Lynda Mannik – författare

On 13 December 1948, a small ship carrying 347 Estonian refugeesfleeing Soviet rule arrived at Pier 21 in Halifax. In Photography,Memory, and Refugee Identity, anthropologist Lynda Mannik analyzesthe refugee experience through the photographic record of those whomade that harrowing voyage across the Atlantic more than sixty yearsago.Drawing on a collection of photographs taken during the voyage andat the Pier 21 detention centre, Mannik asks surviving passengers todescribe their migration, their reception in Canada, and their feelingsabout the terms refugee and boat person. She explores to what extentthe photos reflect the passengers' experiences as they rememberthem and how those experiences compare with representations of refugeesin news media, in government rhetoric, and at the Pier 21 Museum inHalifax. Ultimately, Mannik demonstrates that the photographs in the SSWalnut collection bear witness to the refugee experience evenas the meanings attached to them have changed over time and in shiftingcontexts.

Building on the "studying up" trend in anthropology, this book offers a theoretically informed guide to ethnographic methods that is also practical in approach, and reflects the challenges and concerns of contemporary ethnography. Students draw from vignettes situated within North America to learn how various methods work in the real world, and how ethnography informs contemporary anthropological theory. Exercises and assignments encourage students to practice these methods in a familiar context, and a sustained focus on visual methodologies offers coverage not found in other books. The result is a text that discusses both practical and theoretical issues in contemporary ethnography while equipping students with a set of transferable skills.

The central focus of Reclaiming Canadian Bodies is the relationship between visual media, the construction of Canadian national identity, and notions of embodiment. It asks how particular representations of bodies are constructed and performed within the context of visual and discursive mediated content. The book emphasizes the ways individuals destabilize national mainstream visual tropes, which in turn have the potential to destabilize nationalist messages.Drawing upon rich empirical research and relevant theory, the contributors ask how and why particular bodies (of Estonian immigrants, sports stars, First Nations peoples, self-identified homosexuals, and women) are either promoted and upheld as ""Canadian"" bodies while others are marginalized in or excluded from media representations. Essays are grouped into three sections: Embodied Ideals, The Embodiment of ""Others,"" and Embodied Activism and Advocacy. Written in an accessible style for a broad audience of scholars and students, this volume is original within the field of visual media, affect theory, and embodiment due to its emphasis on detailed empirical and, in some cases, ethnographic research within a Canadian context.

At a time when thousands of refugees risk their lives undertaking perilous journeys by boat across the Mediterranean, this multidisciplinary volume could not be more pertinent. It offers various contemporary case studies of boat migrations undertaken by asylum seekers and refugees around the globe and shows that boats not only move people and cultural capital between places, but also fuel cultural fantasies, dreams of adventure and hope, along with fears of invasion and terrorism. The ambiguous nature of memories, media representations and popular culture productions are highlighted throughout in order to address negative stereotypes and conversely, humanize the individuals involved.