal or collective nature, and question the extent to which analytical psychology as a school of thought and therapeutic approach must also adapt to meet our changing needs.The contributors assess contemporary concerns about our sense of who we are and where we are going, some in light of recent social and natural disasters and changes to our social climates, others by revisiting existential concerns and philosophical responses to our human situation in order to assess their validity for today. How we use our urban environments and its structures to make sense of our pathologies and shortcomings; the relevance of images and the dynamic forms that underpin our experience of the world; how analytical psychology can effectively manage issues and problems of cultural, religious and existential identity – these broad themes, and others besides, are vividly illustrated by striking case-studies and unique personal insights that give real lucidity to the ideas and arguments presented.Analytical Psychology in a Changing World will be essential reading for Jungian and post-Jungian scholars and clinicians of depth psychology, as well as sociologists, philosophers and any reader with a critical interest in the important cultural ideas of our time.Chapter 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

How can we make sense of ourselves within a world of change?In Analytical Psychology in a Changing World, an international range of contributors examine some of the common pitfalls, challenges and rewards that we encounter in our efforts to carve out identities of a personal or collective nature, and question the extent to which analytical psychology as a school of thought and therapeutic approach must also adapt to meet our changing needs.The contributors assess contemporary concerns about our sense of who we are and where we are going, some in light of recent social and natural disasters and changes to our social climates, others by revisiting existential concerns and philosophical responses to our human situation in order to assess their validity for today. How we use our urban environments and its structures to make sense of our pathologies and shortcomings; the relevance of images and the dynamic forms that underpin our experience of the world; how analytical psychology can effectively manage issues and problems of cultural, religious and existential identity – these broad themes, and others besides, are vividly illustrated by striking case-studies and unique personal insights that give real lucidity to the ideas and arguments presented.Analytical Psychology in a Changing World will be essential reading for Jungian and post-Jungian scholars and clinicians of depth psychology, as well as sociologists, philosophers and any reader with a critical interest in the important cultural ideas of our time.Chapter 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

What can depictions of psychotherapy on screen teach us about ourselves?In Eavesdropping, a selection of contributions from internationally-based film consultants, practicing psychotherapists and interdisciplinary scholars investigate the curious dynamics that occur when films and television programmes attempt to portray the psychotherapist, and the complexities of psychotherapy, for popular audiences.The book evaluates the potential mismatch between the onscreen psychotherapist, whose raison d’être is to entertain and engage global audiences, and the professional, real-life counterpart, who becomes intimately involved with the dramas of their patients. While several contributors conclude that actual psychotherapy, and the way psychotherapists and their clients grapple with notions of fantasy and reality, would make a rather poor show, Eavesdropping demonstrates the importance of psychotherapy and psychotherapists on-screen in assisting us to wrestle with the discomfort – and humour - of our lives.Offering a unique insight into perceptions of psychotherapy, Eavesdropping will be essential and insightful reading for analytical psychologists, psychoanalysts, academics and students of depth psychology, film and television studies, media studies and literature, as well as filmmakers.

What can depictions of psychotherapy on screen teach us about ourselves?In Eavesdropping, a selection of contributions from internationally-based film consultants, practicing psychotherapists and interdisciplinary scholars investigate the curious dynamics that occur when films and television programmes attempt to portray the psychotherapist, and the complexities of psychotherapy, for popular audiences.The book evaluates the potential mismatch between the onscreen psychotherapist, whose raison d’être is to entertain and engage global audiences, and the professional, real-life counterpart, who becomes intimately involved with the dramas of their patients. While several contributors conclude that actual psychotherapy, and the way psychotherapists and their clients grapple with notions of fantasy and reality, would make a rather poor show, Eavesdropping demonstrates the importance of psychotherapy and psychotherapists on-screen in assisting us to wrestle with the discomfort – and humour - of our lives.Offering a unique insight into perceptions of psychotherapy, Eavesdropping will be essential and insightful reading for analytical psychologists, psychoanalysts, academics and students of depth psychology, film and television studies, media studies and literature, as well as filmmakers.

Key Concepts in Philosophy is a series of concise, accessible and engaging introductions to the core ideas and subjects encountered in the study of philosophy. Specially written to meet the needs of students and those with an interest in, but little prior knowledge of, philosophy, these books open up fascinating, yet sometimes difficult ideas. The series builds to give a solid grounding in philosophy and each book is also ideal as a companion to further study. The philosophy of mind - inquiry into just what the mind is and the nature of its relationship to the body - is one of Western philosophy's focal points. This is a comprehensive, clear and authoritative guide to the subject's history, its key themes and concepts, and those philosophers who have most influenced it, aimed at students encountering the discipline for the first time. The text illustrates the importance of the concept of mind in defining what it is to be human; this unifies the discussion and analysis of specific topics. Having outlined the major traditional accounts of the nature of the mind in western philosophy, the book goes on to examine such important concepts as subjectivity, intentionality and behaviour.The book also explores how far the concept of mind can be extended to animals and machines, such as computers and robots. Philosophy undergraduates will find this an invaluable aid to study, one that goes beyond simple definitions and summaries to really open up fascinating and important ideas and arguments.

Nietzsche’s philosophy is provocative and complex and has been hugely influential on modern intellectual history and European culture. But his critical approach and writing style invites misunderstandings, sometimes with disastrous consequences. His ideas—or those loosely associated with him—are often briefly cited in scholarly studies in architectural theory and history. His ideas are thought to have influenced the theories and designs of such iconic architects as Le Corbusier, Henry van de Velde, Bruno Taut, Louis H. Sullivan, Lebbeus Woods, and Peter Eisenman, as well as competing approaches to architecture and design, such as those adopted by the Bauhaus School and the Nazis. In the bewildering array of architectural positions that lay claim to Nietzsche as an influence, how can we begin to make sense of Nietzsche’s own approach to architecture? And how can we identify within his complex philosophy the key ideas and themes we require to make sense of his contribution to architecture? This first introduction to Nietzsche’s philosophy written specifically for architects locates his evaluation of appropriate and inappropriate architecture in the body of his writings and presents a clear overview of Nietzsche’s insights into architectural design alongside his advice for architects and designers.

Nietzsche’s philosophy is provocative and complex and has been hugely influential on modern intellectual history and European culture. But his critical approach and writing style invites misunderstandings, sometimes with disastrous consequences. His ideas—or those loosely associated with him—are often briefly cited in scholarly studies in architectural theory and history. His ideas are thought to have influenced the theories and designs of such iconic architects as Le Corbusier, Henry van de Velde, Bruno Taut, Louis H. Sullivan, Lebbeus Woods, and Peter Eisenman, as well as competing approaches to architecture and design, such as those adopted by the Bauhaus School and the Nazis. In the bewildering array of architectural positions that lay claim to Nietzsche as an influence, how can we begin to make sense of Nietzsche’s own approach to architecture? And how can we identify within his complex philosophy the key ideas and themes we require to make sense of his contribution to architecture? This first introduction to Nietzsche’s philosophy written specifically for architects locates his evaluation of appropriate and inappropriate architecture in the body of his writings and presents a clear overview of Nietzsche’s insights into architectural design alongside his advice for architects and designers.

The Urban Uncanny explores through ten engaging essays the slippage or mismatch between our expectations of the city—as the organised and familiar environments in which citizens live, work, and go about their lives—and the often surprising and unsettling experiences it evokes. The city is uncanny when it reveals itself in new and unexpected light; when its streets, buildings, and people suddenly appear strange, out of place, and not quite right. Bringing together a variety of approaches, including psychoanalysis, historical and contemporary case study of cities, urban geography, film and literary critique, the essays explore some of the unsettling mismatches between city and citizen in order to make sense of each, and to gauge the wellbeing of city life more generally. Essays examine a number of cities, including Edmonton, London, Paris, Oxford, Las Vegas, Berlin and New York, and address a range of issues, including those of memory, death, anxiety, alienation, and identity. Delving into the complex repercussions of contemporary mass urban development, The Urban Uncanny opens up the pathological side of cities, both real and imaginary.This interdisciplinary collection provides unparalleled insights into the urban uncanny that will be of interest to academics and students of urban studies, urban geography, psychoanalysis, cultural studies, social studies and film studies, and to anyone interested in the darker side of city life.

The Urban Uncanny explores through ten engaging essays the slippage or mismatch between our expectations of the city—as the organised and familiar environments in which citizens live, work, and go about their lives—and the often surprising and unsettling experiences it evokes. The city is uncanny when it reveals itself in new and unexpected light; when its streets, buildings, and people suddenly appear strange, out of place, and not quite right. Bringing together a variety of approaches, including psychoanalysis, historical and contemporary case study of cities, urban geography, film and literary critique, the essays explore some of the unsettling mismatches between city and citizen in order to make sense of each, and to gauge the wellbeing of city life more generally. Essays examine a number of cities, including Edmonton, London, Paris, Oxford, Las Vegas, Berlin and New York, and address a range of issues, including those of memory, death, anxiety, alienation, and identity. Delving into the complex repercussions of contemporary mass urban development, The Urban Uncanny opens up the pathological side of cities, both real and imaginary.This interdisciplinary collection provides unparalleled insights into the urban uncanny that will be of interest to academics and students of urban studies, urban geography, psychoanalysis, cultural studies, social studies and film studies, and to anyone interested in the darker side of city life.

Nietzsche and Architecture explores Nietzsche’s relationship to the architects, buildings, and modern architectural movements he went on to inspire, and situates his philosophy more appropriately and comprehensively within the field of architectural studies, architectural history, and theory. Divided into two parts, the book first examines Nietzsche’s philosophy of architecture, exploring his notions of rhythm, ornament, style, and power. It then goes on to examine Nietzsche’s ambiguous architectural legacy, scrutinising iconic architects, thinkers, designs, and cultural movements to ascertain their relationship with Nietzschean ideas, from the crystal architecture of Bruno Taut and Peter Behrens, to the ‘new styles’ of the Bauhaus and Le Corbusier, Louis H. Sullivan’s desire for the heights, and the cultural propaganda of ‘Nazi architecture’.Clearly explaining the subtleties and complexities of Nietzsche’s architectural thought, Nietzsche and Architecture provides an accessible insight into Nietzsche’s philosophy and its significance to the development of modern architecture in the 19th and early 20th centuries, shedding vital light on the continued relevance of Nietzsche to architecture today.

Nietzsche and Architecture explores Nietzsche’s relationship to the architects, buildings, and modern architectural movements he went on to inspire, and situates his philosophy more appropriately and comprehensively within the field of architectural studies, architectural history, and theory. Divided into two parts, the book first examines Nietzsche’s philosophy of architecture, exploring his notions of rhythm, ornament, style, and power. It then goes on to examine Nietzsche’s ambiguous architectural legacy, scrutinising iconic architects, thinkers, designs, and cultural movements to ascertain their relationship with Nietzschean ideas, from the crystal architecture of Bruno Taut and Peter Behrens, to the ‘new styles’ of the Bauhaus and Le Corbusier, Louis H. Sullivan’s desire for the heights, and the cultural propaganda of ‘Nazi architecture’.Clearly explaining the subtleties and complexities of Nietzsche’s architectural thought, Nietzsche and Architecture provides an accessible insight into Nietzsche’s philosophy and its significance to the development of modern architecture in the 19th and early 20th centuries, shedding vital light on the continued relevance of Nietzsche to architecture today.

Spirit possession is a phenomenon that often elicits a response of fear, particular in those who are ignorant of its meaning and role within its particular religious and cultural traditions. Possession by divine beings (such as spirits or gods) is, however, a key practice in religions worldwide. It is therefore important to gain an understanding of this practice in its cultural context before trying to develop a wider theory about it. This fascinating book contains several case studies that present new interpretations of spirit possession worldwide. The authors show the diversity of possible interpretations and methodological approaches that provide a new insight into the understanding of possession and trance.

Was Jung's interpretation and assessment of Nietzsche accurate?Nietzsche and Jung considers the thought and personalities of two icons of twentieth century philosophical and psychological thought, and reveals the extraordinary connections between them. Through a thorough examination of their work, Nietzsche and Jung succeeds in illuminating complex areas of Nietzsche's thought and resolving ambiguities in Jung's reception of these theories. The location and analysis of the role played by opposites in the whole self according to Jung is considered, revealing the full extent of Nietzsche's influence. This rigorous and original analysis of Jungian theory and its philosophical roots, supported by Jung's seminars on Nietzsche's Zarathustra, leads to the development of a fresh interpretation of the theories of both. The shared model of selfhood is put into practice as the personalities of Nietzsche and Jung are evaluated according to the other's criteria for mental health, attempting to determine whether Nietzsche and Jung were themselves whole.Nietzsche and Jung demonstrates how our understanding of analytical psychology can be enriched by investigating its philosophical roots, and considers whether the whole self is a realistic possibility for each of us. This book will prove fascinating reading for students in psychology, philosophy and religion as well as practicing Jungian analysts.