Luis Bunuel – författare

A master filmmaker, inimitable, and unrelenting in his assault on bourgeois values. Bunuel's method is free from all artifice, and his honesty and humour are to extreme to accept any compromise in exposing our deceit and our decadence. Like Pasolini, his work offers a remarkably sophisticated political analysis, but remains based in the essentially peasant values of storytelling, and the purposefully unsystematic supervisions of laughter.

Although Luis Bunuel, one of the great filmmakers of the century, was notoriously reluctant to discuss his own work in public, he wrote - and wrote well - on many subjects over the years. This collection proceeds chronologically, from poetry and short stories written in Bunuel's youth in Spain to an essay written in 1980, not long before his death. Newly translated into English, the writings offer startling insights into the filmmaker's life and thought. The earliest pieces came well before Bunuel joined the Surrealist movement in Paris and created the landmark film Un chien andalou with Salvador Dali.Yet these and the early Surrealist writings reveal the inventiveness of the mind that would later create such masterpieces of cinema as "L'Age d'or", "Los olvidados", "Viridiana", "The Milky Way", "The Discreet Charm of the Bourgeoisie", and "That Obscure Object of Desire". Later writings, which include screenplays and reflections on his own and others' films, illuminate many aspects of Bunuel's career, as well as the ways of thinking and perceiving that underlie his unique cinematic style.The final essay by this extraordinary artist sums up his view of the world - still vibrant and full of contradictions - at the end of his life.

A master filmmaker, inimitable, and unrelenting in his assault on bourgeois values. Bunuel's method is free from all artifice, and his honesty and humour are to extreme to accept any compromise in exposing our deceit and our decadence. Like Pasolini, his work offers a remarkably sophisticated political analysis, but remains based in the essentially peasant values of storytelling, and the purposefully unsystematic supervisions of laughter.