Luke Gartlan – författare
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3 produkter
3 produkter
Häftad, Engelska, 2020
659 kr
Skickas inom 10-15 vardagar
This volume explores the early history of the photographic studio and portrait in China and Japan. The institution of the photographic studio has received relatively little attention in the history of photography; contributors here investigate various manifestations of the studio as a place and as a space that was cultural, economic, and creative. Its authors also look closely at the studio portrait not as images alone, but also as collaborative ventures between studio operators and sitters, opportunities to invent new roles, images that merged the new medium with "traditional" visual practices, as well as the portrait’s part in devising modern, gendered, nationalistic, and public identities for its subjects. As the first collection of its kind, Portraiture and Early Studio Photography in China and Japan analyzes the photographic likeness—its producers, subjects, viewers, and pictorial forms—and argues for the historical significance of the photographic studio as a specific and new space central to the formation of new identities and communities. Photography’s identity as a transnational technology is thus explored through the local uses, adaptations, and assimilations of the imported medium, presenting modern images of their subjects in specific Japanese and Chinese contexts.
Inbunden, Engelska, 2017
2 365 kr
Skickas inom 10-15 vardagar
This volume explores the early history of the photographic studio and portrait in China and Japan. The institution of the photographic studio has received relatively little attention in the history of photography; contributors here investigate various manifestations of the studio as a place and as a space that was cultural, economic, and creative. Its authors also look closely at the studio portrait not as images alone, but also as collaborative ventures between studio operators and sitters, opportunities to invent new roles, images that merged the new medium with "traditional" visual practices, as well as the portrait’s part in devising modern, gendered, nationalistic, and public identities for its subjects. As the first collection of its kind, Portraiture and Early Studio Photography in China and Japan analyzes the photographic likeness—its producers, subjects, viewers, and pictorial forms—and argues for the historical significance of the photographic studio as a specific and new space central to the formation of new identities and communities. Photography’s identity as a transnational technology is thus explored through the local uses, adaptations, and assimilations of the imported medium, presenting modern images of their subjects in specific Japanese and Chinese contexts.
Häftad, Engelska, 2013
314 kr
Skickas inom 5-8 vardagar
This book explores the interplay between 19th-century photography and Europe's vision of the Middle East. The Middle East played a critical role in the development of photography as a new technology and an art form. Likewise, photography was instrumental in cultivating and maintaining Europe's distinctively Orientalist vision of the Middle East. As new advances enhanced the versatility of the medium, 19th-century photographers were able to mass-produce images to incite and satisfy the demands of a burgeoning tourist industry and the appetites of armchair travellers in Europe. In this way, the evolution of modern photography fuelled an interest in visual contact with the rest of the world. Photography's Orientalism offers the first in-depth cultural study of the works of European and non-European photographers active in the Middle East, focusing on the relationship between photographic, literary, and historical representations of this region and beyond.