Luke Dixon – författare

A handbook of theatre workshops for actors, teachers and directors, by a leader in the field of physical theatre and research This is a book of theatrical beginnings for actors, teachers and directors. Divided into four parts, from Body through to Voice, Heart and Mind, the book covers all the elements you need to engage in order to train as an actor. The dizzying breadth of exercises and workshops offered here start you off on all the processes; from voice warm-ups and bodywork through to interacting with space and creating characters. Drawing on a plethora of influences, from Japanese Butoh to African dance, Shakespearean verse speaking and children's games, this book is aimed to entice actors who need to refresh their skills, those who would like to take part in or run workshops, and many who have no experience at all.Praise for Luke Dixon's directing: "Outstanding physical theatre...electrifying...an appearance of the most voluptuous glamour" -Independent

Creating Solo Performance is an innovative toolbox of exercises and challenges focused on providing you – the performer – with engaging and inspiring ways to explore and develop your idea both on the page and in the performance space. The creation of a solo show may be the most rewarding, liberating and stressful challenge you will take on in your career. This book acts as your silent collaborator as you develop your performance, by helpfully arranging exercises under the following headings: Beginnings Creating character Generating material Using your performance space Technology Endings Collaboration Exercises can be explored in sequence, at random or according to your specific needs and interests as a performer. By enabling you to create a bespoke formula that best applies to your specific subject, area of interest, style and discipline, this book will become an indispensable resource as you produce your solo show.

Creating Solo Performance is an innovative toolbox of exercises and challenges focused on providing you – the performer – with engaging and inspiring ways to explore and develop your idea both on the page and in the performance space. The creation of a solo show may be the most rewarding, liberating and stressful challenge you will take on in your career. This book acts as your silent collaborator as you develop your performance, by helpfully arranging exercises under the following headings: Beginnings Creating character Generating material Using your performance space Technology Endings Collaboration Exercises can be explored in sequence, at random or according to your specific needs and interests as a performer. By enabling you to create a bespoke formula that best applies to your specific subject, area of interest, style and discipline, this book will become an indispensable resource as you produce your solo show.

Play-Acting is an inspired book of theatrical beginnings-jumping-off points for actors, teachers, and directors. Drawing upon his thirty years of designing and leading theater workshops, Luke Dixon goes to the heart of contemporary theater practice. Whether drawing upon Japanese butoh, Shakespearean verse, or African rhythms, these thirty-two workshops cover a wide range of activities-voice warm-ups, body work, the exploration of theatrical space, life games, dreamtime, sense and chakras, working with the spine, and much, much more. More than a collection of exercises, Play-Acting is constructed to take the user on a journey from learning about the anatomy of the individual actor''s body to the performance of narrative by a group of actors. With tips on what you might expect to experience as an actor, teacher, or director, along with ideas on how to exploit the unexpected in performance, Play-Acting is a book to be read again and again.

Play-Acting is an inspired book of theatrical beginnings-jumping-off points for actors, teachers, and directors. Drawing upon his thirty years of designing and leading theater workshops, Luke Dixon goes to the heart of contemporary theater practice. Whether drawing upon Japanese butoh, Shakespearean verse, or African rhythms, these thirty-two workshops cover a wide range of activities-voice warm-ups, body work, the exploration of theatrical space, life games, dreamtime, sense and chakras, working with the spine, and much, much more. More than a collection of exercises, Play-Acting is constructed to take the user on a journey from learning about the anatomy of the individual actor''s body to the performance of narrative by a group of actors. With tips on what you might expect to experience as an actor, teacher, or director, along with ideas on how to exploit the unexpected in performance, Play-Acting is a book to be read again and again.

Creating Solo Performance is an innovative toolbox of exercises and challenges focused on providing you – the performer – with engaging and inspiring ways to explore and develop your idea both on the page and in the performance space.

The creation of a solo show may be the most rewarding, liberating and stressful challenge you will take on in your career. This book acts as your silent collaborator as you develop your performance, by helpfully arranging exercises under the following headings:

Beginnings

Creating character

Generating material

Using your performance space

Technology

Endings

Collaboration

Exercises can be explored in sequence, at random or according to your specific needs and interests as a performer. By enabling you to create a bespoke formula that best applies to your specific subject, area of interest, style and discipline, this book will become an indispensable resource as you produce your solo show.

Creating Solo Performance is an innovative toolbox of exercises and challenges focused on providing you – the performer – with engaging and inspiring ways to explore and develop your idea both on the page and in the performance space.

The creation of a solo show may be the most rewarding, liberating and stressful challenge you will take on in your career. This book acts as your silent collaborator as you develop your performance, by helpfully arranging exercises under the following headings:

Beginnings

Creating character

Generating material

Using your performance space

Technology

Endings

Collaboration

Exercises can be explored in sequence, at random or according to your specific needs and interests as a performer. By enabling you to create a bespoke formula that best applies to your specific subject, area of interest, style and discipline, this book will become an indispensable resource as you produce your solo show.

A handbook of theatre workshops for actors, teachers and directors, by a leader in the field of physical theatre and research

This is a book of theatrical beginnings for actors, teachers and directors. Divided into four parts, from Body through to Voice, Heart and Mind, the book covers all the elements you need to engage in order to train as an actor. The dizzying breadth of exercises and workshops offered here start you off on all the processes; from voice warm-ups and bodywork through to interacting with space and creating characters. Drawing on a plethora of influences, from Japanese Butoh to African dance, Shakespearean verse speaking and children''s games, this book is aimed to entice actors who need to refresh their skills, those who would like to take part in or run workshops, and many who have no experience at all.

Praise for Luke Dixon''s directing: "Outstanding physical theatre...electrifying...an appearance of the most voluptuous glamour" -Independent

A handbook of theatre workshops for actors, teachers and directors, by a leader in the field of physical theatre and research

This is a book of theatrical beginnings for actors, teachers and directors. Divided into four parts, from Body through to Voice, Heart and Mind, the book covers all the elements you need to engage in order to train as an actor. The dizzying breadth of exercises and workshops offered here start you off on all the processes; from voice warm-ups and bodywork through to interacting with space and creating characters. Drawing on a plethora of influences, from Japanese Butoh to African dance, Shakespearean verse speaking and children''s games, this book is aimed to entice actors who need to refresh their skills, those who would like to take part in or run workshops, and many who have no experience at all.

Praise for Luke Dixon''s directing: "Outstanding physical theatre...electrifying...an appearance of the most voluptuous glamour" -Independent

THE GOOD AUDITION GUIDES:Helping you select and perform the audition piece that is best suited to your performing skillsEach Good Audition Guide contains a range of fresh monologues, all prefaced with a summary of the vital information you need to place the piece in context and to perform it to maximum effect in your own unique way.Each volume also carries a user-friendly introduction on the whole process of auditioning.Shakespeare Monologues for Men contains 50 monologues drawn from across the Shakespeare canon. Each speech is prefaced with an easy-to-use guide to Who is speaking, Where, When and To Whom, What has just happened in the play and What are the character's objectives. In fact, everything the actor needs to know before embarking on the audition!Shakespeare Monologues for Men is edited by director, teacher and academic Luke Dixon.'Sound practical advice for anyone attending an audition' Teaching Drama Magazine on the Good Audition Guides

THE GOOD AUDITION GUIDES:Helping you select and perform the audition piece that is best suited to your performing skillsEach Good Audition Guide contains a range of fresh monologues, all prefaced with a summary of the vital information you need to place the piece in context and to perform it to maximum effect in your own unique way.Each volume also carries a user-friendly introduction on the whole process of auditioning.Shakespeare Monologues for Women contains 50 monologues drawn from across the Shakespeare canon. Each speech is prefaced with an easy-to-use guide to Who is speaking, Where, When and To Whom, What has just happened in the play and What are the character's objectives. In fact, everything the actor needs to know before embarking on the audition!Shakespeare Monologues for Women is edited by director, teacher and academic Luke Dixon.'Sound practical advice for anyone attending an audition' Teaching Drama Magazine on the Good Audition Guides

THE GOOD AUDITION GUIDES:Helping you select and perform the audition piece that is best suited to your performing skillsEach Good Audition Guide contains a range of fresh monologues, all prefaced with a summary of the vital information you need to place the piece in context and to perform it to maximum effect in your own unique way.Each volume also carries a user-friendly introduction on the whole process of auditioning.Shakespeare Monologues for Young Men contains forty monologues drawn from across the whole of Shakespeare's canon. Each speech comes with a neat summary of the vital information (the who, where and when of the speech), plus descriptions of what is happening, what to think about when preparing it, and a glossary.There is also a user-friendly introduction to selecting your speech, tackling Shakespeare's language and approaching the audition itself.'Sound practical advice for anyone attending an audition' Teaching Drama Magazine on the Good Audition Guides

THE GOOD AUDITION GUIDES:Helping you select and perform the audition piece that is best suited to your performing skillsEach Good Audition Guide contains a range of fresh monologues, all prefaced with a summary of the vital information you need to place the piece in context and to perform it to maximum effect in your own unique way.Each volume also carries a user-friendly introduction on the whole process of auditioning.Shakespeare Monologues for Young Women contains forty monologues drawn from across the whole of Shakespeare's canon. Each speech comes with a neat summary of the vital information (the who, where and when of the speech), plus descriptions of what is happening, what to think about when preparing it, and a glossary.There is also a user-friendly introduction to selecting your speech, tackling Shakespeare's language and approaching the audition itself.'Sound practical advice for anyone attending an audition' Teaching Drama Magazine on The Good Audition Guides

This book takes us from the beginning of time to the present day to show the ways in which bees and beekeeping, honey and wax, are a part of the culture, mythology, theology and folklore of every people in the world. And how humans and bees have had a magical relationship since the creative of the world itself. We will spend a lot of time with the Ancient Greeks, journey through the harems of Arabia to the savannahs of Africa. And we will visit the English countryside too. Everywhere we go, across centuries and continents, we will find that the tiny humble honeybee, man''s companion as long as there has been a man on the earth, has been and continues to be a source of wonder and magic.