Luiz Renato Martins – författare
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3 produkter
3 produkter
Häftad, Engelska, 2019
364 kr
Skickas inom 5-8 vardagar
The present studies on Brazilian modern art seek to specify some of the dominant contradictions of capitalism's combined but uneven development as these appear from the global periphery. The grand project of Brasilia is the main theme of the first two chapters, which treat the 'ideal city' as a case study in the ways in which creative talent in Brazil has been made to serve in the reproduction of social iniquities. Further chapters scrutinise the socio-historical basis of Brazilian art, and develop, against the grain of the most prominent art historical approaches to modern Brazilian culture.
Häftad, Engelska, 2018
341 kr
Skickas inom 5-8 vardagar
In The Conspiracy of Modern Art the Brazilian critic and art-historian Luiz Renato Martins presents an engaging new account of modern art from David to Abstract Expressionism. Equally attentive to form and politics, Martins invites us to look again at familiar pictures. In the process, modern art appears in a new light. These essays, largely unknown to an English-speaking audience, may be the most important contribution to the account of modern painting since the important debates of the 1980s.
Del 137 - Historical Materialism Book Series
Conspiracy of Modern Art
Inbunden, Engelska, 2017
2 153 kr
Skickas inom 5-8 vardagar
In The Conspiracy of Modern Art the Brazilian critic and art-historian Luiz Renato Martins presents a new account of modern art from David to Abstract Expressionism. The once vibrant debate on these touchstones of modernism has gone stale. Viewed from the Sao Paulo megalopolis the art of Paris and New York - embodying Revolution, Thermidor, Bonapartistm and Bourgeois ‘Triumph' - once more pulsates in tragic key.Equally attentive to form and politics, Martins invites us to look again at familiar pictures. In the process, modern art appears in a new light. These essays, largely unknown to an English-speaking audience, may be the most important contribution to the account of modern painting since the important debates of the 1980s.