Ludmilla Petrushevskaya – författare

In these dark, dreamlike love stories with a twist, Ludmilla Petrushevskaya tells of strange encounters in claustrophobic communal apartments, ill-fated holiday romances, office trysts, schoolgirl crushes, tentative courtships, rampant infidelity, tender devotion and terrifying madness. By turns sly and sweet, earthy and sublime, these fables of flawed love blend black humour and macabre spectacle with transformative moments of grace.

Here are attempts at human connection, both depraved and sublime, and the grinding struggle to survive against the crushing realities of the Soviet system: in Among Friends, a doting mother commits an atrocious act against her beloved son in an attempt to secure his future; The Time: Night examines the suicide of the great Russian poetess Anna Andreevna with heartbreaking clarity; while in Chocolates with Liqueur the struggle for ownership of an apartment between a nurse and a madman turns murderous. With the satirical eye of Cindy Sherman, the psychological perceptiveness of Dostoevsky, and the bleak absurdities of Beckett, Petrushevskaya blends macabre spectacle with transformative moments of grace and shows just why she is Russia's preeminent contemporary fiction writer.One of Russia's best living writers ... her tales inhabit a borderline between this world and the next - The New York Times Ludmilla Petrushevskaya was born in Moscow in 1938 and is the only indisputable canonical writer currently writing in Russian today. She is the author of more than fifteen collections of prose, among them this short novel The Time: Night, shortlisted for the Russian Booker Prize in 1992, and Svoi Krug, a modern classic about 1980s Soviet intelligentsia. Petrushevskaya is equally important as a playwright: since the 1980s her numerous plays have been staged by the best Russian theater companies. In 2002, Petrushevskaya received Russia's most prestigious prize, The Triumph, for lifetime achievement. She lives in Moscow.

A woman finds herself filling a pit in the forest in the middle of the night; a family lock each other in their bedrooms to battle a strange plague; a wizard punishes two beautiful ballerinas by turning them into one hugely fat circus performer; a colonel is warned not to lift the veil from his dead wife's face; and a distraught father brings his daughter back to life by eating human hearts in his dreams. In these blackly comic tales of revenge, disturbing deaths and haunting melancholy, Ludmilla Petrushevskaya blends miracles and madness in the darkest of modern fairy tales.

“One of Russia’s best living writers . . . Her tales inhabit a borderline between this world and the next.” —The New York TimesAt first glance, the stories in The New Adventures of Helen seems simple, even child-like, but a deep reading reveals satire and darkness manifested through classic fairy tale tropes characteristically upended by Petrushevskaya. These “adult fairy tales” ask deep questions about gender, love, history, memory, and the future, taking place in times between history and the now. These stories, quirky but yet inspired by a confident hopefulness, will inspire and provoke English-speaking readers across the globe.